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The Science of Clipping - The ULTIMATE Tool for Loudness + Punch 

Warp Academy
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A video on the real secret to getting louder mixes and masters. You can use this in any DAW: Ableton Live, FL Studio, Cubase, Studio One, Logic Pro, Pro Tools because the technique uses plugins.
If you struggle with getting your music loud, tune in! Using transparent clippers all through your mix will help you avoid aliasing, intermodulation distortion, dull transients, and quiet, wimpy masters.
★ SKIP TO SOMETHIN’ ★
0:00 Intro
0:49 What Do Clippers Do? Hard Clipping vs Soft Clipping
2:15 What Harmonics to Clippers Create?
3:05 Why I Use Clippers for Loud Mixing
4:37 Orange Clip by Schwabe Digital
5:22 The Clipper Setting that Erodes Headroom
6:26 Saturate by Newfangled Audio
7:00 StandardCLIP by SIR Audio Tools
7:40 Multi-Band Clipping in K-Clip by Kazrog
8:10 Gold Clip by Schwabe Digital
8:54 Gold Clip vs Other Clippers
10:02 All About Aliasing
11:24 Does Oversampling = Higher Quality?
12:10 Outro
★ ABOUT WARP ACADEMY ★
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#musicproduction #mastering #audiomixing

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28 май 2024

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Комментарии : 289   
@warpacademy
@warpacademy 21 день назад
Some people have been asking about Standard Clip here, because they're not able to reproduce the same overshoots I observed in my session. So I captured a screenshot of the session, Standard Clip settings, and meters for you below. Also, Nicholas Di Lorenzo from @panorama_mastering just published a good video that shows how the overshoots happen in Standard Clip and why they happen on some material but not other material. You can watch that here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GGiLAhHPHV0.html. First of all, I'm clipping very gently here. A couple dB on super short audio events. Mainly just the snare. I'm not pushing the clipper hard at all. Check this out: capture.dropbox.com/UY8A1izXIQNtEJFU You're most likely not seeing the overshoots because Standard Clip has 2 clipping stages. The first is oversampled, and the second is a 0X non-oversampled hard ceiling (called "Ceiling" in the plugin). If you leave the Ceiling engaged, then the second clipping stage hides the overshoots from you by applying more clipping. If you disengage the Ceiling parameter, you see the true peak level overshoots both in sample peak and true peak (true peak overshoots being higher). The same is true for K-Clip and most other clippers with oversampling. They usually have a second 0X OS ceiling. And in fact, you see the exact same thing in iZotope RX Audio Editor. When you use the Resampling process to downsample anything, you'll see the parameter "Post Limiter" engaged by default. They need a post-downsampling limiter to catch these overshoots. This is because the Fourier transform process with the sinc function related to the lowpass filter used in anti-aliasing will cause higher and higher overshoots the more Fourier partial harmonics are used. The more oversampling used (and the more extreme the downsampling) the higher the overshoots will be. Some people have commented that they're not seeing overshoots using Standard Clip with the ceiling off, so we're investigating this further. It could have to do with the material being run through the clipper and the project sample rate. I'll post more info here as I learn more.
@SR1B
@SR1B 14 дней назад
Hey there. Btw, Gold Clip also has a « ceiling » function, it’s called « Clip Guard » (it’s found in the settings), and that’s probably why you don’t get overs. Edit: Gold Clip does also have a LPF, which also probably contributes to the absence of overs.
@GenericInternetter
@GenericInternetter 2 дня назад
In the first 15 seconds I can hear how loud and clear the audio is even on my crappy phone speaker! Subscribed
@warpacademy
@warpacademy 2 дня назад
Cheers! Thanks for subscribing.
@kerimallami
@kerimallami 21 день назад
Man this was probably the most helpful video I watched on clippers. Even doing it on a dnb song! You are a legend. Hope you’ll have some more dnb examples in your videos. Subscribed!
@warpacademy
@warpacademy 21 день назад
Glad it helped! Clippers have totally transformed my mixing workflow so I'll be including them a lot in my video. And...we just are about to launch a new bass music label at Warp Academy and I'll be doing all the mixing and mastering for it. So you'll see a lot of dnb and mid-tempo bass music in my upcoming videos as I work on tunes for release with our artists. Cheers!
@TheArkhamRebellion
@TheArkhamRebellion 3 дня назад
A lot of people complain about the cost of Gold Clip but you really have to give it a go if you haven't yet. It's definitely got some special sauce going on.
@warpacademy
@warpacademy 3 дня назад
Exactly. Plus, they put it on sale every now and again. It's much more than a clipper. And as far as clippers go, it's the king.
@mojophonic
@mojophonic 22 дня назад
I am in awe when I watch someone of your professionalism teach about such advanced topics. Thank you for this.
@warpacademy
@warpacademy 22 дня назад
You’re most welcome. The science behind audio production is really fun stuff to dig into. Thanks for watching.
@mojophonic
@mojophonic 22 дня назад
@@warpacademy what do think about training your ears and how age affects it? When you were comparing the clippers, I did hear the Gold was "different" (which you referred to as "open"), but in general, I don't always hear compression or more subtle A/B comparisons. And that bugs me, but I am also late to this whole scene. I am in my mid-50s and there is the hearing loss, especially at the high frequencies, that accompany that. Is mid-50s too late to really train your ears? Curious as to your take on this. Cheers
@warpacademy
@warpacademy 22 дня назад
Much of this stuff is quite subtle to hear. The room and monitors you’re listening on have a large effect on whether you can hear things like this as well. Yes with age you definitely get eventual HF hearing loss. I probably have some too but I’m also very careful about protecting my hearing. I think that you can train your ears better at any age to get better than they were. It’s partially about being able to hear. And it’s partially about the ability to discriminate and interpret what is audible to you in A/B comparisons and that comes with practice.
@earthlyng_official4599
@earthlyng_official4599 14 дней назад
Not advanced but i agree
@Masteringthemixlondon
@Masteringthemixlondon 18 дней назад
Love how you break down complicated subjects and make them easy to understand, with practical advice!
@warpacademy
@warpacademy 18 дней назад
I appreciate that! Thanks Tom.
@djkrptdnb
@djkrptdnb 19 дней назад
I remember Baphometrix saying something about not turning on oversampling in his Clip To Zero Strategy series of videos - while extremely comprehensive, I got a little lost in the series, this video has cleared things up for me so thank you (easier when it’s d’n’b too!)
@warpacademy
@warpacademy 19 дней назад
Right on. And yes, Baphometrix did have a video about oversampling in track clippers like this. They recommended the exact same things, if memory serves. I wanted to do a video about it because, while extremely detailed and comprehensive, I found many of the Baphometrix videos to be quite long winded and drawn out. 90 minute run times were quite normal so I'm not surprised that a lot of people got lost in the series.
@agapeleone5847
@agapeleone5847 15 дней назад
I respectfully disagree about Baphometrix stuff being too long etc. Baph just covers all the bases and goes into very clear detail which helps many people who are not already familiar with some of what is discussed.
@agapeleone5847
@agapeleone5847 15 дней назад
...all that said, this video is great too!! And very appreciated!!!
@warpacademy
@warpacademy 15 дней назад
Oh I’m not saying it’s too long for me. I love detail oriented stuff. It’s too long for the average person on RU-vid. Short form content like TikTok and Reels have destroyed people’s attention span. The average watch time on most RU-vid videos is less than 5 minutes. So rather than making a huge long 90 minute video it’s better for the audience to make a series of shorter videos. No disrespect to the Baph stuff it’s great. It’s just not packaged for the average learner on RU-vid and I consider that stuff very carefully when I’m creating content.
