Best tutorial I've ever seen (in several years of searching). Really covered the "fundamentals" but also touched on more advanced concepts. LOVE live cam+ sheet + digital piano + chart. Most others leave one of those out and it's pretty annoying
Great and inspiring lesson ! Start with the basic, nice and slow and work up to the melody. I especially love the way you improvise on the fly, with the melody but also with the voicings. I've learned a lot here. Thank you !
Wow, brilliant stuff Jeremy. Love this tune and your tutorial has given me the impetus to really finish my arrangement and make it into a full solo performance. Thanks!
@@JeremySiskindJeremy, I am still hoping that you may have an on line course. I am wondering if you may consider a Video Exchange option with just references to your books and RU-vid lessons. There could be a biweekly or monthly Video Exchange between students and you on the material that you would outline in your course. Thank you. Michael
That was great, thank you, really helpful, even if it's taking me ages to get the independence on the bassline! I'd echo the other comments asking for more of these please, a fun distraction while I work through your book. BTW, what piano are you playing?
Excellent tutorial Jeremy. I’ve loved this hauntingly beautiful song for a long time. One theory question on the turn around chords; could the changes be looked at as 1(Tritone sub), 4, 3, 6 changes? I thought I noticed during your solo you added the 2, 5 chords to the turn around as well. Thanks so much!
Interesting thought, but I don't really see them as tritone subs because of the chord qualities...and the vi still wouldn't lead back to the i chord too well. Sometimes I throw in some different chords...on purpose or on accident 😉
Oof, good luck! I'd first advise thinking about arpeggios before scales. Unfortunately, each of those chords really needs a different scale. Probably F# locrian +2 | F lydian dominant | E altered | A altered....
Hey Jeremy, this is very helpful! Apologies if you have answered this before, but what is the composition software you are using? I'm assuming it's on a tablet?
@@JeremySiskind I often find my patience tested when students or even gigging musicians plainly haven't heard original recordings. Okay, do it your own way but why not at least listen to what you're deviating from. Good lord, you might even learn something...
