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The Zombiefication of Basquiat 

pejamane
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Welcome back!!! In this episode, we take a shallow dive into the life and legacy of Jean-Michel Basquiat, exploring how capitalism has commercialized and, in many ways, tarnished his revolutionary work. Join me as we uncover the intricate relationship between Basquiat's art, his Haitian heritage, and the capitalist forces that have transformed his profound messages into high-priced decoration.

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4 июл 2024

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Комментарии : 57   
@jalisabass7426
@jalisabass7426 24 дня назад
wow its really sad that despite his posthumous success and acknowledgment of his art, his experiences of the message and interpretation being devalued and centered around his name/identity also continues to live on in a way. it’s definitely hard to say whether we’re paying tribute by supporting these collaborations or if we’re confirming his fears 🤧
@RideWithQuay
@RideWithQuay 23 дня назад
I think we are in a weird time of Capitalism where pretty much everything is monetized or can be at a moments notice. So the moment someone gets attention (accomplishments, death, etc) there will always be some type of "exploitation" for gain by someone.
@mastamere
@mastamere 19 дней назад
Holy shit bruh, this was a brilliant analysis. I’m Haitian so the parallels you drawed between his current exploitation and zombies is genius. Good shit bruh
@MakeArtNotWar2023
@MakeArtNotWar2023 19 дней назад
Jean-Michel's legacy was more protected and not uber commercialized when his father controlled the estate. After he passed, all hell broke loose with the Merch Machine (c) when his sisters took over. We will reach peak merch absurdity when we see Basquiat condoms with the image of the note on his studio door, "OUT GETTING RIBS." Good job with this analysis and the inclusion of bell hook's take on his art.
@MarshallSmith-q4e
@MarshallSmith-q4e 20 дней назад
Though he rose to fame during the 80's artworld where rapacious capitalism was equally on the ascent, the Basquiat estate needs to reign it in and pull back on collaborations in order to protect the legacy of JMB. Scarcity increases value, not overexposure!
@Danthemagicman213
@Danthemagicman213 7 дней назад
I got so upset when I saw the Basquiat estate partnering with a LIQUOR BRAND. The man suffered and ultimately died due to his issues with addiction. insanely tone deaf. The King Pleasure exhibit also washed down his personal history outside of the family, totally ignored his biological mother, and the fact that he ran away from home.
@altkenna
@altkenna 22 дня назад
Such a great analysis and perspective on how Basquiat's work has been decontextualized as a result of rabid consumerism and post mortem fascination. Happens too often with some of the most revolutionary artists after they have passed, especially those who are fetishized or used by corporations for an identity that they were ostracized for when living. In our appreciation of the work, it's only natural to want to surround yourself with the artist, and the art market is so obsessed with "selfie" culture to where museums and retrospectives will go as far to project Da Vinci art on walls as a way to "feel close to the artist," but also have something for your insta feed. Buying the artists clothes/work made by their estate can feel like a way to show appreciation, and signal that to the world, but I wonder what the artists would feel about their work being commodified, aside from the fact that the sale of their work and licensing of it supports their immediate and future family. I imagine half of the people who have Basquiat's work in their homes, or tattooed on their bodies aren't *completely* familiar with him. I mean I have a Keith Haring shirt, but I can't cite his birthday or the day he passed from memory. I wonder how much of this work embodies the artist, or like you said, create's this gross, commercial zombie because the concept of "death" is so difficult to accept. Love this analysis, great great work. 🤗
@ibbledibble
@ibbledibble 22 дня назад
my guess is he expected it but wouldn't appreciate it. that's what samo meant- same old, same old. as for the zombie connection, the coffin-shaped grids, sometimes with letters in the boxes, that basquiat used in works like 'robot man' resemble the 8 hour graves a bokor would paint on the ground. in 'robot man' specifically, i believe basquiat purposefully made the zombie reference, considering the words 'intestines', 'hueso', and 'sin hueso' . . . after all, 1980s robots (or, in our era, AI bots) are zombie slaves of a sort, soulless imitations of human workers conjured by capitalists that disenfranchise, disillusion, and impoverish real people. historical interpretations of basquiat's work often (in my view mistakenly) reduce his depictions of people, especially those with labeled characteristics, to a preoccupation with human anatomy. i think, especially when coupled with grid motifs, it's actually an exploration of the involuntary reanimations and reinventions we undergo due to social and economic pressures . . . and the cultural missing link those art historians/critics lack, which you've so brilliantly pointed out, is the haiti-zombi-vodou knowledge. it's not a coincidence that one of the dominant companies specializing in these collabs between the estates of dead artists and third-world-borderline-slave-labor junk manufacturers like h&m is Rome Pays Off- named after the basquiat work of the same name that very directly ties haitian zombification to capitalist exploitation and imperialism. the owners of that company (the proud makers of the "Basquiat Beat Bop crown knit beanie"!), are guessing no one buying this stuff will actually look at the print, understand why he made it as a lithograph in multiples rather than selling it as a single painting, or understand what 'salt' means to a haitian zombi. 'salt', imo, is basquiat's message to us from beyond the grave: return to your senses, restore your personality, attack the bokor who created you, or go home to die. anyhoo, this is the first time your channel was suggested to me and i really enjoyed this video.