@warpacademy
@warpacademy 15 дней назад
Cheers.
@ORUMusic
@ORUMusic 19 дней назад
Keep in mind that the artifacts added by aliasing are explicitly non-harmonic. They're harmonics that would have been created but bounced off the Nyquist frequency and therefore render improperly. You're right that for gritty DnB track, aliasing is probably pretty much negligible. But that won't always be the case depending on how much clipping you're doing and what genre you're working with.
@warpacademy
@warpacademy 19 дней назад
100% on the same page with you. Well said. Aliasing foldback is usually described as non-musical compared to harmonic series. The reason why it works here, is that it's on the transients mainly, which contain all frequencies. And the rest of the song is very harmonically dense as well, with tons of saturation and distortion in the sound design and mixing, which has a cumulative masking effect. In the end, I did use oversampling in Gold Clip on the master. But I did not use oversampling anywhere on the clippers in the mix, unless they were soft clippers creating audible harmonics. Cheers!
@hcl8836
@hcl8836 17 дней назад
Exactly
@apoplexiamusic
@apoplexiamusic 12 дней назад
Holy shit! I haven’t watched a video from this channel in a few years and it feels like a completely different channel, but in a really good way. Like this is really high level, technical stuff here. Thank you for this!
@warpacademy
@warpacademy 12 дней назад
Thanks and welcome back to the channel!
@Rhuggins
@Rhuggins 20 дней назад
This is RIGHT up my alley. Videos like this are exactly the reason I am subscribed. Its hard to find content on RU-vid that delve into slightly more advanced topics, without having to pander to the newbie that jsut downloaded their DAW a week ago. Keep it comin!!
@warpacademy
@warpacademy 19 дней назад
Awesome, thank you!
@AndyParka
@AndyParka 18 дней назад
Holy crap, I saw someone mention the name "vespers" and had not idea that you were the guy from 10 years ago. Here you are making hits and I'm still in my bedroom haha
@warpacademy
@warpacademy 18 дней назад
Hey Andy. Yes, I'm the same Vespers ;). Glad to see you around the channel still after all this time! I wish you all the best with your music.
@bobbystarchild975
@bobbystarchild975 19 дней назад
I flippin love the AB tests in mastering videos 👌
@warpacademy
@warpacademy 18 дней назад
Me too!
@thomas_rellum
@thomas_rellum 21 день назад
This is gold. We need more of that content!
@warpacademy
@warpacademy 21 день назад
Thanks Thomas. I've got LOTS more of this stuff coming down the pipe soon. Subscribe to the channel and stay in touch!
@zeridium9129
@zeridium9129 3 дня назад
Thank's for going so deep into that topic
@warpacademy
@warpacademy 3 дня назад
Thanks for watching and commenting.
@graywyot
@graywyot 22 дня назад
Such a great video, Vespers. Thanks for it!
@warpacademy
@warpacademy 21 день назад
Glad you enjoyed it. Cheers!
@webguitars
@webguitars 20 дней назад
Awesome vid. Thanks!
@warpacademy
@warpacademy 19 дней назад
You bet!
@irawardofficial
@irawardofficial 12 дней назад
Awesome video !!
@warpacademy
@warpacademy 12 дней назад
Thanks!
@gaston7428
@gaston7428 17 дней назад
Great knowledge and well explained. Keep on going.
@warpacademy
@warpacademy 16 дней назад
Thanks for watching.
@AstroPilotMusic
@AstroPilotMusic 21 день назад
the best video about the clipping! thanks a lot
@warpacademy
@warpacademy 21 день назад
You're welcome!
@DJeMo
@DJeMo 22 дня назад
This is great, more of this please, detailed videos on all the nuggets and trinkets, 👊 Cheers
@warpacademy
@warpacademy 22 дня назад
Will do! More to come. Thanks for watching and commenting.
@YA-ck9gq
@YA-ck9gq 21 день назад
this is very interesting info, keep those coming
@warpacademy
@warpacademy 21 день назад
Thanks, will do!
@newguy6935
@newguy6935 21 день назад
Really appreciate this video.
@warpacademy
@warpacademy 21 день назад
Glad you enjoyed it!
@Eliyahillel
@Eliyahillel 19 дней назад
Great video. Thanks
@warpacademy
@warpacademy 19 дней назад
Glad you liked it! And thanks for being a subscriber to the channel.
@SpacedOutDoonie
@SpacedOutDoonie 17 дней назад
Thanks for the useful info.
@warpacademy
@warpacademy 17 дней назад
My pleasure!
@fullmixstudio4585
@fullmixstudio4585 19 дней назад
If anyone here is using Reaper, I have have good news for you: you can use any hard clipper you want at 0x oversamplig internally, and use Reaper's oversampling (at FX instance or chain level) and you'll see that you'll get no overshoots. I tried it with several clippers.
@warpacademy
@warpacademy 18 дней назад
Ah yes, did you watch the Dan Worral video on this?
@fullmixstudio4585
@fullmixstudio4585 18 дней назад
@@warpacademy I've watched most of his videos, which one are you referring to specifically?
@warpacademy
@warpacademy 18 дней назад
I think it’s exactly about Reaper and oversampling. Not sure on the title. If you search his channel it’s from the last few months I think.
@EDawg_32
@EDawg_32 18 дней назад
Great explanation thank you
@warpacademy
@warpacademy 18 дней назад
Glad it was helpful!
@MalikAmer87
@MalikAmer87 21 день назад
Great video, i like clipping the individual busses before the mixbus.
@warpacademy
@warpacademy 21 день назад
Same here! I clip many individual tracks, then mix busses and then the master. Depending on the song.
@kozihoppy
@kozihoppy 2 дня назад
Gold content. Thanks for sharing Vespers!
@warpacademy
@warpacademy День назад
My pleasure!
@DELAYKLINIKEN
@DELAYKLINIKEN 17 дней назад
exxelent and clear...again 💚
@warpacademy
@warpacademy 17 дней назад
Glad you think so!
@benitocotrulia
@benitocotrulia 11 дней назад
Great video, Drew. Thanks for sharing ✨ Studio looks amazing 🎉🚀
@warpacademy
@warpacademy 11 дней назад
My pleasure. Thanks for the visit!
@flyoverfredusa
@flyoverfredusa 22 дня назад
nice info about the oversampling
@warpacademy
@warpacademy 22 дня назад
Thanks. Keep in mind this also happens with limiters. I’ll be making another video on that soon. The plugins where oversampling definitely is needed is in saturation / distortion and soft clipping where lots of audible harmonics are being generated.
@flyoverfredusa
@flyoverfredusa 21 день назад
@@warpacademy these little nuggets are so helpful
@warpacademy
@warpacademy 20 дней назад
Glad to hear that.
@amseth
@amseth 16 дней назад
Great video, thank you for the R&D
@warpacademy
@warpacademy 16 дней назад
You bet. Thanks.
@larkhallpaul9381
@larkhallpaul9381 12 дней назад
really solid vid, didn't know this before
@warpacademy
@warpacademy 10 дней назад
Glad you enjoyed it.
@StereotacticMusic
@StereotacticMusic 21 день назад
Exactly what my test reveal to me, cool video, thanks 🤙🏽
@warpacademy
@warpacademy 21 день назад
Right on. Yeah, this happens on every clipper with oversampling (as long as you disable the second, non-oversampled hard ceiling) because of the Fourier transform process that happens at the jump discontinuity of a square wave or transient.
