In some alternate reality, The Misfits' song "Saturday Night" from their record Famous Monsters was a horror punk cover of an obscure 1950s slow dance song.
There's 52 ways to murder anyone....1 and 2 are the same.. and they both work as well... I'm coming clean for Amy, Julie doesn't scream as well and the cops won't listen all night.... and so maybe... I'll be over.. just as I fill them all in... God damn I love Danzig but grave misfits really hit that's 50s vibe
I find that the the Danzig-era sound and the Graves-Era sound are pretty different, it's hard for me to compare and say which I like best. Saturday Night is my fave Misfits song, but you can't beat Astro zombie, skulls, last caress, tv casualty... etc.... they are just classics man. I just can't really compare them
@@ScottRogerMusic it's not a weird concept, it's perfect! 😊 I hope this reach the guys from Misfits eventually, I'm sure they're gonna love it just like we all did! 💕💕
ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-JIgsDZFIFEE.html Skip to 2:50 into the track. It's the closest you'll get to Graves basically performing it live. ✌
@@ScottRogerMusic hey thank you for going through the trouble of finding out. I'm planning on releasing some 80s slasher movies inspired synthwave and I think this font fits perfectly!
Could have done without making it sound like it's on a record that's never been cleaned. Maybe a little bit in the beginning but still just a little; not too much. (You know people also cleaned records back then; it's not a new thing lol) Most of us would never let a record that's never been cleaned or is all scratched up anywhere near our turntables. I know...in all fairness there are people who think records are supposed to sound like that for whatever reason & maybe you're not familiar with vinyl yourself; I don't know. But they're not....those clicks & pops are the stylus(needle) hitting dust & dirt in the grooves & sometimes it can be a scratch... That's why people clean records. People have always done it, we just have way better methods & products for it these days. I actually have a record from 1959 & some from the early 60s & all of them are dead quiet, like a CD almost...though they do have an occasional click or pop here & there, but are mostly dead quiet.lol
It's pretty easy, just C Am F G through the intro and verse, then F G C in the prechorus, E F G right before the chorus and then back to C Am F G for the chorus. The modulated part is the same general idea but in D instead of C. Hope this helps!
You gotta get a little more nasily if you wanna nail the 50s sound. It's a weird frequency. I guess, back then, their mics only picked up a certain frequency so that's why you hear a similar voice with all those classic 50s radio hosts and stuff. I love the idea though. I always thought graves nailed the 50s sound, especially with the backup vocalists and singing about drive ins and stuff.
Great song...but this version? C'mon...it sounds like the singer is singing into a tin can...it's awful...an injustice to a great song. Sorry, just my opinion.
