Wow! That was a clear and easy to follow tutorial! Subscription earned! Well done! Please more! Especially Call-Outs and progressively advanced uses of them would be greatly appreciated!
good tut thanks! you do rush it when explaining the hue and sat animation and there is no need for that. Take your time and you will make it easier for your learners (and it will only take you one more minute to explain and show well). Thanks!
after you're done with the phone screen composition you can go back and make the track solid into a composition, open the composition and delete the solid and replace it with the screen you just made
Hey Zahariz. I hope everything is going sweet. I juts wanted to thank you because I saw something I was doing wrong when I use the camera tracker and I tried to place my image or video over the solid created by the camera tracker. Peace by with you brother.
Open to anyone that can help. I use camera tracking to dynamically place addresses from a 2D real-estate map onto a weekly drone flyover video covering the entire residential property. This I call weekly update. The process I use is 1. pull a segment that experience shows will be solvable by the tracker. 2. run the tracker. 3. slide to mid-segment and find a flat-ish spot to set a ground plane. 4. set a null and camera. 5. pick a spot that I can correlate with a specific location on the builder's map (storm drains work well). 6. Set anchor point and position to put the map and video onto the same spot (storm drain on the video and on the map are both under the gray dot of the 3d controller). 7. Orient the map to align (orientation, scale, tilt, etc) with the video. 8. Slide to segment start, create keyframes for position, scale, orientation, X/Y/Z orientation and align the map onto the video. 9. Slide to the end and repeat. The problem is that in about 1/3rd of the segments I can't find a sweet spot that ensures that aligning front, middle, and end of the segment keeps the map in place. I end up having to add extra keyframes to offset drifting, turning, and scale changes and having a heck of a time trying to get the addresses numbers to look like they are on the ground. Some move quite a bit. Any techniques or referrals to others that get me to know how to correct this would be appreciated. Here is an example of one of my videos: @
Isn't it an easier to track the new comps instead of copy pasting? like pre-comp the solid and add the new IG photos there? the only issue I have with this system I can't control the size of the solid once created to make it the same specs as the new IG photos (in your example)
Haii bro.. i have a problem about 3d camera tracking .. when i tracking point , there are notification " no depth from a tripod pan solve".. how to fix it?? thanks before
Open to the floor lol why did he choose "create solid and camera" for the first solid, but then only select "create solid" for the second on on the mug? What's the difference? -Thanks
sir hum jo camera trek karate he vo video bahot hi chota hota hai vahi treck hota hai... pls.....pls.... sir long video treck karana ho to kaishe kare bataye.... help me..... sir
