"Up Is Down" - Pirates of the Caribbean: At World's End (Score Reduction & Analysis) 

I really want it to be 12/8 so i don´t have to look at the number three so many times.

It's hard not to get caught up in the movie scene. These are amazing tho

where the heck do you find the full orchestral score? thought all of this would be copyrighted to the moon

The high note at 1:31, chills every time

This is a really great video (and you've got a fantastic channel in general, subbed!). Love the in-depth analysis and the way you highlight individual sections of interest in the sheet music. My only nitpick (and this is a REALLY nitpicky nitpick) is that I think you got the A and B phrases of the love theme mixed up; I think the rising line is actually the B-phrase, and the longer, more dynamic melody beginning with the descending fourth is the main, A phrase. If you listen to the full statements of the love theme towards the end of the album in "One Day" and "Drink Up Me Hearties" (or the "Marry Me" suite from the boxset), you'll notice that they start with the longer melody, move on to the ascending one and then finally the less-frequently-heard C-phrase, which is the sweeping one that starts with the big dramatic sixth leap (e.g. when Will and Elizabeth kiss in the maelstrom battle/wedding scene).

These analyses are fascinating! Many thanks for doing them.

Thanks dude, you’re like my sixth form music teacher, but for music I actually like lol

would love to see more hans zimmer. Like Cornfield chase from Interstellar or King of pride Rock from Lion King!

Please do the Medallion Calls, Ship to Ship Battle or Ship to Ship Chase. They are all from Pirates of the Caribbean Curse of the Black Pearl

Do you have the pdf score reductions available somewhere? I find them hard to read/study in a RU-vid video.

Best channel of my whole life

Could do the Song One Day.

Please do the Medallion Calls, Ship to Ship Chase or Ship to Ship Chase They are all from Pirates of the Caribbean Curse of the Black Pearl

1:38 ❤️

I'd like to watch most or all of the film in that aspect ratio.

I know I'm just being picky, but at 1:05, Barbossa says He's onto it, not onto us.

Best part

Superb!

A natureza é maravilhosa

Hi Mr. Frey, thanks for you incredibly work. I have a short question. Where you get the scores? Regards.

Verbinski is a fantastic director!

Bagpipes from 0:52? Think they are quite important.

could you make an analysis for movie Hugo?

im not sure the music really fits the scene haha, not sure how I wouldve done it but hmm

Could do ship to ship battle

You didn't notate the bass part

This cue was reportedly ghostwritten by Henry Jackman.

What are those glisses down in the bass range from 0:52 or so ?

Why not just write this in 12/8?

Two people died in this scene, but they went completely ignored.

Remember when those movies were good :'(

It's a great piece of music and is really fun, beautiful at times too. However, it feels more like the composer just wrote a catchy song for the scene. There's no real cues as such. The music doesn't react to what is happening on screen, it's more just a series of 8-bar phrases (which don't get me wrong, they're catchy) played out whilst this scene unfolds. This is a problem with film music these days. Composers aren't writing music to enhance the action/dialogue on screen. It's just catchy backing music. It works, but it wouldn't be out of place in a theme park queue line for a Swashbuckling Pirate ride.

My goodness! What terribly boring music... Am I just too old for this?

Brad , i sent you a request in fb, please accept)