This is one of my favorites.. 

Thank you so much!! 😀

Paul has a more complete demonstration of the stops on his channel titled: "Demonstration of the Jehmlich-Organ, Op. 728 (II/13) St. Albanus, Schkeuditz (Orgelpräsentation)"

Thank you so much!! 😀

Thank you so much!! 😀

Thank you!! 😀

Paul has a more complete demonstration of the stops on his channel titled: "Demonstration of the Jehmlich-Organ, Op. 728 (II/13) St. Albanus, Schkeuditz (Orgelpräsentation)"

Thank you for showing this organ! I totally understand why you like it so much! It has a beautiful sound!😁👍

Oooh, das ist ja cool! Ich habe schon von meinen Großeltern gehört, dass am Sonntag jemand anderes gespielt hat - was für ein Zufall! Ich war früher auch oft in Dreieinigkeit. Bist du bei Christin im Unterricht? 😀

@@PaulFey jaaaaa Seit 7 Jahren Unterrichtet mich Christin. Sie hat auch schon öfter von dir erzählt, wie witzig :D

When playing at speed I can definitely agree with you, but when playing slower paced music you will hear a difference in sound - at least on this very organ. This does not apply to many other tracker organs I know, but in this case with the short distances from key to pipe I believe there is an audible difference!

@@PaulFey Hi Paul. The physical action of a tracker as you know, is there only to open a valve, Long, short, big small, the result it the same. The valve comes away from the chest and wind begins to flow. Anyone on this channel who wanted to hear what really goes on when a pipe begins to play, can do it - as long as they have access to a tracker acrion organ. Pull a draw-knob. Hold a key down from tenor C to middle C (13-25) Turn the blower on be ready for a surprise. It all happened fairly rapidly so you have to have your ears at the ready. In reality this happens in microseconds. But once you overcome "Pluck" the wind if flowing. The pressure wave travels through the key channel at the rate of 100 feet-per-second. Each pipe begins to speak as the pressure begins to rise, in the same way as it does when you turn the blower on. Several organ builders, including Audsley, G. Donald Harrison and the Austin Organ co did the research making dozens of identical pipes and testing them on Pallet Valves, Pouches and chest with channeling between the valve and the toe hole. The voice makes the difference, not the action. It is conclusive and there is documentation to back it up. I love old trackers. They are amazing in the quality of workmanship and the ingenuity of the movement of the action. They are stinkers to tune because the builder never though of maintenance. Even today, tracker builders are loth to allow good access to the pipes for tuning and regulation and maintenance of the organ should things go wrong - and they do despite what the German builders claim. Paul is correct, when you open the pallet slowly, a difference can be heard, BUT, it is a controlled opening and not while playing music at any speed short of holding the note. The proof of that pudding has been demonstrated by tracker fanatics many times over. But it is always one note "Listen to this..." and very careful movement of the key. Speaking of slow, Peul, what did you think of the Serlo Hall delay when you were there last year, July 4th.