@sophiafakevirus-ro8cc
@sophiafakevirus-ro8cc 15 дней назад
It's the comodification of original creativity. It's sinister and shallow.
@movimentodoscacos
@movimentodoscacos 19 дней назад
Seriously the bell hooks analysis is insane. Loved the way you tied it into the haitian zombie concept. Great video, salutations from Brazil!
@pejamane
@pejamane 19 дней назад
Aye, I appreciate that! Reading that chapter last year was the first step into me making the connection between everything
@lemoncakesandmoonpies
@lemoncakesandmoonpies 23 дня назад
I loved the exhibit from his family. But I've hated the random collabs and the bastardization of so much of his work!!! It sucks bc I also love all the merch, but I catch myself thinking about how he would not be down for his work being used this way. It's so weird to try to assume what he would have supported
@pejamane
@pejamane 23 дня назад
I agree with you ! I feel like the exhibit from his family shouldve been the pinnacle. I just hope they stray away from AI or hologram type of showings🫣
@PRINCESS.ADENRELE
@PRINCESS.ADENRELE 11 дней назад
i agree and i’m a hypocrite too! i was in primark a few months ago and bought a Basquiat tote bag. after i got home i thought to myself “this is…… kinda weird” and now it just sits in my house 😖
@alysaguilar3472
@alysaguilar3472 18 дней назад
Totally agree with you, his work is very powerfull for it to be in a dumb marketing but in the type of consumist and social media world we live in right now, it is perhaps a way to keep on sending the power of his message and not letting it be forgotten
@DailyRuflections
@DailyRuflections 23 дня назад
Praying this gets the views and support it needs !
@pejamane
@pejamane 23 дня назад
Damn, you're gonna make cry 😭. I really appreciate the love !
@raining_inside
@raining_inside 11 дней назад
This is life and death capitalism style, a lively forest burn and reborn cycle. The artist creates with meaning, the meaning is grappled with, sometimes catches hold in the culture, it's observed disseminated and then loses its meaning and becomes a lifeless and colorless sea shell bleached by the sun, until it's smashed into pieces and becomes grains of sand and eventually fades to dust. It's sad to notice, but what else can be done? We all disappear some day even artists and their art. Sometimes the visual stays without the meaning and sometimes the idea stays (though less obviously observable)
@sydnishavers7327
@sydnishavers7327 11 дней назад
This is so amazing and insightful!!
@cedarraine7829
@cedarraine7829 7 дней назад
I can’t even look at his work anymore. People have played him out.
@radishhousepictures
@radishhousepictures 5 дней назад
i learned something, thanks! that bell hooks book is on my list now
@troyDuke1
@troyDuke1 16 дней назад
thank you for this///RIP SAMO
@DailyRuflections
@DailyRuflections 23 дня назад
This is such a great take and perspective! As a Basquiat fan you are so right B
@biancafloyd3768
@biancafloyd3768 17 дней назад
Amazing video! I had to share this with one of my friends who’s a big Basquiat fan. LOVE the connection to bell hooks and the Haitian culture. Tbh I always looked as Basquiat as an artistic genius but maybe not the activist some fans wanted him to be. He critiqued white society but his day to day experience was surrounded by them in his professional AND personal life . Self exploitation through my work is something I think often about especially as a “Black Artist” that wants to honor my culture. The commodification question is one that we can never escape but I don’t feel like that “real art is ALWAYS anti-capitalistic” mentality is necessarily correct either in a capitalistic society because it leads us as artists to be stuck in financially precarious situations just to prove that we’re “pure artists” instead of being empowered to realize the value of our labor.
@konnyknees
@konnyknees 12 дней назад
Subscribed. Love your channel, love your style and expression and realness. Thanks for bein you
@theriguyayylmao3761
@theriguyayylmao3761 15 дней назад
Spot on. As a fellow black artist who’s also inspired by his work it feels like a double edged sword. I love seeing his work be praised and accepted it’s nice but to know that him and his art deserved better treatment when he was actually alive makes it feel bitter. The fact that he is not actually benefiting financially from this and that this does nothing to make his art be more respected in the “art world” but could actually serve to hurt his image as it becomes commercialized also sucks but then again it is good that his family gets some payment from all this so really it’s hard to know what’s best
@MARCERA
@MARCERA 19 дней назад
my fav video this week
@aick
@aick 23 дня назад
Frankly I think money and art is gross combination and always has been, that's why I don't really publish my own work. You really hit me with that part about how he wasn't accepted so he couldn't really express all of himself, I feel the same way with my work for similar-but-different reasons. Thank you for your work, this is an awesome video, made me think for sure.
