(3/3) "I would love if you listened to Zanasi s interpretation.And also took note of his incredible acting. It s really outrageous. Thank you again my friend for granting me with a new version I didn't know about of my favourite aria.This is one for the keeps.Because there are a few around that I can't stand listening to.I will be commenting your other video any other time with less Internet problems.Thank you again."
(1/3) "Dear JURISMICH.Thank you very much for the beautiful aria.I seem to like your baritone. At least he knows where to emphasize and where to stop and almost cry.I also like the fact that VEDOVO COR is correctly translated in French.Sometimes it appears like EMPTY HEART instead of WIDOW HEART,which,as you know,is the correct meaning.Nevertheless,as we talked other times, everyone has their baritone,tenor,soprano... for a certain aria."
(2/3) "My favourite choice would be Mario Zanasi.Tokio1967. His actuation is astonishing. At the end he shivers like an actor from Kabuki Theatre and needs plenty of time to recover.Then he receives a standing ovation. This aria is very important because for me it's clear that Giuseppe Verdi enters in Renato.He becomes him.That s why the baritone needs to be very sensitive towards the whole audition.Verdi was a widower of a very young girl and was always in love with her although being with important women such as Streponi.On the other hand,he most have felt betrayed on several occasions in his long and productive life.That s why this aria allows him to throw away his demons and to make a great masterpiece,so personal and delicate,at the same time."
Hi JURISMICH, the following comments are on behalf of my aunt María Adriana Fraga Estévez, as she is having problems commenting through her own account:
