The NEW Well Tempered Amadeus Junior is a High End Audiophile Turntable that's actually BETTER ! 

Jay derris fraud going on on your account please call me back

There is fraud going on somebody is pretending to be you saying they won and is demanding money for shipment

@@stephencosta6814 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qQS89qnKdPk.html

Hello François , hallo Jay, I am also a music lover and I explore the music history with my VERSALEX, DECCA LONDON SUPER GOLD CARTRIDGE and GERMAN PHYSIKS UNLIMITED ULTIMATE since 6 years. (YT v=POwoXqjvNJg&t=18s ) I propose to you an other heavy argument to support the culture of analoge sound art (re)production on vinyl. Try direct to disc recordings, called also direct cut vinyl records on your Well Tempered Labs. You feel and hear instantly the superiority of dynamic reproduction, clearity , and you remark the silence of the background aso, A result of this recording methode, without taperecording. without digital recording and without mixing and without cut options. The original mother-matrix is cut during the artists are performing, the same method as in the pioneer time of recording, but with sophisticated modern material. The authenticity of such musical recording sessions has dramaticly dimensions. The pauses between tracks must be kept real. If a technical mishap occurs during the editing, or if the artist misses his cue, the whole page has to be re-recorded. Not just the track. Imagine this by recording, for example, a big classical, orchestra at the end of an 20 min recording. The cutting time of a direct cut record session is limited at maximum 20 min. The collaboration between the performer sound engineers and editors must be intensive. In this way, a work of art can be created , in terms of authenticity, a such kind of musical work has much more authenticity than all digital recordings and analog tape mixing processes can ever achieve. Even if the technical results are not so accurate compared with modern digital processings. A great chance for creative performers, sound engineers, electronic engineers and forgotten professions such as cutters and ambitous record makers, graphists, to use their skills and knowledge together to create limited editions of authentic works of art. And a chance for the vinyl record to survive as a original work of art, in time of the industrie of anonymous mass-reproductions. Music lovers.... look forward to it and enjoy.!

There is fraud going on somebody is pretending to be Jay and he’s demanding money for shipment of an item

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qQS89qnKdPk.html

No recorded format is truly analog.reel to reel would be the closest. Vinyl uses compression in the fact the grooves can only be cut so deep and so wide. RIAA and such. How many times you think the signal is converted from the needle to its end point? Vinyl is boosted in a certain frequency range too. I like vinyl but I get so tired of hearing this nonsense.

Also our ears are equivalent to analog and our brain digital. High res formats are much more true to the original recording because reel to reel captures a frequency range that could never be transferred to vinyl because you cant cut the grooves that deep or wide because the needle wouldnt track proper. Just physical limiting facts.

@@slimjim1104 loved my teac reel to reel.

I should hope so.

Likewise I love my pre 1985 LP12. However I had it upgraded in 2012 to include Keel, Radikal and Urika and the sound improvement is wonderful.

@@peterwicksteed5478 The cost of those upgrades is a major deterrent for me, as it can get pretty expensive. Enjoy!

@@nicholas6823 you are right of course and I needed a stiff whiskey before signing up. One of the nice things about Linn is that you can update an old family friend. Recently I had my Linn Akurate DS updated and the sound improvement is also amazing. Best wishes

I have set up my system so I can stream, play CD’s & play Vinyl. I’m extremely happy with the results I’m achieving. Very musical and warm whilst still plenty of details 👍😊

Service fraud going on here somebody is pretending to be Jay

@@stephencosta6814 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qQS89qnKdPk.html

It's a horrible ugly design I can't forget such a monstruosity even if it would be the better TT on this planet (and it's NOT)

Hi. Can you elaborate on how Philips GA 312 is better than the Linn and Pro Ject? Do you use the original tone arm?

Yep , the output signal is analog from both SACD and CD players I think ..I play SACDs on a 200 dollar Yamaha DVD player bought in 2007 and they sound great

Thanks !

Did you tell me that I want something?

I guess everybody hears differently. I have a rega rp3 and an older linn lp12. For me the linn is far more enjoyable and just more musical. The rega is ok, but is somewhat two dimensional and lacking something. Also with the linn there is no trace of rumble at all unlike the rega where there is a little.

Or just their distortion haha. Probably why he doesn't like most modern turn tables and most d class dacs. Some second and third order distortion can add a nice sound. Actually a lot of people and audiophile youtube channels don't love good measuring equipement.

@@jortpeters6419 Even order (2nd, 4th, etc.) harmonics are probably the source of the tube sound. Odd order harmonics (3rd, 5th, etc.) may be the source of the delta-sigma DAC and class D amp sounds. At least that's the impression I've got from reviewer comments and the reviews that combine measurement and subjective listening. A high noise floor is characteristic of analogue sources, but I don't think harmonics are? Of course, since Jay likes some but not all analogue equipment, so it could be that he likes that which produces harmonics similar to tube gear, and dislikes that which doesn't.

Dennis is on to something here. Analogue is not simply “warmer” or “harmonically “ more appealing. There is many times more musical information in a record groove than in even the highest resolution digital file. A good place to learn about this through RU-vid or web site for the US based cartridge manufacturer Soundsmith. Peter, the owner, gives excellent treatment to these issues. Start with a video entitled something like “Why Analogue is Digital”.

No, no, that is an excellent system, especially if you get it upgraded by soundsmith (where you pretty much have to go for replacement cartridges for it anyway). They do an $1500 or $1800 upgrade that makes it, well, great.

I have too, with a vdh crimson, achromat

The MP-150 is MUCH BETTER, and IMHO, the sweetspot of the Nagoaka line

I hear where you are coming from. I’d say it’s the entire thing - I see it as one system Where Synergy is very very important

@@Jayiyagi Someone is saying that we have won the contest and we need to send the money for shipping is this true Jay

@@stephencosta6814 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qQS89qnKdPk.html

No, pivot distance equally flawed on both those models… good workhorses/platform for a nice cartridge but more precision is available for less. I have similar feelings about Harley Davidson motorcycles.

That was my first encounter with high end gear back in the day.

@@hugobloemers4425 Went to the audio store way back in 1978 to pick up a new, flashy Sony receiver and some new speakers, Came home with a Accuphase amp, Accuphase tuner, Kef 104ab's and the Micro Seiki. Everything still works and still sounds amazing !

Nice

That's some testimonial about the Dual; I have a 1019 and I love it.

@Greg McRae Yeah, know what you're saying, which is why I still have mine. Presently I am using a Goldring 1006 cart.

Systemdek IIX here also with a Profile arm and Audio Technica cartridge. iv had it since about 1990 and its time for a cartridge change.

That's like bringing up a horse and buggy when someone's talking about a modern car. That being said, I have enjoyed wind up gramophones for some old 78's too, and I like the bamboo or cactus needles. Some of those old 78's do sound amazing, but then they sound "better" with a newer turntable, with a 78 stylus, and a preamp eq'd for the correct equalization. Better is only preferences of course.

@@jeb419 You got me. If I was a collector horse drawn buggies, I would indeed have made a similar joke on a modern car post. It's just one of those things I like to do, like expounding on the superiority of Blue Amberol over CDs when people are talking about vinyl.

“Just one of those things I like to do”. You might think better of it the next time you get one of these completely insane impulses.

Barry, you are so very correct. The Well Tempered Amadeus and matching cartridge is obviously tailored to a specific sound. One that is obviously “analog” as I current fashion, a sound with overt warmth and a lack of transparency. It’s a coloration, no matter how you state it, and will will be pervasive in the sound of every piece of vinyl played making every LP sound somewhat the same. The job of the turntable system, or any source for that matter, is to get as much information out of the groove/pits/stream as accurately as possible. Any information lost or changed at the source is gone from the signal and nothing upstream can replace it.

I am sooo waiting too!

Maybe in comparison to the now comparatively priced Bowers and Wilkins 805 D4.