Using Automation Is The Secret to Better Mixes - with Joe Carrell

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TIMESTAMPS
00:00 - Intro
01:33 - The Song
05:20 - Working with The Intro
08:15 - Guitar Automation
09:12 - Chorus Transition
09:29 - Banjo
09:50 - Bells
11:10 - Drum Bus
11:55 - Movement GOOD - Static Bad
15:47 - Transition into the bridge
16:20 - Bass intensity
17:28 - Vibrophone’s purpose revealed
17:50 - The Emotional Moment of the song
18:35 - Electric guitar
19:20 - A huge moment
20:38 - Bass Lick
21:45 - Ending
21:43 - Pads Fade
23:30 - Stereo Bus Automation
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Опубликовано:

7 июл 2024

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Комментарии : 156

@Producelikeapro Год назад

Do you have any automation tips? Please share below!

@toddgreenwood9631 Год назад

Automation tips. Hmmmmm. If I take the time to get in and automate the dynamics of a singer it usually pays off pretty well. A year ago I had a singer come in and though he had a nice voice and pretty good pitch we phrased in the whole song and got a series of good phrases. But the dynamics were all over the place with some great huge peaks and such. I went in and manually adjusted all his phrases til they were kind of even then went to work on the Ps, Ts, and eeeeeSSSssss. This took a while but was quite satisfying. Since then, I do this to every lead vocal track before adding any effects, eqing or compression. 'Automation'? Doesn't feel very automatic when taking an hour to get in there with a mouse on someones vocal and drawing in all the changes but it really works good. Most recently we did a practice video for a song we wrote were we wear make up and I wanted to work on lighting/sound/positioning and stuff. I used a compressor on the single mic that would pick up all the sound which included, dialogue, a bic lighter, two vocalists, guitar and bicycle bell. The compressor worked great for the guitar and vocals but with the attack being slow, the click of the lighter or the 'ding' of the bicycle bell would give a huge peak and would redline if the track was set at adequate volume. So again, I found that going in and adjusting those peaks manually worked way nicer than sticking a limiter on the track or pissing around with another compressor and trying to get it to grab those peaks while worrying about 'squash'. Other than that, I do pitch correction, never 'auto' tuning but just adjusting where it's needed like taming unruly vibrato or long notes that tale up or down. Oh, and drawing in fades so one doesn't get the sound of a room suddenly appearing. BTW if anyone wanted to give me feedback on this 'one track' audio I'd greatly appreciate it. The mic was far enough away that I thought it sounded fine and didn't even bother with eq. But one can hear clearly where I went in and dragged the peak of the bicycle bell and bic lighter way down. An extreme adjustment but I didn't feel it hurt the presentation. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-rT92L43v3NM.html feedback to toddstudio@sasktel.net

@RONNYMORRISMUSIC 3 месяца назад

I simply go by ear. To many rules closes the ears. Different people different rules, but allow myself to go through each song by listening first. The automation process should be done in my book through knowing the song, each instruments and their part of the song. To many times I see people being to afraid of touching the fader.

@rome8180 Год назад

I automate everything. I'm surprised at how often I talk to talented friends -- people far better at music than I am -- and I mention automation, and they look at me like I'm speaking a foreign language. I think it just doesn't occur to many people that they need to do it, if they've even heard of it in the first place. Or maybe they find it too tedious? But I personally love it. Macro-automation is probably the most fun way to automate: I'm talking about automating an entire vocal bus so it swells on a key harmony; or automating the reverb so it increases in the chorus. But I also love micro-automation. Even after I compress the everliving hell out of a bass guitar, I will go in and automate every single note so that it sounds as even as possible. I don't find it tedious at all. I find it immensely satisfying. It's way less ambiguous than certain other elements of mixing, and it offers instant gratification.

@rome8180 Год назад

I will say that I can never imagine automating using a fader in real time though. It seems way too random to me. I'd much rather listen through, decide which notes or measures I want adjusted and bring those up/down. Same thing with any other effect. I get using the fader to make the changes. But I really don't get the purpose of doing it in realtime during playback. It seems so much better to just write it in.

@RONNYMORRISMUSIC 3 месяца назад

Spot on.

@leefchapman Год назад

So good to see Joe come on the channel and I like how he continues lessons based on previously received comments. GOLD as always.

@Producelikeapro Год назад

Thanks, Lee!

@Nikkie_jurnigan Год назад

@@Producelikeapro can we have muiltrack

@FelipeGruberTV Год назад

Joe Carrell is the man!! ✨

Using Automation Is The Secret to Better Mixes - with Joe Carrell

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