@pejamane
@pejamane 23 дня назад
Hey, I'm glad you enjoyed the video! It took me like 4/5 years before I felt comfortable sharing my art , when its time you'll know.
@Biikzzz
@Biikzzz 20 дней назад
great video man, the music in the background is fanstastic
@pejamane
@pejamane 19 дней назад
Glad you liked it! I know Charlie Parker was one of his faves
@jerrygumbs6983
@jerrygumbs6983 22 дня назад
Spot on
@FrequentLiarRilesPodcast
@FrequentLiarRilesPodcast 12 дней назад
#WeKnowTheTruth
@reethkitchards
@reethkitchards 19 дней назад
Basquiat’s Art is turning into mush.
@christopherwestpresents
@christopherwestpresents 19 дней назад
I think this is spot on. Would love to do a response video giving you credit of course supporting your position if that’s ok with you.
@pejamane
@pejamane 19 дней назад
Ayeeee! That’s fine with me 🫡
@louhawk559
@louhawk559 20 дней назад
My opinion there R thousands of basquiats . He was eccentric. He was in the right place and time. His trajectory was a interesting coincidence. Was he being used? Or not. Was it luck .? Was he exploited? Or did he exploit.. its all good either way i appreciate his accomplishment. And his art tho i dont see the glorifying of it..he worked hard at it..salute to basquiat.
@ziranmen
@ziranmen 2 дня назад
LOL same shit happened to Monet, chocolate boxes , tote bags, pencil cases coffee mugs etc... etc..
@nathanielziering
@nathanielziering 20 дней назад
Everything in this world is commodified to the point of total saturation. Drill baby drill!
@AM-sw9di
@AM-sw9di 20 дней назад
Not a hot take at all, you're spot on. Slightly different, but at art school there was this other white kid who copied Basquiat's style and symbolism and presented it as his own. His big piece was his studio, he literally made his space his studio and it honestly looked like some Basquiat forgery exhibit. At the time I thought maybe it was ironic because it was so brazen, but it definitely wasn't, and it really rubs me up the wrong way but no one said anything, and there were no black students in our class. Watching your video, the zombification, and hearing Bell Hooks analysis made me remember it and it made remembering the whole thing a much darker and way grosser feeling.
@nowherebuteverywhere5408
@nowherebuteverywhere5408 19 дней назад
truly poignant critique. very thought provoking.
@Spytron3030
@Spytron3030 22 дня назад
Cool video and cool style. Only critique would be some better audio quality when you can. Subscribed
@pejamane
@pejamane 21 день назад
Appreciate that!!! My bad
@DazeyChaineMusic
@DazeyChaineMusic 9 дней назад
funny even 30 years after his death he is being exploited as much as he was while alive... and dropping a line on juneteenth is also pretty evil, kinda weird too given that the audience this stuff is being sold to,. "hey yall here are some sweatshop grade clothes w some cool Basquiat designs on them, with absolutely no thought or love put into any of it, and we know how much you all love marching for the non exploitation of your people, so we thought we would release these terribly ugly clothes marked up 1000% on that one day yall go nuts about, yea.... thanks :)
@craow4574
@craow4574 15 дней назад
what charlie parker song is this ?
@pejamane
@pejamane 15 дней назад
Lover man!
@gelpen
@gelpen 21 день назад
Hey. I liked your video a lot, keep it up please! made me laugh relate and learn something new . appreciate your critique.
@dnavid
@dnavid 21 день назад
commodification has ruined his work for now and was inevitable but he will shine again in a few decades and over the centuries to come.
@RuanFourieStix
@RuanFourieStix 21 день назад
It's gross. It's one thing when the artist makes the choice to commodify their art, but when the "estate" makes that choice I always get the feeling like it makes the artist spin in their grave. Basquiat's art is magical, but it's slowly being degraded to trash by the brands his estate is selling his work to.
@raulguadalupe3489
@raulguadalupe3489 18 часов назад
Well, he would have done it eventually if he was still alive. Andy Warhol and Keith Haring certainly did. Why not? It’s business. I mean it’s art. But it’s ALSO business.
@pierreenorm3832
@pierreenorm3832 14 дней назад
i knew his stuff like k.haring since my childhood and this with : being white, living in Germany and my city was not that big while grown up doing graffiti as a kid... So burn ya books and check what's goin in da streets -cause: knowing bout him and his influence since 2017 & now dissing those who put him in a song... 4real!? So, He's now only yours, collecting him on Mass-produced Fashion- maybe friends of him and Futura from that time you don't even lived- and 4 sure never will understand... go find yourself before talking bout crown material!
@LK-sx5ln
@LK-sx5ln 15 дней назад
Ur jacket gay asf
@pejamane
@pejamane 15 дней назад
Real 💗
@klownck
@klownck 23 дня назад
you are literally part of the problem. sad.
@pejamane
@pejamane 23 дня назад
I know :/
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