Vlad Rimburg - Indie, Hong Kong, and Korean Roots (Action Talks #24)

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Vlad Rimburg is a second unit director, action designer, filmmaker, and stuntman known for his work on Lucifer, Minnal Murali, and Sultan. We talk about his roots in indie filmmaking, his Hong Kong and Korean inspirations, and how be brings his fresh action take to Hollywood. You can see his IMDB here: www.imdb.com/n...
Edited by Joey Min
Action Talks on RU-vid: • Action Talks with Eric...
Action Talks on Spotify: open.spotify.c...
Action Talks on iTunes: podcasts.apple...
Telegram: t.me/ericjacobus
My studio SuperAlloy: www.superalloyinteractive.com
Blog: www.ericjacobus.com
0:00:27 Martial Arts Background
0:02:21 Rumble in the Bronx
0:04:45 The Dance of Fight Choreography
0:06:50 Donnie Yen in Tiger Cage
0:07:14 How Vlad sees Flashpoint
0:07:38 Vlad's take on the Thai Style
0:07:51 Vlad's take on the Korean styel
0:09:15 Daredevil
0:12:10 Gangs of London
0:14:05 Vlad's take on Donnie's kicks
0:19:14 Jackie vs Benny in Wheels on Meals
0:22:52 Shooting Minnal Murali in Mollywood
0:33:29 Vlad on Sammo
0:37:07 Korean Action
0:50:18 John Wick
1:05:34 Modern American action editing
1:09:08 Vlad's work on Lucifer
1:21:58 Rush Hour Behind the Scenes
1:30:32 Wolf Warrior 2

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4 окт 2024

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Комментарии : 22

@bilalsalaam9625 Год назад

Vlad's Osu short film trilogy are some of my favorite independent shorts on RU-vid. Glad to see the HK influence is still alive and kicking.

@vjvlad Год назад

Hell yeah!

@FilmFightFanatic Год назад

Until I started watching these action essays and interviews I never realized the distinctness of Korean martial arts action and how Vlad in particular created his own version of it. I've watched both styles of fight choreography for years and years and never did I notice. To me Korean film fighting was either Bourne-like e.g. The Man From Nowhere, more brawler-based like Oldboy, or a semi-Hong Kong-esque Taekwondo flavor like in The City of Violence. But I can start to see the unique elements in Korean action that aren't merely borrowed from other regional choreographic forms. Vlad's action aesthetic has always stood out as his own but only now am I starting to catch some of the supposed "Korean-ness" in it...

@EricJacobusOfficial Год назад

Simon Rhee talks about it in his upcoming episode too. I still don't have as good a grasp on it as I do with HK or JP action. We also can't discount Hollywood's influence on Korean cinema after WWII.

@FilmFightFanatic Год назад

@@EricJacobusOfficial Can't wait to see Simon Rhee's insights into the Korean action approach. I've also looked into some of Hwang Jang Lee and Casanova Wong's older Korean movie before they made it big in Hong Kong and they came across to me as basically Korean kung fu flicks. Maybe minor differences to a better trained eye but to me they seemed like old-school HK martial arts films yet simply Korean produced. Would love to know more about the post-WWII Hollywood influence on Korean films though...

@RogueOriginFilms Год назад

Awesome interview, super insightful! Thanks for doing these talks Eric!

@micahmoore-portfolio1044 Год назад

Great episode. Vlad's great at summing up the different styles and era's of martial arts cinema. And explaining how he translated his observations into his work in the Western and Indian films worlds - while also dealing with the practical considerations of each project. A really great primer here for aspiring screen fighters (or aspiring choreographers or fight coordinators).

@rdenn_shapes Год назад

Great interview. Thanks for the mention

@alexchung47 Год назад

Learned so much from Vlad, for a long time. Ous.

@bproElwin Год назад

Such a blast, hell yeah Vlad and Eric, it was a treat seeing you to again together. Very interesting analyses of the evolution of action cinema indeed. Great vlog!

@Creekmore Год назад

Vlad-aniki!!

@vjvlad Год назад

OUS!

@Elaquent Год назад

Great interview!

@jimjams4957 Год назад

I always thought Vlad was great, now I know why. Great talks keep it up, I look forward to them.

@IvoDanielBrito Год назад

What Vlad's said about Hong Kong action cinema, can also be applied to Vietnamese (between the Thai and Indonesian period) and Japanese action cinema it comes and goes! Vietnamese it's probably never to recover, due to extreme censorship. Also, thanks for the City of Violence love! 😄

@cyrustanner8016 Год назад

I love the content 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

@0ldmanjim798 9 месяцев назад

Hell yeah, Vlad!

@xibanyae Год назад

excellent interview! yes! without the peking opera element the HK cinema evolution would have been completely different. teachers like Yu Jim-Yuen, Fan Fok-Fah, Tang Ti, Yuen Siu-Tin, and a few others brought legit northern style peking opera to HKG, raised a generation of kids who trained under poverty conditions, and then were able to transition to cinema. and the rest is history... 😜

@shazadster Год назад

❤❤❤

@theonlymegumegu Год назад

where can i watch the movie Unlucky Stars that you clip a lot in this interview? a quick search doesn't show it streaming anywhere

@Elric_stunts Год назад

By chance do you mind sending the list of movies mentioned at 59:30 for shapes?

@johnf5444 Год назад

I do not agree at all that Jackie looks awkward with shapes! No idea where you got that impression...Fearless Hyena, Snake in the Eagle's Shadow which you mention, Drunken Master 1 and 2, Young Master! No...just no!