I don't understand much about this kind of things (how the music is made) but I love it, really well explained. There goes your 4000th sub man, keep it up!
The problem with that is that I'd have to go and wire a laptop to the dawless setup and that would kind of defeat the purpose. However, I promise you to come up with some minitaur ideas soon. I'll do some homework. What sounds are you looking for?
+Maxime OPR hi Maxime. Thanks for checking! No modulation, no sidechain. It’s not even me doing something. It’s you. Check out Tonotopicity and Psychoacoustics. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-A83gc7qnCPI.html
@@mamaxopr it’s something I’m also working into my sets as I find the smaller increments on frequencies is something you’ll come about soon as you’re starting to really zone in at your live setup.
Hey! I'm hooked on your channel after I saw a breakdown of a long set. You definetely know what you're doing (sometimes I get lost while you make it look very simple). Anyway, here's an offtopic question: I see you use Genelecs. Are those 5" speakers ? Do you use sub ? Obviously, sub is a must in dance music. Right now I use tannoy 502 and prodipe sub (cheap used gear). They get the job done ok, but nothing stellar.
In this room I’m not using a sub as I don’t need it. In my previous studio I did. I think that is your speakers can accompany your sound, try without it. Mixing is more about hearing whilst producing is about feeling. I try and keep the 2 separate. Thanks for checking!
@@AnalogKitchen definitely true about feeling and hearing. I did produce most powerful stuff when I was producing on 200W+ 15" wedges + nearfield 5" krk in garage. It translated very well to warehouse parties. To get through bad speakers and crazy reverb I had to saturate sounds more and more. Building treated but small control room resulted in more clean sound, but less exciting and not translating so well. I did hurt my ears though during that time, as I was working on very high spl.
I’ve been testing this with the JX-03 and sounds great! The only thing is that it has 2 oscillators instead of 3 but i’m happy with the results! Thanks man!!
The retune is the biggest part to get it droney and deep sounding. Don’t de tune too much though. Can you send me a long C. I’ll test it in a future vid
@Analog Kitchen - could you do a video about how you choose/prepare samples? Do you preprocess them with compression/eq/etc? Do you tend to go for generic groovey samples, or do they form a creative basis for some tracks? Do you use percussion loops? Do you collect them in bulk or per-track?
I can and I will do a video on how I select and structure sounds soon. I actually have a roadmap in my head where the low frequency content needs to be the most important. When that doesn’t work, the tracks will not migrate. So that’s when I look for sounds that are great sounding out the gate. On my Patreon page I go deeper into things and answer any questions you might have in depth! Thanks for checking!!
....and again a popular club disappears in Cologne-Ehrenfeld. The Heinz Gaul on the corner of Vogelsanger Strasse and Lichtstrasse was demolished on Thursday. The site had to give way to planned apartment and office space...
