The Last of Us: Woulda Coulda Shoulda 

There should've been two scenes in the series of Joel and Ellie crossing a room filled with clickers. In the first, they're nervous and uncoordinated. In the second, near the end of the show, they are in sync and working together in silence perfectly. Show us they are a team by the end. And make the world feel more dangerous more often.

For me it was mainly the final episode that let me down. It could've easily been a 2 parter but it ended up being the shortest episode of the season. It was so rushed that it felt like a trailer to the real episode, and the ending was so unsatisfying because of it.

I loved the first two episodes. Then everything after that just felt completely rushed. Joel and Ellie basically went on a cross country father daughter camping trip. It got to the point where I'm like do they even need a cure anymore. World seems barren anyways.

It felt like they had a list of story beats to hit and it was just trying to get to each story beat as quickly as possible. James Cameron on the first avartar film was asked why a flying scene took so long. What was its purpose, it doesn’t drive the story forward. His answer was that the scene just let you be in the world. I feel like the last of us tv show needed a lot more scenes like that

The show felt rushed, it was forcing emotional bonding without really taking the time to flesh out these relationships and characters. Carol’s death set the precedent, as she was in one episode then dies, and the audience is supposed to feel sad? We barely got to know her.

I couldn't figure out why the season felt so unsatisfying when it was over despite me enjoying most of the episodes themselves, but this really clarified it. It's like the writers went crazy just wanting to expand a all the side characters and forgot to actually characterize the main ones. The big red flag for this was when they just time skip into winter and it's like "joel and ellie are besties now, go"

I’m a bit more forgiving of the show as I quite like a moody and meandering narrative, but you’re spot on about the central relationship and the flaccidity of the ending. The last episode fell completely flat for me.

Hey, it's Ron Swanson! "Your house isn't haunted, you're just lonely"

For people living many years in to a post apocalyptic world, they all look very comfortable, fat and well equipped in a world with no more industrial production of convenient products like pasta, tinned foods, bottles of gas for cooking etc.

I had my own issues with the show, and shared many of yours. The revolving door of characters didn’t irk me in the same way, but I can certainly see where you’re coming from. Enjoyed the video, as usual.

The pacing issue of the TV show is really interesting because it feels like the writers didn't understand what made the game's story work so well. But Neil Drukman - one of the creators of the game & story - is here, so what's going on? The game clearly takes influence from prestige TV, and the cutscenes are paced like so, but when you add in gameplay, suddenly the pacing becomes WAY more book-like. There's so much incidental dialogue and character-building that's just constantly happening for the entire game. Characters come and go, sure, but we spend HOURS with each member of the rotating cast. We've had adaptations like Rosemary's Baby where practically EVERYTHING was adapted successfully. The TV show is kind of like a "greatest hits" album where a lot of the songs are significantly dulled in impact because they came from concept albums and you're just hearing them like they're singles. Ironically the first episode ends with a hit single playing on the radio...I'm sure a talented, young, attractive writer could link that to how the whole show feels like a jukebox musical of story moments.

In hindsight as a fan of both games and the HBO show, I couldn't agree more. I feel there should have been a lot more zombie/clicker action. More " Danger". The big boy zombie coming up from underground was the coolest part for me

What bothers me most about the scene where he kills Marlene, is just how stupid Marlene is being. She told her own men to kill Joel if he tries anything, yet when she’s in a position to ambush him, she doesn’t think the shoot him immediately, but puts down her gun instead.

I just wanted a tighter focus on the two main characters. I enjoyed the cut away episodes on their own but it took away from the sense of journey and growth of the main plot

A lot of the things people love about the show are done better in the game. Every emotional beat was taken from the game and had more impact there. It kind of feels like the show is a watered down version of that story for people who will never play the game.

The show should have been at least 12 episodes. It felt rushed that Joel warmed up to Ellie too fast. And the argument of the lack of infected holds true here. Not saying every episode needs 50 infected, but in the game it helped Joel and Ellie bond through all the survival of having to fight constantly. In the game, they were constantly saving each other, it justified the bond they had by the end. The show felt fake because it didn't earn that same connection.

