The Tallis Scholars, Amsterdam 01 May 2016: Arvo Pärt, Tallis, Allegri, Lotti, Sheppard, Mouton

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Het Concertgebouw, Amsterdam 01 May 2016
Broadcasted live by AVRO/TROS Het Zondagochtendconcert (radio broadcasting The Netherlands) 1 May 2016. Presentation Hans van den Boom.
The Tallis Scholars conducted by Peter Phillips
Soprano: Amy Haworth, Emily Atkinson, Gwen Martin, Molly Alexander
Alt: Simon Ponsford, Patrick Craig
Tenor: Chris Watson, Guy Cutting
Bass: Rob Macdonald, Simon Whiteley
0:00 introduction
0:01:53 Thomas Tallis - Loquebantur variis linguis
0:06:17 Jean Mouton - Nesciens Mater
0:11:37 Arvo Pärt - The Woman with the Alabaster Box
0:17:52 Arvo Pärt - Tribute to Caesar
0:24:37 Thomas Tallis - Sancte Deus Miserere Nobis
0:31:08 John Sheppard - Libera nos
0:37:26 Gregorio Allegri - Miserere mei
0:50:15 Thomas Tallis - Miserere nostri
0:53:41 Arvo Pärt - . ... Which Was the Son of ...
1:04:20 Antonio Lotti - Crucificus a 8 voce
Support the Tallis Scholars: www.thetallisscholars.co.uk/

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2 авг 2024

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Комментарии : 26

@ianbarnes997 7 лет назад

It is hard to believe how good they sound.

@foliesamsterdam3836 7 лет назад

Believe me, I was there and they sang fantastic.

@davidmitchell9764 5 лет назад

Never again will I think "Which was the son of" boring. What energy and sense of fun.

@PetrusJosephus 3 года назад

It never fails, there is always someone with a chronic cough in the audience.

@foliesamsterdam3836 3 года назад

Yes the acoustics of Het Concertgebouw in Amsterdam is terribly good . Consider there can go 2100 visitors to a concert there. The place is not intended for chamber music. I always stay home and give my ticket to my neighbour when I caught a cold but unfortunately not everyone :-(

@janettollenaar2303 7 лет назад

Oh I went to this - it was AMAZING. The tour of the Concertgebouw was wonderful!!!

@foliesamsterdam3836 7 лет назад

I am glad you liked it! Last Wednesday I saw the Tallis Scholars once more in Amsterdam with some different singers in Het Muziekgebouw aan 't IJ. Fantastic ensemble.

@gloria7094 7 лет назад

Janet Tollenaar h.

@Lanearndt 3 месяца назад

Whew, that low C at ~17m was crazy

@kevinchen2784 5 лет назад

perfection!

@foliesamsterdam3836 5 лет назад

The nice thing is that we will attend tonight another concert of the Tallis Scholars www.muziekgebouw.nl/agenda/7524/

@robertthompson6346 7 лет назад

Stunningly beautiful

@redschonewille 4 года назад

2020

@piotrczaszka1509 7 лет назад

Piękna muzyka,głębokie przeżycie-transcendencja

@foliesamsterdam3836 7 лет назад

I did not know it at the time, but on that first of May 2016 a good friend of mine passed away, so the concert got still an extra dimension for me.

@DavidRutten 6 лет назад

Of ga gewoon niet naar een concert als je kinkhoest hebt, ook een optie. Wat een zonde van zo'n schitterende opname.

@foliesamsterdam3836 6 лет назад

Ik ben het met je eens. Heb zelf menig concert waar ik een topplaats voor geboekt had aan me voorbij moeten laten gaan vanwege een verkoudheid. Zeker in Het Concertgebouw waar je alle bijgeluiden heel goed hoort.

@johnwinward2421 6 лет назад

Wonderful music. But were the audience recruited from a hospital for respiratory diseases?

@foliesamsterdam3836 6 лет назад

No, we always like to cough in Het Concertgebouw, especially during a quite a capella performance to test the mental resilience of the singers. Normally it is considered as a sign of appreciation ;-)

@foliesamsterdam3836 5 лет назад

@TheSauce Group We are still looking for a good sauce to cure these people forever. The acoustics of this hall (The Concertgebouw) is so that you can hear everything and with 2000 people it is hard to be silent.

@foliesamsterdam3836 5 лет назад

@TheSauce Group OK, but it is not fair to blame me personally for the rudeness of 2000 other people ;-)

@katherinelazar4990 3 года назад

hahahahaa

@harukif9521 2 года назад

36:46 オッパッピーゆうとる…

@paolamassetti4426 4 года назад

So beautiful to listen - but questionable in interpretation of Renaissance music: a little slow time in general & not so energetic as it could be (for instance Tallis' Loquebantur is magnificent in vocal technique and intonation but vanilla in result) plus some defects in pronunciation, for instance in "Alleluia" the first double "l" is declaimed with little sound...