Тёмный

The Living Tradition of Japanese Scroll Mounting 

Smithsonian National Museum of Asian Art
Подписаться 13 тыс.
Просмотров 1,4 тыс.
50% 1

Experience the living tradition of Japanese scroll mounting by watching NMAA conservators Jiro Ueda and Akiko Niwa rescue an ink painting of a plum tree by renowned Rinpa artist Sakai Hōitsu (1761-1828). With meticulous care, they remove the painting from its previous, poor-quality mounting, which damaged the artwork and visually overwhelmed the image. Working closely with curator Frank Feltens, they choose suitable fabrics, colors, and patterns to remount the painting, bringing it back to life and safeguarding it for the future.
This video is part of the exhibition A Journey of Taste: Freer and Japanese Scroll Mounting (April 15, 2023-March 3, 2024), on view at the National Museum of Asian Art.
Visit asia.si.edu/journey-of-taste to learn more.
#SmithsonianAsianArt #TheNext100

Опубликовано:

 

8 янв 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 2   
@susandangberg8867
@susandangberg8867 18 дней назад
ah , thank you for this most exceptional presentation . full respects , full appreciation ~ ~ So profound , So beautiful . . . your being. your “ minds “ true treasure
@judyparker8459
@judyparker8459 3 дня назад
A lovely video showing the thoughts and commitment to showcasing artworks true to their spirit. However, unfortunately, otherwise another case of using an underlying music audio (that has gotten even worse over time) that too much competes with the speaking audio. When you give tours in the museum, is there someone carrying a boombox along with the guide?? How long would that fly with visitors? It's the same here, in every video one creates for the internet. Use music for introductions and endings but ONLY when NOBODY is speaking. Especially when the content is crucial to helping viewers understand the subject. Even attempting to use closed captioning, the music was still nothing more than a distortion of the speaking audio and never an accompaniment. Give this a justified think, please. The original/found boisterous border on the scroll easily represents adding music below speech that's too loud and competitive, while the 'correct' border rightly justifies the central artwork as what's most important for viewers to realize and learn more about. It's the words that are far more central to videos such as these than background music ever is. Thank you for reading.
Далее
Вы чего бл….🤣🤣🙏🏽🙏🏽🙏🏽
00:18
ТРУБОЧКА СКВОЗЬ НОС 😳
00:40
Просмотров 252 тыс.
Safe Handling Practice for Chinese Handscrolls
6:45
Japanese Folding Screen History and Structure
15:34
Просмотров 22 тыс.
Beth Cavener - Sculptor
5:12
Просмотров 126 тыс.
Kakejiku - Making of a Japanese Hanging Scroll
14:51
Просмотров 47 тыс.
Вы чего бл….🤣🤣🙏🏽🙏🏽🙏🏽
00:18