It’s been up 23 seconds and got 20 views already. Getting popular there G-man

I thought it was just me. I liked this show but overall, I felt it was just ok. But everyone around me loved it like it’s the best show ever. And I just couldn’t feel it. Great casting, great performances, production design is spot on. Got all the story beats. It was ok. Also, I wanted that bloater to throw pods 😭

Absolutely love your channel! Usually I come away from your videos informed and/or strongly agreeing. In fact I kind of do agree with your take on the final epsiode. The rest--particulary the first half of the video--not so much. Probably because I am old as heck and remember old tv, I don't mind the episodic take in this show. This is how adventure shows usually unfolded. There would be a character or characters in a given situation (say, "on the run from the law and trying to prove innocence") and there would be points in the show where the character(s) would address the core story/problem and other points where they would meet folks with their own stories along the way. I feel that some of your review suffers from the dreaded "this isn't how I imagined it" syndrome that many folks suffer from.

As an Ancient Person I find that the problem with all Apocalyptic Shows is that, if people behaved like they do in the production then humanity would last just one solitary generation. If that. In the 1970's Terry Nation (inventor of The Daleks) wrote a show (Survivors) about what happens after a worldwide pandemic took society back to pre-industrial times. (he also said the virus came from China but let's leave that there). It was a complicated world. A world where we had to start all over again. We may have to do this at some point, so take notes. Granted most of the programmes are now comic book/graphic novel or PC game based and therefore a bit violence-centric but none of them are about how to keep things going. Or how to fix stuff. It's just killing lots of people without any real consequences. Killing people is traumatic in real life. As Bill Munny says in Unforgiven: "It's a hell of a thing, killin' a man. Take away all he's got, and all he's ever gonna have." LOU needed to outgrow its source material. Unfortunately it hasn't. Killing is only a game when its on a PC.

Perfectly summed up all of the issues I had as usual. 👏👏👏👏

I was hoping for more fungus related enemies, it wound up feeling like the walking dead.

I wish I could have played everything happening between the cut scenes

Georg, I am wondering what you would think of last man on earth with Vincent price. It has a similar plot but is more lonely with his yearning for companionship while isolated serving as the meat of the movie.

I really appreciate that you don't use 'stock footage' to emphasise the points that you're making. Thanks for that. Also, great observations throughout! I'm really trying hard not to come across all sycophant, but I really like your content!

I know that longer form videos allow for more analysis, but tbqh I clicked on this vid because I saw that it was from you and also would take up less than half an hour of my time. It takes a lot for me to start a long video essay. It might be more accessible to make shorter sequential videos, like in parts. Thank you for all your hard work and dedication!

I love this channel so much

The whole jump near the last episode where they traveled 2 States to get to the hospital was a huge lost opportunity to have another episode where Joel and Ellie bond more. There wasnt many moments in showing them bonding when they're both main characters

What's the movie that a clip is shown from when talking about better action, with the fat guy with two pistols or something? I know I've seen it but I can't remember what it is!

this is the kind of content I always loved from Georg!

I still don't get the hype behind the first episode.

James Corden was magnificent as the bloater I have to say

Great analysis

Right. Off to revisit The Professional.

i love you your channel and video games but cant watch this due to not playing the game. pc user. will watch this at the end of this year. cheers Roy

Mando should have never removed his helmet and beskar

Georg it brings me immeasurable joy seeing you back in the old set style

btw, 0:40 that horse is a statue!

I quite enjoyed the series, but I also agree with most of the criticisms there. They took a 15 hour game (plus 3 hour DLC) and tried to cram all its narrative into 9 hours of TV. Basically half the run time of the game. Overall, they did well with that challenge, but it also makes things always feel rushed and doesn't give us the time to really invest in the characters to the degree they wanted us too.

To me, I feel like a big reason why a lot of the production value and direction can feel off sometimes is because the season was shot in calgary, canada. There's a film industry there, but it's quite small, and in a way, a lot less experienced that LA, new york, or vancouver crews. To then be doing the biggest HBO series, I can see the labor might just be not experienced enough to know what to do with all the extra money. But- given the next season is reportedly going to film in Vancouver- i have high hopes that it might be a bit better with all these issues, given that they're greenlit and it was a hit, the episodes budget could be higher, and tons of huge films are done in vancouver all the time.

9:15 What movie is this?

I always found it funny how many people latched on to the game when it first came out like it was some sort of unique cinematic storytelling masterpiece never made before, while there were many games even 10 year or more before it that had better story, cinematic feel and more interesting/original settings.

