That shaker that comes in in the second verse of Hideaway, immediately caught my attention but I couldn't fathom why such a small element added so much... Thank you so much for explaining this!
As soon as he discovers this channel is my guess :Ъ PROTIP: analyzing 'exigence' might bring some target audiences )) I have been obsessing over guest/host interchange in mvmt 2 for years now
I can NOT fathom how in the world this video has only 360 likes?! Trust me this is high level rhythm management. I studied in Berklee College of Music and you start learning this until 4th or 5th semester yet this videos are free 🆓 and so good! He is really good . Thank you so much!
Such a perfect explanation. I first came across this on Addict, and then Hideaway a few years later. The latest instance of it that comes to mind is on HeLa by CarBomb. It follows a similar construction and progression as Addict. Thank you for everything you do.
Thank you for what you do! Awesome stuff. Hey, one thing. In the poet, you said the guitar comes in groupings of three and then maybe the bass joins in. Just wanted to confirm that what you called the guitar IS actually the bass being played higher up on the fretboard. And it then drops down to the lower octaves when the full groove kicks in. Let me know if I got that wrong. Cheers. Again, thank you for all your beautiful videos. They have brought a bounty of knowledge to my life. ❤️
Ahh, the memories... I remember beeing so excited figuring out this groove first on Tigran's The Poet and then discovering it in a few more quintuplet pieces. Like for a few times in the Hi-Hat in the sax solo of Panzerballett's Euroblast beginning at 3.20. :D
I seem to have chanced upon a treasure trove of learning!! But, in all seriousness, these vidoes are making it super easy to grasp all the mind boggling rhythm sorcery.
Hey Yogev, got a song suggestion: What's going on in the latest album of power trio Karim Ziad, Omri Mor & Mehdi Nassouli called "Assala"? I had the chance to work on it but not the time to ask them about the Song "44" and what happens in the "Chorus" rhythm-wise? Something is shifting! Maybe you can find it out :)
There’s some pleasant sounding 5 over 3’s. my favourite easyish 5/3 is just dotted 8ths on the hats then quarter eighth quarter played as kick snare kick.
Great video as always! This may be an unconventional suggestion, but Groovetude's RU-vid channel has a lot of great polyrhytmic piano pieces! There's sheet music of it as well as him straight up explaining it sometimes, so not much of a mystery… But still some incredible rhythms worth checking out if you haven't already!
As you’re always looking for interesting listening, I thought I’d recommend the following: Spastic Ink, Blotted Science, T.R.A.M., and Nova Collective. I was turned onto some of these bands after falling head over heals for Panzerballett. I love the drumming of Sebastian Lanser and the guitar-work/songwriting of Jan Zehrfeld.
Bro, check it out. That mandolin in Hideaway is doing this pattern (144434). But that 1 is actually a rest, or if you want the end of a phrase of 5 that is split between two bars (if you know what I mean). Like if it was conceived as a 5, the first 4 partials are at the end of the 'first bar' and the last partial is actually that rest at the beginning of the next bar. Anyway everything comes up to 20 so it checks out.
@@YogevGabay "Birds of fire" is popular, One word, and Vital Transformation are also great older fusion tunes all featuring Billy Cobham (one of my favorites). Not as intricate or layered as Tigram or Animals as Leaders, but John McLaughlin wrote some cutting edge music in the the post Miles Davis 1970's era. Thanks for all the great teaching and inspiration! Peace.
@@YogevGabay "Miles Beyond" from their Birds of Fire album is a killer tune. It's funky as hell and has a very nebulous 1. I would love it if you'd break down what's happening there!
Collier's quarter notes are so slow, would it not be easier to count it as four bars of 5/8? What are the considerations in choosing between equivalent rhythmic descriptions?
That's a great question. So, calling it 4/4 does 2 things. First, it allows you to also switch subdivisions easily and not be confined to that 5 all the time. Second, and more importantly, the 4/4 gives it a frame and provides a wider structure that I think make it feel better as a player, thus making it feel better when you listen to it. Makes sense?
Henrik! I've seen almost all of your videos already hahaha Some of your Konnakol exercises have been SO helpful for me, and I've practiced them a lot. Thanks for checking out my channel, it means a lot!
Make me dance, make me dance from mark giuliana and the band heernt is one of the craziest rithm stuff y have heart. Please listen to! Thanks, i realy like your videos!
tigran uses it most musically because he doesnt put it like " LOOK MOM IM DOING POLYRHYTHMS!!!" someone who isnt familiar with polyrhythms wouldnt even notice that something fishy is going on there and could just groove to it
How is it quintuplets in 3s? Isn’t that just triplets? He even says it resolves after 3 bars of 4. Doesn’t that just make it triplets? I don’t understand.
