Use This Scale to Break Out of The Blues Box! 

So tell us how he tastes.

@@mooseymoose Ahhh well played!

@@mooseymoose it’s like saying because the speech has no “figure” we can’t use figure of speech

maybe cc deville then mick mars then Jack

Love the misuse of the word literally Never seen that one before

Love that!

That's great to hear! Thank you!

Agreed

Hi Jack..what's up

Marshall Ohio: This stuff isn't exactly "the basics", at least as far as rock & roll is concerned. It's jazz theory, and not part of your average (or, in some cases, much better than average) rock guitarist's vocabulary.

Thank you Bruno!

Thanks John!

Glad it helped!

Thank you Stephen!

My pleasure!

Thanks for listening

Thank you!!!!!

Glad you liked it!

Thanks

Thanks for watching!

Thanks Chris!

@@JackRuch !!

Nice! Thanks Vic

Thanks Roger! I'm going to have them up soon.

@@JackRuch great thanks I can see you just put them up. I'm going to finish working through that. That minMaj9 arpeggio is 🔥

Thanks Steve!

Thank you!

Thank You!!

Go for it. Its a wonderful guitar 😀😀

@@goswo Im saving now thanks for the inspiration!

My pleasure!

And I’d this scale only good over the fourth chord in blues?

So root chord stick to minor pentatonic then fourth chord play a line from the dominant lydian scale?

The link in in the description

If you understand that GmM9 arpeggio works over the C7, then in that same scale theory framework the GmM9 works over all the other chords and that would include the last note of G melodic minor which is F# (G A Bb C D E F#) and the F# mode is called the Altered scale (F# G A Bb C D E). Same notes as G melodic minor, just starting on the 7th degree.. Gets you F# Alt. So if you want to play G alt on the G 7 as Jack does, you have to understand what scale has G alt as its 7th degree just as F# is the 7th degree G melodic minor and that scale is Ab melodic minor (Ab Bb Cb Dd Eb F G). So in summary, if you want the alt sound on any Dom 7th chord just play the last mode of the melodic minor scale that contains it, first to hear it. Then you can play any mode, Jack on the G could run up and down G alt (the seventh mode of Ab melodic minor) but he chooses to play the first mode, the An melodic minor, and he uses the AbmM9 arpeggio to do it.

That makes total sense! 🤯 wow thank you!

@@elijahsomlock_music I'm glad x

I'm not but I have the book, I need to study it more!

@@JackRuch lol it’s fun to play with just not sure where to put Dom 5b it not being diatonic and all. I need to find songs that have that chord maybe,

I'm sure he can play jazz, but blues is a great expansion making the transition to jazz.

@@JazzgutsVGvanKampen Yes, I realize he can, and very well, too. It was a general silly comment intended for everyone, including myself :-)