BTW i heavily suggest checking out the book 'World War Z' that's probubly the most mature piece of zombie fiction, the audio book also has an amazing cast which even includes Martin Scorsese

Why do people think that Joel massacred the Fireflies? In the game he kills the one guarding him, one of the doctors who comes at him with the scalpel, and Marlene when she confronts him in the parking garage. The rest of the time, Joel just slips past the Fireflies using stealth because it's a safer straegy than trying to outgun that many people and because he does feel a little conflicted over killing that many potentially decent people.

I haven't played the game... yet, but the show made me interested in getting it. I liked the show a lot.

Tbh. Great show. Better than most mainstream things nowadays. Sadly I felt like most new additions were at the expense of the story instead of improving it. Like seriously, the reason I liked the show is BECAUSE of the 1:1 scenes of the game. So at the end of the day, the reason why TLOU1 was a masterpiece to this day was because it was “FATHER SIMULATOR” the game zombie edition. And this dynamic that made the game what it is went from super praised to now even put into question!

Matched my thoughts exactly. Spot on once again.

You explained what my mind already suspected but could not put into words. Especially the finale.

I can kind of see what you mean. But honestly, the show is still great, my eyes.

Sad. The writers of the series didn't have the cohones to do justice to the savagery and brutality of the game, and do it in a clever memorable way...

oh wow I kinda just really liked it!

Unfortunately I agree 😢

As far as adaptations go, it was just alright but the hype surrounding it stopped any negatives criticisms. I loved the game, and I almost hated the show as I felt no tension of the game, nor the emotional connection.. it just kept going on in a direction that the writers wanted to tell their own story but couldn't find a buyer so they instead latched onto this IP and the madlads sidestepped the material and went ahead. Sure the beats might be similar, but the music is totally different and not in a good way.

I feel like the show is a pretty good example of why deliberate and direct adaptations of the source material are not in and of themselves meritorious. They made a significant number of changes to the broader world to facilitate the live action environment, but then it feels like they were really married to having the event and plot structure of the game progress almost identically. And it fails, a lot of the time. It's not as if the show necessarily needed "more" zombie action, but the infected were almost wholly absent from huge sections of the TV show where in the game they are an everpresent obstacle between the big setpieces. The world of the show feels less like a desolate hellscape where most people turned and life outside the few safezones is unlivable, but instead like almost everyone in the world got raptured and the people that were left behind sat around and did nothing for twenty years. Everything is so empty. That might all be nitpicky on the surface, but I would almost argue it's so extreme that the underlying motivation for the story - the possibility that Ellie could be used to help create a cure or treatment - isn't really convincing. I can believe that they would want to make one, but would it be necessary? Because the way the show world is handled, it seems like you could easily survive just by killing off the infected that are already around. And that directly undermines the moral dilemma of the final episode.

Thanks for articulating my thoughts almost exactly.

The noise around this show was bizarre. For the first 3 weeks, every day after an episode the same few people would tell me I need to watch it. Weeks 4-5 it died down a lot and by week 6 no-one was talking about it at all.

I totally agree, except I still enjoyed it. I just think it could and should have been better. I think my expectations are just lower than yours. Thanks for another thoughtful video

