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Vadim Gluzman on the art of practicing 

DMITRI BERLINSKY
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Vadim Gluzman talks about the nature of the stage fright, mental preparation before the concert and great advices from Rostropovich on being the soldier for the music.
Dorothy DeLay MasterClass Series organized & directed by Dmitri Berlinsky- Artist Teacher, Professor of violin at the Michigan State University College of Music, presenting renowned musicians sharing their insights with emerging young artists in interactive conversations.
‪@Berlinsky‬
Graphic design & video editing by Austin Burket.
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28 авг 2024

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Комментарии : 6   
@alexsaldarriaga8318
@alexsaldarriaga8318 3 года назад
There’s great power in humility. It’s really not about you. And this is both a release from the burden of one’s ego and empowering. Thank you for sharing these wonderful insights with us!
@Berlinsky
@Berlinsky 3 года назад
Well said!
@SimonStreuffViolinEducation
@SimonStreuffViolinEducation 3 года назад
One thing I find difficult when musicians talk about not thinking about anything when going on stage: Emptying your mind in that situation is close to impossible and also not useful. But there is one key, which is often times not as well articulated: We have to fill our head with the music, the interaction, all the things we have to do (tune instrument, turn pages etc), our musical message, imagining the tempo and much more. All these things and even in more detailed versions that will help us perform better should be our main thoughts before going on stage. Being "empty" in your head basically translates to being 100% filled with useful thoughts about our performance without any room to even think about fear or something. I think maybe it is a translation problem or a simplification if we just advice younger musicians to think of "nothing" before going on stage. It is more about thinking intensely about the right things that support our performance, which we prepare beforehand of course. That way we suddenly feel more comfortable and in control and have less empty space in our head, which can be flooded with random or negative thoughts. I wanted to try to make that clear with my comment, since reading similar quite blatant quotes from musicians when I was young actually confused me and didn't help at all. If we have constantly think about what we will do in a minute or two there will be less room for fear. Of course we have to fight some forms of stage fright. But that is all part of our job as a musician. Not even simply overcoming that fear and never face it again, but fight and embrace it to a certain extend all the time again and again and make it into something useful. Of course routine will help tremendously. But routine is also something we can acquire faster if we face the situation in a intelligent matter. Analyzing, thinking and preparing. Also nutrition is a big factor and often times neglected. If you carb up before a concert and eat some fats too, you usually will feel much better for the next 2-3 hours even under pressure. Much more collected and in control. It can make a world of difference.
@SimonStreuffViolinEducation
@SimonStreuffViolinEducation 3 года назад
To make it clear: I totally understand that Vadim Gluzman points into the same direction and also articulates it well. Just that first quote from Rostropovich is in my opinion to be taken with a grain of salt or interpreted in a way it makes sense for a not so experienced musician. Because it can be very misleading without any context.
@benjaminng4582
@benjaminng4582 6 месяцев назад
Well said! 👍
@DjavanCaetano
@DjavanCaetano 3 года назад
Thank you very much for give to us so amanzing moment with this master.
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