@clockstrikingthirteen
@clockstrikingthirteen 18 дней назад
fantastic video
@warpacademy
@warpacademy 17 дней назад
Thanks for the visit
@carldubcats3385
@carldubcats3385 12 дней назад
great video, nice
@warpacademy
@warpacademy 12 дней назад
Thanks for the visit and for subscribing to the channel.
@CB-td4fz
@CB-td4fz 19 дней назад
Great video - did not know about this
@warpacademy
@warpacademy 19 дней назад
Thanks! Glad you're looped in. This also happens on every single plugin that has oversampling, not just clippers ;). It's just usually hidden by a non-oversampled final hard clipping / limiting stage.
@ryde2012
@ryde2012 21 день назад
Thanks great video
@warpacademy
@warpacademy 21 день назад
Glad you enjoyed it
@Tabzunderground
@Tabzunderground 16 дней назад
Mannnnnn you just blew out this whole mystery of oversampled plug-ins are creating a better sound, it always bothered me and now you’ve made this all so clear to me, thanks brother ❤
@warpacademy
@warpacademy 14 дней назад
Happy to help!
@bigboss-qv7pe
@bigboss-qv7pe 18 дней назад
The demo from around 4 minutes got me engaged. Too many mixing channels are using weak demos.
@warpacademy
@warpacademy 18 дней назад
Thanks. I like to use my actual mixing and mastering projects so they’re real world examples. Cheers.
@alexmancera6566
@alexmancera6566 18 дней назад
So true, I thought that too.
@warpacademy
@warpacademy 17 дней назад
Thanks. I'll definitely be doing that in most of my upcoming videos. Cheers!
@krisissupercool1
@krisissupercool1 17 дней назад
Great video! A few times, I've cascaded a few clippers in a similar way people do it with compression, in order to address and attenuate overshoots back to my desired threshold, clip the clippers! lol
@warpacademy
@warpacademy 17 дней назад
Great tip. Yeah it can get interesting to put a hard and then a soft clipper in series. Or to hard clip an individual track and then a bus for sure. Wherever you get a summing point.
@marcinrau2817
@marcinrau2817 21 день назад
This was a super cool Video as always. I think oversampling can be genuinely useful, especially when it comes to more aggressive clipping but in this case it makes absolute sense to leave it off. Thanks for the Input!
@warpacademy
@warpacademy 21 день назад
Exactly, you nailed it. If you're clipping aggressively where you're using soft clipping knee to affect more than just a micro-transient, or you're using hard clipping to dig into more of the signal (IE a longer audio event) then it makes sense to oversample to reduce audible aliasing from all the harmonics. That's the "tone shaping" style of processing that I mentioned at the beginning. In this case, I'm clipping off micro-transients where any aliasing is getting completely masked by the presence of the transient, or it's adding harmonic density to the transient in a way that adds perceived loudness, as David Gnozzi stated. Thanks for watching and commenting!
@BVSISofficial
@BVSISofficial 20 дней назад
Nice knowledge. Checking out that DMG plugin
@warpacademy
@warpacademy 20 дней назад
Glad it was helpful! DMG Limitless has a unique algorithm that’s amazing. It’s one of my top limiters. In fact I find I use it most frequently.
@regulartrich
@regulartrich 17 дней назад
great content
@warpacademy
@warpacademy 17 дней назад
Thanks!
@athornsound304
@athornsound304 22 дня назад
Very useful info, thank you. In the digital domain we tend to overshoot to what we think are standards and decisions for better quality, and those decisions can bring your CPU to its knees. When really it is a slight transient defect you can’t even hear. Always look forward to your videos.
@warpacademy
@warpacademy 22 дня назад
Glad it was helpful! Yes you make an excellent point there. When using plugins in your mix you’re using a lot of them. If you oversample them it’ll consume way too much CPU and in this case it’s totally unnecessary. Cheers!
@KevinStCroix
@KevinStCroix 17 дней назад
Great point about oversampling and overshoots. I often felt my mix sounded better before rendering at higher oversampling. I have confirmation bias now 😊
@warpacademy
@warpacademy 16 дней назад
Exactly. Also oversampling changes the sound of things quite a bit sometimes so using a different offline oversampling rate from your realtime rate is something I avoid. You need to be able to monitor things if you plan to use it.
@TokyoSpeirs
@TokyoSpeirs 17 дней назад
Love this. I never thought of aliasing not mattering if all you are chopping is transients.
@warpacademy
@warpacademy 17 дней назад
Indeed. David Gnozzi FTW on that one. He laid it out very clearly. Makes total sense when you think of aliasing as just more distortion on an all frequencies super short signal.
@threethievesmusic
@threethievesmusic 22 дня назад
Very interesting.
@warpacademy
@warpacademy 22 дня назад
Cheers!
@MR_Cellarpop
@MR_Cellarpop 21 день назад
Thanks!
@warpacademy
@warpacademy 21 день назад
My pleasure!
@DeltaWhiskeyBravo13579
@DeltaWhiskeyBravo13579 20 дней назад
Great demo and info. I use Gold Clip on the 2 bus just before the Slate FG-X 2. I love the Gold Clip because it is clean, but it can get gritty if that's what you want. I have had Orange for a week, and would use it per track. I also have SIR Standard Clip, and have used it on the 2 bus. Anyway, very interesting info on oversampling. I don't typically use oversampling in most plug-ins already.
@warpacademy
@warpacademy 20 дней назад
Right on. Nice to hear a bit about how you're using clipping plugins. Wishing you all the best with your mixes and masters!
@TianpeiWang
@TianpeiWang 15 дней назад
Another good reason of not using oversampling, depends on the filter is being used for the downsampling, they tend to create pre-ringing or a long post ringing.
@warpacademy
@warpacademy 15 дней назад
Hey Tianpei. It's insightful that you point that out, because it's not actually the oversampling alone that creates these overshoots. It's the action of the downsampling anti-aliasing lowpass filter band limiting the signal. It's the removal of HF content that actually generates the overshoots. And of course, any cut filter will create pre-ringing if it's FIR and post-ringing if it's IIR. The decay rate (ringing) of the frequency components depends on the number of Fourier partials present. When you have lots of Fourier partials, the decay is fast. When you have only a few, the decay is slow. And the ringing artifacts are the most overt around jump discontinuities such as a square wave or a transient.
@TianpeiWang
@TianpeiWang 15 дней назад
@@warpacademy Exactly! Btw I still believe there is only one way of hard clipping or wave shaping to a hard clip state. So in theory the stock clipper is actually the best clipper and the most accurate. Other clippers might add some distortion before the clipping stage so that it sounds “better”.
@warpacademy
@warpacademy 15 дней назад
To know which clipper to use, you have to carefully consider a few things. Are you only ever going to hard clip? Will you ever need oversampling? In that case, you will want to use a more full featured plugin as the oversampling and LPF sound quite different between plugins. If you ever want to soft-clip you will also want to use a plugin clipper, unless you're in FL and have a nice one built in. Still, I don't think the FL clipper oversamples and you'd want that for soft clipping. AFAIK plugin clippers do not add any distortion before the clipping stage. I mean, why would they do that? But yeah, if all you want to do is non-oversampled hard clipping, I mean you could just clip your DAW master output and that would do it too. You just have very little control.