Georg, I'm a longtime fan and I love your content genuinely so I hope you don't take my comment as an arrogant mockery but rather a way of giving context to the meta surrounding the video game The Last of Us. I was confused when you said that TLOU was somewhat unique for having a "mature" tone as a video game in the year 2013. Since I can't seem to remember you ever talking much about what games you played in your non-podcast videos, I can only assume you played some of the more marketed and popular games in the west. The video game industry used to be much more diverse in genre than film at one point so those games you might have played could have been anything from an arcady collectathon to very cerebral "cinematic games". In any case, the truth is that The Last of Us - the video game, is not a very interesting or unique game in any sense. The game features notoriously awful game design and as you pointed out a very common story/setting. I don't think that Naughty Dog, the studio that made the game, wanted to cash-in on a halfhearted attempt at a zombie story with a human emotional core, the reason why I don't think that is because I read a lot of interviews from one of the directors of the game, the one that isn't Neil Druckmann. I find it very frustrating that when people talk about the success of TLOU, they never mention Bruce Straley, who was co-director of the first TLOU game, and who had a lot of sensibilities that gave that first game its tone and atmosphere that set it apart from TLOU Part 2 which was exclusively directed by Druckmann. So despite my dislike of the game I can see how Straley meant well, that being said it's still very restrictive and features very crude game design that would be fine if the game was an arcady shoot-em-up, but the fact that it clearly wants to be "mature", wants to be taken serious as a narrative, they probably should have either spend more time on making combat encounters more detailed or better integrated. There is a stark contrast between gameplay and scripted cutscenes, which just makes me feel they should have made a movie or TV show to begin with, since none of the interactivity the game offers seems to be significant. The game itself seems to be ashamed of being a game or at the very least doesn't care about the "game part" as long as they can drive home the point through scripted cinematics. You can make a game that is rooted in a sort of real world with genuine drama between characters and have it be mature as well as good, The Last of Us thinks that simply having an okay drama story makes it good or mature. If anything, games have become more immature since TLOU came out, they just mask it by having competent lighting and a somber tone. You might already know these games but I wanted to mention just a few as an example of games that were both pieces of expression with a serious point and also excellent games, instead of being one-OR-the-other, games that were mature before TLOU came out; ICO (2001) & Shadow of the Colossus (2005) - directed by Fumito Ueda The Metal Gear series from 1998 to 2010 - directed by Hideo Kojima Silent Hill (1999) - directed by Keiichiro Toyama Silent Hill 2 (2001) - directed by Masashi Tsuboyama Silent Hill 3 (2003) - directed by Kazuhide Nakazawa The Legend of Zelda: Ocarina of Time (1998) - directed by Toru Osawa, Yoichi Yamada, Eiji Aonuma, Yoshiaki Koizumi, Toshio Iwawaki The Legend of Zelda: Majora’s Mask (2000) - directed by Eiji Aonuma, Yoshiaki Koizumi Persona 3 (2006) & Persona 4 (2008) - directed by Katsura Hashino Demon's Souls (2009) & Dark Souls (2011) - directed by Hidetaka Miyazaki Journey (2012) - directed by Jenova Chen

Hiptang for vice president ¡

Wait this isn't political commentary I want new, old Georg back. I'm lying I'll take Georg in any form

It was solid, but only because the material is already incredible. It's just the game but worse in every way. Some of the casting is terrible and it's insane how you have a big name like Pedro Pascal give such an underwhelming performance compared to Troy Baker. One of the most integral parts to the story is the scene where Ellie confronts Joel about wanting to pawn her off on Tommy and man Pedro's version is just absolute bland compared to Troy's. Troy's Joel is loud, angry, and you can feel the emotion in his voice where as Pedro lacks all of that. Then you have the small meaningful details like how Troy's Joel touches his broken watch whenever he thinks about Sarah. Bella Ramsey got much better as the show ran on but she's far more annoying than the game and I definitely prefer Ashley Johnson's performance. Gaming really has become the best medium to tell a story because you get so immersed actually playing and now acting is on par or better than big budget movies and TV shows.

From a fan of the series -- both games -- I felt the show was good, but not great; certainly not "great", relative to the best HBO series, anyway. What we got, was an abbreviated overview of the game's major beats -- the ones that already had movie-quality cut-scenes in the game. The first game does a great job of building the relationship arch between Joel and Ellie. The show does not, because it was too short, and gave us so few scenes where this would be convincingly demonstrated. This is absolutely critical for the second game's story, given it's squarely and entirely about revenge -- both for Ellie and Abby. My fear is that they didn't really set that up in such a way that the viewers of the show, will be nearly as invested in Joel's character (beyond him being portrayed by Mandalore). Yes, it was faithful to the source material, but to what end? I think to it's detriment, honestly. To that, I would also like to point out that, in many ways, the scenes depicted in the show were executed much better in the game -- especially in the PS5 remastered version. Again, it's a good show, but it's really not what I'd call great. I have a feeling that it will have to follow the second game's story, fairly closely, which makes sense, given the story was never about anything other than Joel and Ellie (saving the world was a McGuffin... rather than the major obstacle or objective of the story). Because of that, I don't see this having more than 2 more seasons that are on this level of quality.

im reluctant to complain about such a good show, but it could have been so much better

The last episode should Have been the entire build Up of 20 years of Joel being angry about losing his daughter explodes!

I really like the show, but you make some good points; it could even have been better. And yes, that especially the end felt a bit too much like a game run.

