Trying to build the ultimate PEDALBOARD! 

It's only the scissors for me.

I can only afford to watch the video

I can't even afford that😂👌

@@AndrewRobertsMusic Instead of the Klon KTR, I might buy a car :)

@@zylascope nice dude🤣

I feel ya'! I can't even afford the cables! :P Nah, kidding... but I couldn't between my 16-35 years... Now I'm 40 and I could go and buy all this stuff. Although all those years without affording it (I've had a DS-1 plus reverb on my amp), has made me get very conscious of what I spend my money on. As long as I'm not gigging: Bias, Amplitube, GuitarRig, and the likes do serve me more than enough for practicing reasons (wish those things existed 26 years ago!). If I start gigging again, I might consider other options. I'm 40, and only owned 3 electric guitars and 1 acoustic in my whole life.. the third electric I just bought!

Or get a small tube amp with great distortion cranked up, add a used H9 and maybe a preamp pedal you’ll be flying.

I guess the very most guitar players are on a low budget ;D

the jan ray is just a timmy with a bigger price tag

This is the comment i've been searching for. I own only 2 pedals.... and both are joyo :(

Well, just a suggestion. I went to a local Goodwill and purchased a cool fake alligator skin suitcase. Use ur imagination and walla! There r a lot of tutorials on the tube. Good luck!

Ahh thank ye for the hope and experience my friend!

I know the feeling. It took me a lot of years to be able to get this board. But I was always happy with all I had, that's very important!

Ahh I see! Gotta adapt and do with what you got indeed my man!

try a zoom ms50 multi stomp, 99 USD, multiple effects, its a start

The essential. Korg Miku > Tuner

You know it's funny after you have one and abuse it for a while, it's the first one that's gotta go when you need space. It also does not stay powered for extended times. You have to unplug it and reply it for it to initialize. OK for on the go, lame at home when it's always plugged up.

it was actually a joke, i think that it is pretty useless. You bought it for the hype?

M Caz it was a gift!

now that is unexpected

And he played Rain at 12:30 lol

Bro fr i wasn't expecting the actual sound that came out

James Freeman this shirt, "the jacket"... Maybe Paul needs to start a clothing line.

fancy seeing you here

I was thinking the same... I only have to find the money.... ahhahaha

Oisin McPhillips lol. I just watched Ricks videos as well.

Ahhahah Rick Beato's video is a pure comedy; the phone call & the supermarket of the pedals. The thing that discourages me a little is that these guys have a lot of stuff. I still have to make my videos with an iphone4 cause I can't afford a camera :( ahhaha

I see we are an the same playlist.

Started mine last week. Having fun but now I’m out of funds lol

lol they're not that bad! In an effects loop they're even kinda good. End the metal zone hate!

Yeah its not that bad but its kinda pointless to do tho cuz your preamp is probably better than the mt-2, but if it works for you and you like it, good for you, but i personaly dont see any point in it.

@@timfowlie3138 If you have a low gain amp with an effects loop, go from your guitar into the mt-2 and then straight into the effects return(!) of the loop. And, tada, you got yourself a high gain metal amp.

I still use my early 1980's Boss HM-2. you don't have to turn every dial on 10. I get some great sounds out of it.

Chris Davies Well the HM-2 is legendary metal pedal that sounds great. The metal zone is and does not.

Yep!

It can be a 20$ compressor as long it does the job and sounds ok

same goes for EQ lmao. The guy from JHS said in one of his videos like they're all transparent and don't actually sound different to each other

Then you're only gonna play Smoke On The Water...

behringer does a great job for the beginning

Jimmymolthoff too bad they’re forever sold out

Josh Cruz not on thomann

I know the feeling manh I can't afford pedals. Not a single one.

Or the Boss CE-2w :)

To many people have lost the amazing art of pedalboard tap dancing already

totally impractical board. zero use at a gig. way too much stuff, ok for your bedroom or your garage. but forget about taking it to an actual gig

Jeff H. Or a Big Muff!

@@willmcdaniel8375 My wife has a big muff........it's nice but it doesnt sound good at all.....

I love my boss fz 2 hyperfuzz

Hannibal fucking Lecter is at your door as we speak.

Exactly. I was looking for this answer. That would no longer require tap dancing skills ;-)

And a Metalzone?!

The "Ultimate" pedalboard should at the very least have a decent 4 cable auto route patch bay.

I bought a Temple Audio pedalboard earlier this year, and I LOVE it! Took it on a 5-week tour right after completing it and it was a huge commodity. I can't say that it was "easy" (my frustrations had more to do with the board's electronic aspects)I, but I CAN say that it was simple. So simple ... It's stupid. ... and lightweight! I give them 2 Thumbs Up 👍👍

The TA boards are pretty, but when you go to take a sticky pad off a pedal to sell it, the pedal can get damaged and the sticky pad becomes useless. Velcro is easier, but velcro will take the paint off a TA board. So they're pretty, but not for everyone, especially if you're switching pedals out frequently.

I agree, and also commenting on how many true bypass and how many buffers he's got, and where and why

True but the Klon has that sexy buffer to bring things up to par

Does Paul gig?

Strymond stuff boy

@@TheVictortomas i gots the strymon stuff. i needs da secrets.