@TianpeiWang
@TianpeiWang 14 дней назад
Yes that is what I mean, a non oversampled hard clipping effect should always sound the same no matter what plugin you use. But there are enough plugin manufacturers that add some extra sneaky sauce in order to distinguish them from another. Like BSA audio clipper adds a little LP filter at 20hz, beside that it’s exact the same as the stock clipper.
@warpacademy
@warpacademy 14 дней назад
Ah yes. You're correct there. A hard clipper without oversampling is a very simple, and AFAIK, universally identical, calculation. Things only get different when you're introducing soft clip knee shapes and OS.
@avokyu
@avokyu 9 дней назад
I noticed at 07:46 the in and out for each band on KClip was [in = 0 out = 0] but before enabling the 4-band mode it was [in = 6.0 and out = -6.0]
@warpacademy
@warpacademy 9 дней назад
With all the clippers I set the input gain to +6 and the output to -6 to get the same amount of clipping. The multi-band just splits that into frequency ranges. The overs when in multi-band happened due to the crossovers being IIR filters and not FIR filters. The IIR filters cause phase rotation which causes a significant increase in peak level.
@pirate0jimmy
@pirate0jimmy 6 дней назад
Before committing to clipping a track, or adding a clipped track to a mix, compare the track to a clean version, a (hard, multiband, like Aphex Dom II) limited version, and a fast attack high ratio compressor. Adjust for identical "loudness" to your ears not level with the same general amount of clipping. . Decide if you like what you hear. All level shaving is not the same.
@warpacademy
@warpacademy 5 дней назад
Good insights! Always be willing to experiment and try different effects and settings. I've done this day in and day out for years. For me, I'm very familiar with how limiting sounds (love it last in chain and sometimes on busses) and how compression sounds (usually not my favourite tool as it produces modulation distortion when set fast enough to catch small transients, but I love it on vocals, basses, pads and more sustained material). Thanks for the comment!
@alvarof1166
@alvarof1166 10 дней назад
Amazing video. Wish you added to the comparisson, clipping with the Glue Compressor in Ableton. I´ve been using only the clipping option that comes with the Glue for years now in the master before the limiter. And it´s free :) All the best!
@warpacademy
@warpacademy 10 дней назад
Thanks. Regarding the Glue compressor and soft clip. It’s very basic and while it can and does do clipping I don’t like that approach. I like a controllable knee, control with oversampling (IE different settings), and the ability to gain link with a waveform display. Also seeing how much clipping is occurring helps!
@AVDRE
@AVDRE 22 дня назад
whhaaatttt I've never seen this demonstration before. great info
@warpacademy
@warpacademy 22 дня назад
Thanks. Glad you enjoyed it.
@BrofUJu
@BrofUJu 16 дней назад
Great! Love the IK Soft Clipper to control the knee, I find it to be quite transparent, and the harmonics are really pleasant on the master. Edit: and damn, Gold Clip sounds amazing, beyond my price point for what I do though, lol.
@warpacademy
@warpacademy 16 дней назад
Thanks for the tip on IK Soft Clipper. Haven't used that one yet. But yeah, Gold Clip is the boss! Maybe they'll do a BF sale? Cheers.
@schoovaertssimon7904
@schoovaertssimon7904 7 дней назад
At last someone who knows what he's talking about on the internet
@warpacademy
@warpacademy 6 дней назад
Thanks for watching.
@tonycinbox
@tonycinbox 14 дней назад
Honestly, I find the AI mastering online tools do amazing job and are free.
@warpacademy
@warpacademy 14 дней назад
They're getting better for sure. Even the auto mastering in Ozone is quite good now. I still prefer doing it manually myself, but that's because I do some rather unconventional things and I always tweak my mix several times once I hear the results through a mastering chain.
@alreadyit
@alreadyit 2 дня назад
thx boss
@warpacademy
@warpacademy 2 дня назад
No problem
@arturpompeu
@arturpompeu 18 дней назад
gold content!
@warpacademy
@warpacademy 17 дней назад
Good pun!
@EG0MUSIKOFFICIAL
@EG0MUSIKOFFICIAL 20 дней назад
I agree! 100 percent! I used to use limiters in my mix and constantly was always faced with lots of troubles, UNTIL I started using only clippers. Im 100 PERCENT a fan of using CLIPPERS! great video! very informational! thank you!
@warpacademy
@warpacademy 20 дней назад
Thanks for sharing your experience. Yeah, I've found that clippers are a nice alternative to limiters when used in the mix on individual sounds and busses. Then I just use a limiter on my master, last in chain. Sometimes, with bass-heavy material like 808s, subs, and kicks, clippers don't perform well and produce too much distortion. In that case I will use a lightweight track limiter, DMG Track Limit, which is able to do the job with much less distortion. Cheers!
@EG0MUSIKOFFICIAL
@EG0MUSIKOFFICIAL 20 дней назад
@@warpacademy I only use compressors(on my main bus channels, DRUMS/BASS/SUB ETC. when needed. and reeally havent found a situation arise where I need to use alimiter in my master mix. as long as my mix is sound and landing at -6.0 dbs, im usually golden in my master. but maybe I am missing out by not using a limiter?? I dont know
@warpacademy
@warpacademy 20 дней назад
So you’re using a clipper last in chain on your master instead of a limiter then? If you drive sub heavy material into a clipper you’ll get super audible nasty distortion. That’s why I use a limiter on the master. Limiters don’t do that unless you push them too hard.
@EG0MUSIKOFFICIAL
@EG0MUSIKOFFICIAL 20 дней назад
@@warpacademy The 1st plug in I utilize in my master chain is MAXIMUS, which is limiter/compressor of sorts, i utilize this to focus my compression in seperated low/mid low/mids/mid highs/ and High frequencies, from there I fully utilize Ozone. I keep it as simple as possible although my Ozone mastering chain does utilize around 5-8(pending the song) different tools/plugins to get to that desired sound
@warpacademy
@warpacademy 19 дней назад
Sweet. If you’re getting good results then stick with it :)
@matrixxman187
@matrixxman187 17 дней назад
killer video. very helpful in understanding some of the concepts that have eluded me re: clipping. any recommendations for fairly aggressive clipping approaches? I'm interested in over-the-top character of some lofi trap/soundcloud rap where they are clipping the hell out of FL albeit the clipper in FL is fairly limited. I have kclip but I'm not sure if I'm fully taking advantage of its functionality
@warpacademy
@warpacademy 17 дней назад
Glad you enjoyed it. First step, get Orange Clip from Schwabe Digital. It is an exact copy of the FL clipper and its soft clipping is apparently identical. To get more aggressive with clipping you can use hard clipping for harsher sounding odd harmonics or soft for more round and warm harmonics. Use oversampling in this case for sure. As you’ll get audible aliasing.
@runemidsun
@runemidsun 11 дней назад
Great video, thanks. Btw what are your thoughts on oversampling in limiters? Like Pro L2 etc Cheers
@warpacademy
@warpacademy 11 дней назад
Thanks. Glad you enjoyed the video. Regarding over sampling in limiters, I’ll do a video on that very soon. Typically I don’t do it but I’ll explain and show why in the deep dive video.
@runemidsun
@runemidsun 10 дней назад
Looking forward to it 😊
@warpacademy
@warpacademy 9 дней назад
Stay tuned!
@intranexine8901
@intranexine8901 17 дней назад
I still remember when I figured out how useful clipping is for mixing, I was new to FL Studio and wanted to distort a sound, wanted to try out fruity soft clipper since it was in the distortion section, but the plugin has no gain, so I used a plugin before to drive it into the clipper. I was very surprised just how far I had to push into the clipper before it actually started sounding distorted, then I started just putting it everywhere instead of limiters since Fruity Limiter does sound kinda trash by default.