Interesting points. I feel like the action with Joel in the hospital is about framing him menacingly to put their thumb on the scale about the moral choice at the end. When I played the game I didn’t kill anyone in the hospital aside from the mandatory kill of the surgeon.

the best boy has posted again

I loved it

I love your content georg, but i completely disagree about the bill and frank epoisode. I thought, for the most part the season was pretty good entertainment. But, i thought episode 3 was beautiful, purely as a stand alone. I wont watch the season again, but ill definitely watch that episode again.

I enjoyed the show a fair bit, but i feel as if they dragged out some things too much and other things not enough. admittadly i have not played the games, so im judging it entirely from the perspective of what i had hoped to see more and or less of. i would have liked to have seen more of the world pre-apocalypse, especially outside of the US. Ellie and Riley making whimsy eyes at one another for almost an entire episode was way too drawn out (and the implication of romance felt cheap). we already know how its going to end, and the whole episode felt like a "you know im going to die, so we're gonna cram as much backstory and personality as we possibly can into a few minutes, and hopefully you'll feel bad when i die" situation. made worse by the lack of actual death. same with episode 3, though it is still one of my favorite episodes. there i felt moreso as if things could have been tightened up a bit more to have more room for Bill's day to day life before meeting frank, possibly even knowing about what the government did to the rural community inhabitants. Henry and Sam were great characters, and i enjoyed their interactions with Ellie and Joel. In contrast, the "revolutionaries" were pretty weak and undercooked. sure, it was fun seeing them be brutal, but the fact that the only really named character from among the revolutionaries was Kathleen, whos energy on screen felt like that of a substitute teacher, was a weak choice. I would have felt bad for the fireflies and Marlene if they weren't such pricks throughout the entire show. so When Joel went Eggs, Ham & Bacon on their self-rightous asses i didn't really care. Maybe if they had been more humble and less "we're cool rebels, bitch" it would have added more weight to their decision to do a procedure that would likely kill Ellie.

Um akshully it's "Coulda, Woulda, Shoulda."

Is it just me or is the audio really low for this video?

The clue is in the title, Joel is going to kill all remaining humans other than Ellie

It's worth pointing out that the games don't even flesh out most of the characters much at all. There are basic notes and whatevers that can be easily missed. The game is about Joel and Ellie, not about every tom dick and hard they come across; The show misses that fact.

I liked it but I did feel it was lacking a little... Something. Even I desired a bit more infected action and feel the show needed to slow down a bit.

You know, my favorite thing about the hospital in the game (especially on repeat playthroughs) is knowing that its the climax of the game and that you don't need to conserve resources anymore. It always lead to me playing in a really aggressive way that feels like what Joel would actually do in the situation. No more pragmatism about the next fight. Just carnage. The show really should have had that.

The over all message : A zombie out break will be the end of humanity. Either by death outright, or everyone else turning 'gay'.

I don't get to play console games so if there's a really cool game I wanna see I rely on playthroughs, and for the most part they really satiate my need to consume video game stories. That's how I got to watch the TLOU games. Watching it like that, like a movie or a (clears throat) TV show makes it easier to critique the actual HBO TLOU. I mean, without the interactive experience I can still say something is missing, and it feels like the underlying bg white noise of dread and danger was just missing. I wasn't feeling it naturally during the show as I did in the game. The show felt like every episode was ironically like a video game, but in a bad way. Our main characters re-spawning, lives at 100% and fully restocked with added growth points. It felt like the ingredients of a soup were placed into a clear pot of water, but never boiled, so it all just floats there together, but it never congeals.

I liked the game and the show, but not equally. I do agree the show could have had a little more infected, more threats, and the ending.

what are his favourite movies?

I feel you brother.

Definitely agreed. Decent show, but it really should've either been longer or more focused, along with fixing a few other issues.

We've got five years!

pulls out small violin as halo fan who has to exist in the same reality as the halo show

The worst part is this one wolf and cub style story has been done effectively with shorter run times. Namely, movies like the road. The original last of us has now been out done by other games like God of war, which made a character as 1 dimensional as Kratos into a relatable father figure

Without the interactive, immersive experience of game play, the skeletal nature of the actual narrative - the plot - is revealed, alongside the one-dimensional ephemera that passes for character development. Exception is, of course, episode 3. The best of the lot. The show felt like an exercise in adaptation-as-box-ticking, with fine acting talent and a big budget to prop it all up. There just wasn't much to chew on. There's "nothing happens," and then there's "NOTHING happens" - if you know what I mean. Loved your John Wick take on what might have been.