Do you find the secret i want to

@@jeremyruiz8470 nope :(

@@ChinchillupaGuy hey bro do you find the secret? i still here XD

Kemper Profiling Amp! :)

Im fairly sure he uses a Tone King combo amp when he doesn't use a kemper

Definately a Marshall MG30CDR

In Australia you would need approx $5000 for this pedal board. That guitar is about $5k. His tone King amp is another $5k. So for his basic rig it's $15k plus if he brings another of his guitars to the gig which he would add another $5k. So Paul has $20k worth of gear on stage at least when he gigs. However that is not a lot of money for a professional muso. In fact it's really cheap. Professional orchestra players usually have to take a mortgage on their single instrument. Don't look at this through the eyes of an a hobby player. Paul is a professional musician. This is peanuts for him. Tools of the trade. And he has exquisite taste in guitars and gear.

David Nwokoye ...link?

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ccpzkvUHXJc.html he's the first guitarist on dramaalert.

real pedals will always sound better

That's right even to this day multi FX units don't sound as good as a petal board w/individual petals for the job. I remember when they came out terrible but ok now to figure out what FX you will use then later get the petals you need those $200-$500 petals are too much that much ambiance would get lost in a mix live you will most likely use a Tuner a Wha Over Drive / Distortion & a Delay / Reverb if yer amp don't have reverb. Or better yet buy a used Peavey Vypyr 15 they sound amazing the older ones have much more amp sims than the new ones I bought mine new for $89 as a lil bedroom amp & it sounds great if you go past the 15 watt you can get the foot controller Samparea 1 one tread for Wha Whammy Vol swells …& lots of banks you can switch to not glitchy it has the same SHARC Chip that the AXE FX & Kemper use. That way you can use it for practice & find your sound & you can add a jack to run the Vypyr thru a 4x12 Cab it sounds Massive that 15 watts will roar thru a 4x12. My 5150 tube head is sitting idle lately I find my self just playing thru the lil 15 watt Vypyr & I have a Vypyr VIP 3 100watt which has a looper & you can run a Bass Gtr Acoustic . Gtr or Electric thru it. It has less models of amps but more FX some wasteful imo like the Synth & the Sitar simulator I'd rather have the amp sims. That's a great place to start you could find a used one cheap & the older ones are better more bang for the buck unless you want a Bass amp right there & an Acoustic amp if you would be great live if you had a drum petal to have a beat going i.e. The Trio or the Sdrum petal. You'll save a lot of money trying out petals.

to squish the dirt.

when i use a Compression pedal i put it near the end helps regulate volume changes.

OK. The main things I want from a compression pedal are (1) more sustain and (2) fatter clean tones. Also just that nice "produced" colour. I don't use it for limiting. I guess I put it before gain because I want the fatter, more sustained signal going into the gain pedals, and also because I want it to be a bit louder and pokier when I add overdrive. I guess also much because that's just what I've been told to do. TBH I haven't tried the other way

Just guessing here, haven't tried it myself. But if you play with low gain and you want to be able to get more drive by hitting the strings harder while being able to have a fairly clean sound when you're playing softly, you don't want the compressor before the gain pedals, it'll kill your dynamics. Check out That Pedal Show, they have an episode about what order to put them in and say something about compressor after the overdrive kind of simulates the power amp section of the amp compressing.

When it in this order I can use my volume knob on my guitar as a gain control. So when I'm playing with someone we set our levels using the compressor then I kick on my overdrive and walk away. For my les paul I have the volume on the neck pickup way down so it's clean then the bridge, is full on. I tried it the other way but I didn't have the control I wanted. Having gain control without blasting your levels is very nice and to me the whole point of a compressor.

You must be deaf ... sorry for your loss.

Mr Krunch don't know, don't care.

Paul Davids 😉

Djent is dead...

Mr Krunch strats doesn't djent

No. Not enough strings

Trust that it'll happen eventually. No point in rushing toward it. Just focus on enjoying creating the Music ... for now. A plan will come into place, that'll get you what you need. Trust.

Start with a guitar processor. Something like digitech rp360(xp for the pedal), boss gt-1, zoom z3n(x), mooer ge200 - try them at a local store to find which one you prefer. They are much much cheaper than a pedalboard but will give you the versatility and room for experiments with the sound. Don't underestimate the power of the Dark S... I mean of these little digital workhorses.

Yea, just play man...pedals will come from time to time...i played with only ds-1 for 10 years, after that u will know what u want...if u have alot of pedal and dont practice playin...u will drown in setup and sound without a good skill...ull allways sound bad that way

Fuzz + guitar volume > all the OD pedals on a board

For the Ultimate pedal board just look up Robin Trower's rig rundown. One of the most influential guitarist from the 70's who still plays today ... four pedals are all you need. The real trick?? Learn to play the fucking guitar.

I was thinking the same thing. The first two drive pedals sounded too similar to one another.

stacking overdrivve pedal allows changing from more than 2 different gain levels and volume levels, it makes a lot of sense for live situations. To get the same result with what you say you would need two boosters, which i think some people like. It's really just preferences, no right choice.

nonpoint666rocks you could use the volume on your guitar for similar effect.

francois P. Easy... Hmmm what did I say about easy things recently... 🤔

Paul Davids yep, but to me it's not only easy, it's lot less cables and noise in signal...

Yep, Kemper, helix, axe fx, all great sounds! Nothing wrong with that :)