@warpacademy
@warpacademy 17 дней назад
Ah yes, FL Studio is pretty much made for this mixing style. The Orange Clip plugin that I really like was modelled on the FL Studio clipper. So you're right on track there. It has a very specific sound that's become woven into modern music. Cheers!
@AlbertSirup
@AlbertSirup 19 дней назад
this is really interesting - I've been disabling oversampling on freeclip (which I use for run-of-the-mill track/bus hardclipping) but I never thought about checking for overshoots when using KClip on my master. Now i wonder if it's even the best option for master clipping. Also, I noticed (when I check the delta signal) that kclip is doing some kind of noise-shaping on the signal which I thought was interesting - but maybe that's related to the overshoots.
@warpacademy
@warpacademy 19 дней назад
Hey Albert. Thanks for joining the discussion. I've used K-Clip a lot and have loved it. It was my primary track clipper before I started using Orange Clip, which I now prefer. Keep in mind that you should avoid using multi-band mode in K-Clip as the crossovers are non-linear phase and cause dramatic level spikes as I showed. K-Clip should be fine for a mastering clipper, if you're going gentle and using a limiter after it. Never put an oversampling clipper last in chain, unless you check that it's maintaining a hard ceiling without overshoots. I much prefer Gold Clip now as a bus and mastering clipper, due to the oversampling algorithm. Not all oversampling is created equal. Also, the configuration of the downsampling anti-aliasing filter is very different between various plugins. Some use a brickwall, some use a less steep filter, some use minimum phase and others use linear phase. That may very well be the difference in what you're hearing in the delta signal. All LPFs have ringing artifacts due to the decay of Fourier transform partials and the number of them used around a jump discontinuity. Because any downsampled signal must be band limited, every single oversampling plugin creates overs from the filtering process. Many of them are just hidden by an additional clipper.
@campar1043
@campar1043 6 дней назад
with analog gear, soft clipping=tube, hard clipping=transistors
@warpacademy
@warpacademy 5 дней назад
Thanks for the comment. Plus analog doesn't alias.
@marceloribeirosimoes8959
@marceloribeirosimoes8959 10 дней назад
Thank you! There's a great playlist about this subject at Baphometrix channel, too
@warpacademy
@warpacademy 10 дней назад
Thanks for the visit! And yes the Baphometrix content is great.
@melatronuk3701
@melatronuk3701 16 дней назад
Just the lesson I needed, would you use clipping on your drum buss with the defangle and the gold clip on your master or would that create problems? I noticed too much clipping on the drum buss messes with the hi hats too much so only used it max 25% but really interested to try this gold clip on my mix buss…
@warpacademy
@warpacademy 15 дней назад
Glad to hear that. I tend to use the Newfangled Saturate in areas where I’m clipping more heavily because it has a unique spectral “detail preservation” feature. Read up on the manual for that. It’s interesting but I don’t always like it. I typically am using Gold Clip on my busses / sub-mixes and then my master. Not all sub-mixes will need clipping tho. Like vocals or subs I don’t clip usually. Anything more pure and clean doesn’t clip well unless it’s more soft clipping.
@cholkymilkmirage4984
@cholkymilkmirage4984 8 дней назад
OKAY so i finally tried this out. I went to my project (I mix and master at the same time dont shoot me I love it) And i took off the over sampling on all the clippers. i use kclip to hard clip, then use standard clip pro clipper mode to add some SLIIIGGGHHHTTTT expansion into a clipper. Max 1 db of clipping. I was 4x oversampling on al of them. And the sonics are so much more different. Its noticble right away when i A/B them. I also notice that the 4x oversampling changes my wave form, make some peaks smaller for some reason idk why but then I have 0.2 db more headroom when I dont use oversampling. I also notice that the 4x makes things kinda squashed together. Ruining the open separation and depth that i worked so hard to learn and test and create in the box. The 1x sounds a bit darker, but this is a dark mix, its supposed to be dull and sad. The production is also using dull tracks. That "dullness" I am getting is the OG sound i was after. I also noticed the 808 and snare opens up and you can hear the syncopated rhythm better. I am so shocked that this many changes happened using the over sampling. I over sampled on my kick, snare, > kick and snare buss, > drum buss and my master chain. Insane. I am still over sampling on certain plugins that inject distortion and harmonics on non transient tracks and using oversampling on a saturation plugin on my mix buss but its paralleled saturation through the plugin mix knob mix knob. Never gonna use oversampling again on transients. I am def gonna look into gold clip as well and see a new A/B
@warpacademy
@warpacademy 7 дней назад
Thanks for sharing your experience. This is very similar to how I work. I use oversampling on devices that generate harmonics that can be heard on more sustained material (saturation / distortion, soft clipping on things other than micro-transients). When you upsample, the clipper is now reading and addressing formerly inter-sample peaks ("true peaks") and clipping those. Plus oversampling / downsampling / LPF anti-aliasing filter will change the waveform, as you noticed, changing the harmonic structure by filtering out supersonic frequencies. Kudos to you for actually testing this out in a mix and observing the results for yourself! That's a how you learn and improve. Cheers!
@cholkymilkmirage4984
@cholkymilkmirage4984 7 дней назад
@@warpacademy Yes thankyou again for the amazing lesson. Its these little master class theories that separate the advanced from the pro's
@warpacademy
@warpacademy 7 дней назад
My pleasure. Thanks for the comment. See you around the channel!
@pianoatthirty
@pianoatthirty 22 дня назад
So interesting. What are your thoughts on Acustica Audio's ASH clipper?
@warpacademy
@warpacademy 22 дня назад
Hey hey. That’s one I haven’t used actually. I use a ton of clippers but I’ve really narrowed down what I actually need to Orange Clip, Gold Clip and Newfangled Saturate.
@FrankieTedesco
@FrankieTedesco 16 дней назад
This is very interesting, i tried Standard Clip myself and i noticed the same issue. Looks a little better with mixed phase instead linear, but there is still some overshoot compared without OS. Didn't tried the mixed phase with more pole (maybe it's better for peaks) but i'm not so sure if mixed phase should be used in clippers, i'd like to know your thoughts about this too
@warpacademy
@warpacademy 16 дней назад
Hey Frankie. Nice to hear your insights. Yeah, Standard Clip is one of the few clippers that allows you some control over the anti-aliasing LP filter. The configuration of the LPF will certainly affect overshoots, because the the source of the overshoots is band limiting the signal, removing the supersonic frequencies that have a flattening effect on jump discontinuities and square wave type signals. Linear phase LPF in clippers would typically be used if you're running the clipper in parallel (some clippers have wet/dry, or you may be running it on a return). Also, FIR vs IIR filters will have different ringing artifacts most noticeable around jump discontinuities (and by that I mean transients and square wave type jump signals where you have a vertical or near vertical jump in amplitude). And those ringing artifacts are also related to the number of Fourier harmonics / sine wave partials that are used to represent the signal. Specifically the decay rate of those ringing artifacts. For me, I almost never run clippers in parallel. But I would test linear phase vs minimum phase in clippers when you get the option to do so (such as in Gold Clip or Standard Clip) and especially when you're using it on the master. See if you can hear a difference. This is way up close to Nyquist, so the ability to perceive a difference is questionable.