I have recently seen The Internet Historians recap of the videogame and now Georges review of the television series. That's more than enough for me.

I hear they're making a Days Gone movie, and while I don't think that game's story is worth the effort, I think that would have worked better as a series, while The Last of Us should have been a movie. The story fit that much better than episodes.

Still haven't seen this ... busy watching a 76 part anime about boxing ...

4:05 "ultimately training the audience not to invest in any characters because they may not make it to the end of the episode" Correct, which is why I never understood why people liked Game of Thrones which introduces a new character in every other chapter and kills them off at a ridiculous speed. But in GoT people said they liked not knowing who was going to last and who was going to die in some gory way at the hand of the main characters that are never in any danger... oh wait, people were just curious about the method of killing weren't they... ironically I never really get invested in characters anyway, because Autism. The lead characters are not going to die and every series and every movie makes it pretty clear who the lead characters are. Also: zombie apocalypse and the horses are still alive? Any idea how much a horse eats vs how much food it provides to, say a hungry mob of zombies? This right here is why I don't watch movies.

I didn't like the games or the show. So there's that.

All the new characters dó contribute. Every one of them adda up to the relationship between Joen and Ellie. In this way, the focus stays with those 2. It's actually very good, in my opinion

For me personally, I never bought into the hype job. This was just another 'Witcher' or 'Mandolorian' - a mediocre show with a big production budget behind it and a million rabid fanboys pre-made to talk about it online like its the second coming of Christ. I didn't even make it midway through episode 2. This is the 'best show ever made' for people who've never watched The Wire or The Sopranos (and will never) and people who think 'Don't Look Up' is 'subtly deep' thought provoking cinema.

You can tell it was a battle between the lead writer and Neil. Half is great, half is dumb.

Personally, I didn't mind how they handled Bill & Frank in the sense of them not really playing into the main story. I thought it was super effective to have Joel and Ellie get there and they're already dead, but imo that's a trick you can pull once. I kept getting increasingly concerned as it went along, and while I enjoyed all the episodes on an individual basis (except maybe Left Behind, the writing for that episode felt very sub-standard and it was especially useless to the story while grinding it to a halt) I kept feeling like they had a lot of ground to cover and were moving very slowly. That final episode gave us some great Joel/Ellie interaction, and the whole time I was thinking "why isn't there at least one more episode here? Are we not going to get pretty much anything of them bonding?" and no, we weren't. I respect The Last of Us game more than I like it, I respect it for being ambitious and widening game narrative for a larger audience (imo Spec Ops: The Line is a far more interesting game narrative from slightly before TLOU that didn't get nearly as much attention) but I don't think Neil Druckmann is actually a very good writer, and most of the acclaim he receives is because, let's face it, game writing is graded on a curve. I think if The Last of Us had been a show initially, people wouldn't have cared nearly as much. There are parts where I think the show improved on the game's writing, but so much felt like a missed opportunity that I'm starting to get the feeling that Druckmann doesn't really understand medium on a deep level, and the inherent strengths of each. A lot of the game feels like story segment, stealth segment, action segment, rinse and repeat. A lot of the show felt like very generic TV structure, villain of the week type thing. He's a very tropey writer that I think writes individual scenes of dialogue and moment-to-moment character interactions very well, but falls kinda flat when it comes to story structure and pacing.

I only watched the first five episodes and stopped with the one where they meet Joel's brother, because it really felt like I was watching a late 90's or an early 2000's tv series and I didn't like it, I felt like there was something off with the direction, especially the blocking of the scenes felt really cheap somehow. I was honestly surprised to hear the praise that it has got.

"Please leave."

Each episode had a very inconsistent run time, varying in between an hour and a half or just under 40 min. Two episodes felt like filler episodes; E3 and E7 could have been cut out of the season entirely without losing anything at all (not that the show was any good after the first episode anyway, but those two didnt help). The tension was lost and i did not care about any of the characters after that first episode, the clicker encounter in E2 should have had something, but i felt nothing. I never played the game, so from an outside perspective, this show was worse than walkingdead.

It's weird watching a very, very, VERY personal take wrapped in a traditional critical wrapper. It's true. Cilantro DOES taste like soap to people who taste soap when they taste cilantro.

The Incredible Hulk tv series with zombies, but its just the Bill Bixby parts