Vocal Tips - How to Sing High Notes 

Buddy one has to start from somewhere

its called using mix voice

Perfect! haha! Mastering Mix uses three modes of vocal cord coordination to achieve the ‘mixed’ voice: edge, pharyngeal, and the “heady” quality. When blending these three mechanisms, the singer is able to achieve the purest form of his or her own distinct tonal quality of head, chest, and mix. From an edgy and brassy quality to a flute-like, velvety sound, singers find themselves able to produce tones they never dreamed possible. Let us help! Learn more here: singingsuccess.com/mix/

Same here; kind of annoying... =(

Yes @Ty Haddle. From a year ago I'm still not doing it right, I don't practice too much for ridiculous reasons. But I feel excited about my voice, somehow, I'm finding the correct way. And when randomly I can hit those lower notes, and hear the awesome way my voice could sound, huge, full (in my opinion), I get even more excited about it. Thanks for your answer, makes a lot of sense for me.

Folks, about two months I wrote a letter and send it to Singing Success via email (I'm still not with an answer of them). In the letter I explained an experience of mine about the singing problem I have and that I'm almost dominating. I believe @Ty Haddle gave me a fair answer. So basically in the letter you'll read an experience, you may identify with me. I just want to share my experience to anyone who interests and who knows, it could be the same answer that apply to me, apply to you as well.

(My experience in a letter) I'd like to say… that I need some help… I would appreciate that someone that knows about the topic or a professional read me. Apparently I can mix notes from E5 to Ab5 aprox. I would say I really mix those notes because of the the sound characteristics respective (volume, resonance). However, I'm having troubles finding my entire bridge, and I think that I almost never can mix G4-A4 or Bb4 to Eb5 really (but maybe till B4 in chest). But the curious thing for me is that I always, somehow, can mix (speaking or belting) F5-F#5 and G5 relatively easy (however when I was writing this, I hit mixing it, a C#5 in a test to myself…). Sometimes seems that I can mix from F4 to A5 but used to happen A LOT that I don't have the total control or capacity to follow and mantain that mix up till the notes from the fifth octave (aprox from A4 to Eb5). I think as well, that I don't know how to recognize my mixing notes in the fourth octave… Maybe because I have been belting too much in my chest voice, now I have problems to know when I really need to start entering to my first bridge. I notice that the only way I can mix those notes (Bb4 to Eb5) (and that C#5 I just talked about) is when I feel a quick thrill of joy, is rather a sensation, because that sensation makes me lose some type of fear or unnecessary tension, resulting in a confident and natural execution of what I really need to do to can mix the notes I usually can't, or start mixing entirely from whatever the notes I need to start, till reach to the fifth octave. (I also would like to say, that till now for some reason, I find it much easier to belt those notes (A4-B4 or C5 exactly) by saying the word for example: "see" or the vocal "e". (I'm a male) So, I think this would be I great question to respond to (if there is not a video with the answer yet) People that have been belting to much in chest voice. What we can do "now"? How do we really know when we need to start yielding and softly let go when entering our first bridge, when we "have been belting too much in chest voice", causing that our top chest voices suddenly became our most natural and used way to try replace mixing in the many failed attempts to succeed the passaggio? The question.