@FrankieTedesco
@FrankieTedesco 16 дней назад
@@warpacademy I tried linear vs minimum few years ago, and i preferred linear cause i felt a better response with transients, but i didn't digged too much. I think now it's time to do some proper testing again with multiple materials cause i don't use parallel clipping neither, but usually just on my master. Thank you for your detailed reply, is much appreciated!
@warpacademy
@warpacademy 16 дней назад
Sounds like a plan. Let us know what you discover.
@felixwood8693
@felixwood8693 14 дней назад
Can you do the same with a stock Ableton effect? Compressor maybe?
@warpacademy
@warpacademy 14 дней назад
Good question. Certainly not the compressor. Wrong tool for the job. It’s way too sluggish. But with the Saturator on hard clip mode yes. Or with Soft Clip enabled and “high quality” (IE oversampling) on. But really just get a clipper. It’ll give you more control. Free Clip even will get the job done.
@HighwayNegative
@HighwayNegative 15 дней назад
Do you have a recommended plugin for monitoring crest factor in real time?
@warpacademy
@warpacademy 15 дней назад
Sure. You can use anything that uses a PLR (peak to loudness) meter. ADPTR Metric AB does this. So do many metering plugins. They'll basically calculate the peak to short term or peak to integrated (long term) LUFS calculation.
@HighwayNegative
@HighwayNegative 14 дней назад
@@warpacademy Great news since I have Metric AB and didn't know that was there! Thanks a lot
@warpacademy
@warpacademy 13 дней назад
Sweet. It's a great plugin. I love that one. Cheers!
@bohn_aus
@bohn_aus 19 дней назад
Thank you for this Homie, absolute gold👌🏽💽
@warpacademy
@warpacademy 19 дней назад
No problem 👍
@Rzn8958
@Rzn8958 20 дней назад
gold peak ftw. got louder and maintained it's character without squashing the signal to death.
@warpacademy
@warpacademy 19 дней назад
Right on.
@djkrptdnb
@djkrptdnb 19 дней назад
So if there’s a “high quality” switch (as there are on FAC’s Punchlab and KnockClipper) it’s best to just leave them off? I’d say both of these wouldn’t be used as master clippers though
@warpacademy
@warpacademy 19 дней назад
Hey hey. In general, in plugins with "high quality" settings and the like, that triggers oversampling. You're correct. For track clippers (IE clippers on individual drum or transient sounds, clipping in the way I describe here - short audio events) then it makes complete sense to leave oversampling / high quality off. If you don't hear negative distortion / aliasing, then why activate it and eat up your CPU? Also pay careful attention to your peak level. To a test. Render your signal to audio and look at the result. I always see big spikes over the clipper ceiling on drums when using oversampling, which is exactly what I'm trying to remove using the clipper in the first place. On a master clipper, I would recommend using oversampling. The overshoots can be dealt with by a limiter downstream and then you reduce the chance of any audible aliasing. For this I prefer Gold Clip because it doesn't create overshoots in the first place. Cheers!
@-.K.I.-11
@-.K.I.-11 18 дней назад
Can't I just use ozone 11 on master and clue compressor, limiter all good in Ableton?
@warpacademy
@warpacademy 18 дней назад
Good question! I’m talking about using clipping all through your mix. That’s critical. Also Ozone is not a clipper and doesn’t have a clipper. It has a nice limiter but not a clipper. You can of course get great masters in Ozone 11. Don’t use the Ableton limiter. It’s not meant for mastering. The Glue compressor is pretty nice though. On busses or in mastering. Hope that helps. Cheers!
@pronskiy
@pronskiy 16 дней назад
At 1:20 you show how clipping affects the wave, but it looks more like like compression - making a certain part of wave quiter. Whereas with hard clipping it supposed to “cut” the top of the wave, isn’t it? If yes, then it means that it cannot be transparent, because it has to add harmonics to reflect the new wave shape. Or am I understanding it wrong?
@warpacademy
@warpacademy 16 дней назад
Hey mate. Good question. Clipping always reduces dynamic range. Whether or not it makes the sound “louder” to us depends on how the clipping is set up. You can either A) push level up into a fixed ceiling or B) bring a ceiling down until it touches the waveform. Either one will clip off the top. And in fact in that oscilloscope example I was clipping, not compressing. Compression is in some ways similar and in other ways very different. You have upwards compression and downwards compression. Both reduce dynamic range. Downward compression makes the signal quieter until you use makeup gain. Upwards compression makes the signal louder by bringing up low level information without touching peaks. Clipping always touches peaks. But it has no attack and release time. It’s a sample by sample effect. Fast compression can and does generate harmonics. This is why digital compressors have oversampling usually. Clipping is wave shaping and can generate much more aggressive and audible harmonics than compression. Saturation and distortion (really the same thing) are also very similar (arguably identical) to clipping. Clipping only micro-transients is what I’m taking about here. And that is very transparent even though it generates odd harmonics. This is due to the masking effect of transients.
@pronskiy
@pronskiy 16 дней назад
@@warpacademy, thanks for clarifying, appreciate it 🫶
@warpacademy
@warpacademy 16 дней назад
My pleasure. Details matter. And much of this stuff can be hard to wrap your head around. There are many things in audio I still don't fully understand, but through discussions like this, we all get to learn. Cheers!
@cholkymilkmirage4984
@cholkymilkmirage4984 10 дней назад
Dammmiittt now my entire system is gonna change after hearing the differences lmao. Prolly gonna get my hands on gold clip and change up my master chain. Question tho, what do you think about over sampling using using a saturation plugin? Also what about using Oxford inflator on the master? I imagine it would be better used spread on the sun bud tracks instead.
@warpacademy
@warpacademy 10 дней назад
Hey hey. Good question. Definitely oversample in saturation. That’s when I 100% do use it. Oxford Inflator, I don’t use that plugin so I won’t comment on it.
@cholkymilkmirage4984
@cholkymilkmirage4984 9 дней назад
@@warpacademy cool thankyou!
@warpacademy
@warpacademy 9 дней назад
You bet!
@EdSoloUK
@EdSoloUK 20 дней назад
Were you using the gold clip in hard or soft clipping? If it was hard then surely all the clippers would sound the same as hard clipping is identical regardless of the clipper
@warpacademy
@warpacademy 20 дней назад
Hey Ed. In general, you'd think that all hard clippers would sound the same. It's really quite simple math. If a sample = more than the clipper ceiling, make that sample output = clipper ceiling. That's it. And yes, I was using Gold Clip as a hard clipper. However, in practice, these clippers are actually quite different, especially when you start oversampling them. Anything that oversamples will have to run through a downsampling anti-aliasing filter. Those filters can be linear phase, minimum phase, and can have wildly different slopes and frequency settings with respect to Nyquist. They could be brick walls or more gradual slopes. Just look at the SRC / Resample function in iZotope RX Audio Editor and you'll see all the options. Most clipping plugins do this under the hood, hard coded, or give you only very limited control over the LP filter. Saturate from Newfangled audio has a spectral clipping algorithm with "detail preservation" which makes it perform very differently even when hard clipping. Gold Clip has a totally unique anti-derivative anti-aliasing process, which is why it sounds so good and doesn't produce overs. Gold Clip modulates the filter settings based on the frequency and amplitude of the signal. It also has other processing in addition to the clipper (the Gold knob, modelled on the Lavry Gold hardware and the Alchemy parameter which acts like HF tape saturation). If you're simply hard clipping with no oversampling and just touching the micro-transients, then they sound more similar. Oversampling (and the corresponding downsampling and band-limiting process) is what changes the sound a lot (and is also the source of the overshoots).
@EdSoloUK
@EdSoloUK 20 дней назад
@@warpacademy Thanks for the detailed response, i found it hard to tell the difference, it would be intersting to do a null test to see what exactly what the diffference is. Flatline is my fave clipper, mainly because of the GUI, i did try a demo of Gold clip and found the gold part quite interseting even tho it was subtle. i might look into it again now, buy i cant do a null test cos my demo was up last year.
@warpacademy
@warpacademy 20 дней назад
Hey Ed. Yeah, the Gold knob in Gold Clip is an emulation of the Lavry Gold hardware ADC. It inflates low level information in a unique way. Very useful. I also really like the box tone feature and Alchemy. Worth testing out. Perhaps you could request another demo from Ryan, I'm sure he'd help you out. Cheers!
@paulgeorgmusic8748
@paulgeorgmusic8748 15 дней назад
what u mean u “hope we got something out of this one” ? thank you man…eye opening
@warpacademy
@warpacademy 15 дней назад
Cheers Paul. Thanks for watching and for the comment.
@BigStereoVR
@BigStereoVR 19 дней назад
Yes, I could hear aliasing. People focus on the main tone strikes for distortion. That's not where it's evident. Focus on the spatial effects. Oversampling sends the problem out of range. You're right- oversampling doesn't change your signal. It moves a signal competitor off the field of play.
@warpacademy
@warpacademy 19 дней назад
Hey hey. Thanks for joining the conversation. Maybe one day I'll do a fully blinded test for people. That would be fun. On the master, it's typical for me to use Gold Clip with oversampling (you can't turn oversampling off in Gold Clip anyways) so any aliasing on the parts you mentioned would be reduced or completely inaudible. I went with Gold Clip in my version of the master. What I'm talking about mostly in this video is using clippers all throughout the mixing process, as well as the master. Especially on drums. And for that, it's nearly impossible to hear aliasing, and if you do, it's actually not a bad effect at all. Referring to what David Gnozzi said, and what Dave Gamble said later on in the video. So for track clipping, it makes no sense to me to activate oversampling. But yes on the master, if you hear aliasing. Cheers!
@fatherxjake
@fatherxjake 12 дней назад
Thoughts on FIRE THE CLIP?
@warpacademy
@warpacademy 12 дней назад
Hey hey. That plugin is pretty bare bones. I wouldn’t use it. For me I want the waveform display and loads more control. Control over the knee shape and amount etc.
@BIG-3310
@BIG-3310 5 дней назад
@Sputz3
@Sputz3 15 дней назад
The last video you said you shouldn’t use a clipper on a whole mix but rather in the mix.
@warpacademy
@warpacademy 15 дней назад
Sure let me clarify. I prefer to do most of the clipping in the mix on individual elements. Then I clip busses / sub-mixes as well. And then, if it still needs a little push I will clip the master. Note that effects on the master are the most noticeable and that’s why I say to do it in the mix. However the master is a summing point and it will have little peaks that don’t get caught in the mix. For that I’ve been using manual limiting in iZo RX rather than clipping mostly. It’s 100% transparent. Then I’ll clip 1-2 dB of transients on the master if I need to go to -5 or -6 LUFS. If not, no master clipping is needed. It all depends on genre. This is drum and bass so I mastered it loud.
@Sputz3
@Sputz3 15 дней назад
@@warpacademyOk now I get it. Thank You for the information. 👍
@warpacademy
@warpacademy 15 дней назад
My pleasure. Glad it makes sense. I didn't really explain it well enough in the first video so I'm glad I could clarify here. Cheers!
@TianpeiWang
@TianpeiWang 15 дней назад
RX de-clip is actually not a clipper, its a clip repair tool.
@warpacademy
@warpacademy 15 дней назад
Oh I'm very aware of that. I'm not meaning to say it's a clipper, I'm simply using it to visually display a horizontal line, similar to how a clipper would show it's threshold. It's just a visual reference, I'm not actually using it to clip repair anything.
@modapit
@modapit 18 дней назад
man it's abot time SOMEBODY said this
@warpacademy
@warpacademy 18 дней назад
Thanks. Nice to see you around the channel. Congrats on all the releases and growth of your channel. Looks like you've got a nice following. Cheers!
@BrianTylerComposer
@BrianTylerComposer 20 дней назад
Duuuuuude
@efopee
@efopee 19 дней назад
Baphometrix reprazent
@warpacademy
@warpacademy 19 дней назад
To give credit where credit is due, David Gnozzi from @MixbusTV originated the vast majority of these concepts. Baphometrix watched those videos, also gave David much credit, and repackaged it into CTZ, whilst adding more information from Luca Pretolesi as well as some great original ideas. David has videos on this stuff that go back more than 8 years ago. Both David and Baphometrix are excellent sources of information and great channels to follow.
@panorama_mastering
@panorama_mastering 21 день назад
Great observations! Funilly enough; even with oversampling; I'm not getting TP overs on my standard clip ceiling; how hard are you pushing to get over's +0.6dB?
@warpacademy
@warpacademy 21 день назад
Hey Nicholas. Nice to see ya round the channel mate! I captured a screenshot of the session, Standard Clip settings, and meters for you below. I'm clipping very gently here. A couple dB on super short audio events. Mainly just the snare. capture.dropbox.com/UY8A1izXIQNtEJFU You're most likely not seeing the overshoots because Standard Clip has 2 clipping stages. The first is oversampled, and the second is a 0X non-oversampled hard ceiling (called "Ceiling" in the plugin). If you leave the Ceiling engaged, then the second clipping stage hides the overshoots from you by applying more clipping. If you disengage the Ceiling parameter, you see the true peak level overshoots both in sample peak and true peak (true peak overshoots being higher). The same is true for K-Clip and most other clippers with oversampling. They usually have a second 0X OS ceiling. And in fact, you see the exact same thing in iZotope RX Audio Editor. When you use the Resampling process to downsample anything, you'll see the parameter "Post Limiter" engaged by default. They need a post-downsampling limiter to catch these overshoots. This is because the Fourier transform process with the sinc function related to the lowpass filter used in anti-aliasing will cause higher and higher overshoots the more Fourier partial harmonics are used. The more oversampling used (and the more extreme the downsampling) the higher the overshoots will be.
@panorama_mastering
@panorama_mastering 21 день назад
@@warpacademy Super interesting; I understand why/how this is occurring; I don't use the ceiling feature; and don't get overs; I'll have to share with you my OS settings under-the hood of standard clip, see if they match up!
@SR1B
@SR1B 21 день назад
Not getting overs with ceiling off here neither
@warpacademy
@warpacademy 21 день назад
That's certainly interesting! I wonder what the deal is. My session is at 48 kHz, which matches the mix sample rate. I've found overs happen in Standard Clip (and any other clipper except Gold Clip) on any oversampling setting. I've tested 4X all the way up to 16X and they all seem to produce the same measured overs. I've found they occur on simple material (single tracks, like a snare) as well as complex material like a whole mix, and they seem to happen even when clipping very lightly (1-2 dB). One thing to note is that the overshoots are triggered by jump discontinuities, like a square wave or a drum transient. Anywhere you have an abrupt change in level, you typically see the overshoots as you add harmonics to the Fourier transform. Let me know if your settings are different or if there's something you've set up under the hood. Cheers!
@warpacademy
@warpacademy 21 день назад
Thanks for sharing. What settings are you using in Standard Clip and what material are you running through it? There needs to be a sharp jump discontinuity to see the overshoots, like a square wave or sharp drum transient.
@anthonyman8008
@anthonyman8008 18 дней назад
When I run my mic through a preamp, eq and compressor my levels look great but clipping is awful
@warpacademy
@warpacademy 17 дней назад
Sorry to hear that. I think if you’re hearing clipping as awful you’re missing an aspect of how to set it up and it may be worth looking into it more. Clipping is such a key part of modern music.
@waliddeui6725
@waliddeui6725 16 дней назад
ooooow my fucking oversampling
@warpacademy
@warpacademy 16 дней назад
OMFO ;)
@illuno357
@illuno357 14 дней назад
The sounds reminds me of buchla noises
@medicinal_soul
@medicinal_soul 20 дней назад
Does the whole room shake with those speakers in the walls? 😅
@warpacademy
@warpacademy 20 дней назад
Perhaps it would if it was built wrong. But it doesn't, because...mass, rigidity, decoupling. The speakers aren't in contact with the wall. There's a gap of several mm, and the speakers are on a support assembly with decouplers. The floor they sit on is floating, so there's no noticeable structure-bourne transmission or resonances.
@medicinal_soul
@medicinal_soul 20 дней назад
@@warpacademy heyyo, sorry for giving you such a hard time. I appreciate the genuine response. You obviously know a lot and I don't mean to get out of hand with my trolling. 😅
@warpacademy
@warpacademy 20 дней назад
All good! I didn’t take it as trolling. Cheers!
@prey76
@prey76 20 дней назад
I've never used oversampling because I didn't like
@warpacademy
@warpacademy 20 дней назад
If you are generating audible aliasing, then oversampling can help. But if you're not hearing aliasing, then it's not necessarily needed.
@svenengelhard1819
@svenengelhard1819 21 день назад
How do you even get to a Mix with a Loudness of - 11 LUFS before Mastering. I don't get it.
@warpacademy
@warpacademy 21 день назад
Hey hey. By using a very specific set of engineering tools and techniques to manage peak levels, while retaining quality, crest factor, and transient punch. Not every mix needs to be set up like this. I only do it with electronic bass music that needs to be mastered to the levels mentioned in the video. I'll be doing another video very soon about exactly how I took this mix from the artist version to my re-engineered version, showing all the plugins and techniques used along the way. Stay tuned. Cheers!
@svenengelhard1819
@svenengelhard1819 20 дней назад
I'm excited to know. There are things everybody already knows: some serial or parallel compression, saturation, the right balance between highs and lows, not getting fooled by louder signals after processing, maybe some Transient Shaping. Clipping or limiting single instances and if not in the busses. But...what's the sauce? What - is- the- secret? I already use all of this but still... Anyway thank you for your kind answer. :)
@warpacademy
@warpacademy 20 дней назад
Hey hey. Yeah, it's a deep dive into this stuff. It's one thing to know what tools are used and to own them; it's a whole different ball game to know when and how to use them in a variety of scenarios. That takes intentional practice and experience. A couple of things I can share. First, I never use compression to contain peak level. It's the wrong tool. Clipping or limiting or saturation are better. And in fact, many times I don't use any compression at all because I use saturation or soft clipping to achieve the same results that one may use compression for (increasing perceived loudness, bringing up low level information, adding harmonics, increasing density). Transient shapers are much more significant than most people think. As soon as you start mixing loud, and you bring down peak level while bringing up low level information, you can easily get an overcompressed garbage sound. For example with drums, the bodies and tails can swell up making the drums sound blown out in a bad way. Transient shapers can allow you to bring up the attack into a clipper, for example, to increase punch and harmonic density of the transient without increasing peak level. Then after a clipper or limiter, you can decrease the sustain of drums to bring down the body and tail so they don't sound overcompressed. This type of shaping is very effective, but I rarely see anyone use it exactly like this except for a few expert mixers.
@svenengelhard1819
@svenengelhard1819 20 дней назад
@@warpacademy Okay, this is pretty new for me. So if you don't use compression on vocals, you just saturate them and get rid of the peaks by clipping and limiting? I hope I got it right. And also the technique of pushing the signal with a transient designer. You increase it, cut the peaks, make it denser and the cut off the sustain to make it sharper? Pretty cool. I have to try it. Thank you for sharing your knowledge or perspective.
@warpacademy
@warpacademy 20 дней назад
Vocals are one of the few things I don’t clip. And I do use several stages of compression and a limiter. But for most other things (except sub) I use clippers and saturation.
@davidallanmusic
@davidallanmusic 21 день назад
Damn, I've been using K-Clip on every track. Guess I need to open up my wallet again haha.
@warpacademy
@warpacademy 21 день назад
K-Clip is a very good clipper. Just don't oversample it! Gold Clip is a mastering clipper. So don't use it on all your tracks. These days I use Orange Clip or K-Clip as track clippers, and then Gold Clip on my busses (if they need clipping) and on the master.
@davidallanmusic
@davidallanmusic 21 день назад
@@warpacademy I appreciate the tip! I stopped using oversampling after I watched your older video. I was already hitting -5, -6 LUFS before watching the video, but after following your advice my tracks sound fuller, and less digital for lack of a better word.
@warpacademy
@warpacademy 21 день назад
Right on. Yeah, it can be very difficult to engineer music in that realm of loudness without a lot of bad artifacts. Especially when the song has very much bass, as that consumes lots of headroom. Glad this has been helpful. Cheers!
@davidallanmusic
@davidallanmusic 21 день назад
@@warpacademy It certainly has and thank you again.
@warpacademy
@warpacademy 20 дней назад
My pleasure.
@synthzizer3324
@synthzizer3324 10 дней назад
I use different types of fades to clip. Its called fade clip.
@warpacademy
@warpacademy 10 дней назад
Not sure what you mean by that?
@synthzizer3324
@synthzizer3324 10 дней назад
@warpacademy sorry, to clarify I draw/apply different fade types to certain transient with their different on-set angles to fade clip peaks. For example using an S type fade-in is very quick to cut initial fast peaks on certain waveforms.
@warpacademy
@warpacademy 10 дней назад
Ah yes. That’s very surgical and also super time consuming. I used to do things like that for bass ducking but stopped. Faster tools exist now like Devious Machines Duck. You may like iZotope RX for these types of peak edits. Works better than clip fades for peak information. But I always respect someone’s willing to go in and hand edit something for the best result to kudos to you!
@synthzizer3324
@synthzizer3324 10 дней назад
@warpacademy thanks. I don't do it everywhere but if the odd huge peak is really close to on-set of a waveform I'll do it. I also manually arrange all peaks and the meat with clip gain to get them all around the same level before hitting any squisher. I'm talking like strip silence, then manually adjusting each word if necessary. Time consuming but the results!
@warpacademy
@warpacademy 10 дней назад
Yes indeed. The best limiter is no limiter at all. Hand edits make zero distortion.
@maomao180
@maomao180 22 дня назад
Oh no the cat's out of the bag...
@directed6924
@directed6924 15 дней назад
Get Oxford Limiter and forget everything else.
@warpacademy
@warpacademy 15 дней назад
I haven't used it yet actually. What do you like about it? In general, limiters are great for the master or maybe busses, but in this video I talk about using micro-clipping all throughout a mix. On almost all the individual sounds. Limiters are typically way to heavy for that kind of usage. Unless we're talking about super lightweight track limiters, in which case I really like DMG Track Limit.
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