Lol we spent like 10 minutes trying to harmonize mamamoo's introduction over zoom but due to lag it was DIFFICULT ➡️ C&JMR Reaction Release Schedule: docs.google.com/document/d/1uvf-u1EJVB-hmB3IU0P6M-obdMNu11fo_aUIf6dur70/edit?usp=sharing ➡️ Songs that are currently being voted on or waiting to be voted on by our musician voting panel for C&JMR: ru-vid.com/group/PLFw_XZtkCVMMt3F3O3jvbeYlUyGo8v2nX ➡️ Will not react to list for the CJ&MR series & why songs may not be reacted to: docs.google.com/document/d/1b5aQLWbYgUCm30Pj5-AalSjwMaq8gm5jOyrcbAlMu6c/edit?usp=sharing
you guys are amazing together in your insights..pls invite him for more mamamoo songs...so many can you get him to react to mamamoo on killing voice on dingo also recommend to react to their mr. ambiguous on live band as well
The fact that the last part of the song "the two of us had the same dream Where are we now" is sung by Wheein and Hwasa in a beautiful harmony hits even more if you know that they are childhood friends and they are achieving their dream togheter and now at least with their solo proyects their are taking differents paths. I love your reactions!
Just for clarity's sake, all that happened with Wheein will essentially just boil down to her doing her solo stuff with another company. While it is notoriously difficult to get companies on the same page when this happens with other groups (this is not the first time a group has stayed together under different companies), RBW is a much more modern, flexible company and I doubt you'll see or hear much on that front. I would expect to see Wheein as much as you have been in recent years which, while comparatively less than the other members, was still a good amount. The only reason we see more of the other three is because Wheein is much more lowkey compared to third gen's "IT" girl in Hwasa as well as Solar with her massive RU-vid channel and Byul with her radio show and starring role in Solar's massive RU-vid channel. However, I would not expect many more comebacks before they finish as a group (next contract is the standard 2-3 years) and girl groups virtually never go past ten years. They have been trending towards solo work for several years now and that will likely only increase and as OT4 they'll probably only do one release a year. However, you can probably expect each girl to put out at least one if not two minis as solo work by that time and if not two minis then at least a second single. That said, there is no way the GOAT performance group will say their goodbyes without a farewell tour unless something goes heinously wrong so their last year will probably be pretty crazy and I think they'll look to outdo even their 4S/4C concerts.
I suspect Wheein is in a serious relationship and left RBW so she can better balance her relationship, solo and group work plus I wouldn't be surprised in 3 years, Wheein would disappeared to get married and start a family. But I might be wrong and it turns out that Wheein is signing with a Multinational Entertainment Company and it's goodbye Korea and farewell Solar and Moonbyul but Dua Lipa and Rhianna is my bff now but Hwasa will always be family.
Maybe no company at all. She could go independent, she has tons of contacts and half the damn country wants her for OSTs and collabs. Technically if she's not under RBW anyone who wants to work with her could contact her directly and she doesn't have to split profit, most people who she worked with in the past have their own studio so she doesn't need to use RBW's. Imagine she becomes a collab monster and appears on songs from other artists who are known for doing collabs like Heize, Jessi, shit get her and Hyuna to make a song together that would be sick. At this point maybe she should just joined PNation lol. But yeah I think Mamamoo will go out with a bang, contracts up in december 2023, they will probably have a final album and concerts around fall, and an epic year end MAMA award performance for the ages.
@@charred6683 Wheein is already a collab monster, pretty sure she had the most featuring out of any female vocalist in a 3rd gen GG. RBW let MMM work with whoever they want as a solo but obviously there is a huge difference in profit sharing without going through an agency.
@@gantz313 Eh, RBW has never implemented a dating policy for them ever, even as rookies. I don't think they'd ever make her choose, frankly. I also don't think her fanbase, which is like 96% female (and no serious part can actually be under the delusion she's gay beyond doing it for the memes), would scare her or RBW on this matter either. If she's quiet about a relationship it's because she's quiet in general. Wheein's very indie, very different and while RBW certainly has a bit of that indie charm left in some fashion, it probably just wasn't compatible with Wheein anymore as far as solo work was concerned. But who knows, we'll probably never find out and frankly that likely means it wasn't any big "thing".
@@el_kabong I think Wheein is dating someone in the music industry and she doesn't want to end up like those couples who broke up because they were too busy to spend time with each other, leaving RBW and becoming an independent artist would mean better control and hopefully better work and live balance. I absolutely agree with you about Wheein's being very indie, she strikes me as the someone who dreamed about being a singer but doesn't really want to be an idol, she wants to be recognized for her talents and singing ability but she doesn't want to be a celebrity. There's definitely a difference in musical compatibility between RBW and Wheein in regards to her solo work but based on Redd, it seems RBW let her worked with other producers outside the company as well as trying different genres. There's a YT video of Wheein with Park Woo Sang (RBW) discussing Redd and supposedly she wanted a different title track made by an overseas songwriter or producer but it was too expensive, maybe that's a deal breaker for her?
Raffi, you hit the point. You reminded us that Hwasa and Wheein are best friends before Mamamoo. Thus putting the two in the last two line harmonizing is really mean it, as you said.
Fun fact: Moonbyul can sing the same notes as the others or even higher, so her teacher was really sad that she became the rapper of the group, because she can't really show her beautiful voice
she cant hit notes higher than her members bc of the difference in register. But she still can sing high notes in her own register and she has other qualities to her voice too, like lower register , smooth and soft voice like wheein.
I mean, have you heard Moonbyul during the Cleopatra game? She's a hight note beast! Besides the one that can reach lower than or at least as low as Moon is Hwasa and her high notes are insane too, so... There's a "register" but a lot of people can go higher and lower than the "average" Like Dreamcatcher's Dami (main rapper) who has the lowest voice/vocals of the group and damn I'm pretty sure she goes lower than Moonbyul, yet she is number two from her group to hit the highest notes, and I mean- Dreamcatcher is full of high note queens, their main vocalist being 3rd in rank when reaching high pitches.
@@NoxNovak that is called range, not register. Hwasa has a wide range but she is still a soprano that's why she can get those notes (and also the vocal training) but I'm sure if moonbyul gets vocal training for her upper register she cang give us high notes who knows🤷♀️
@@NoxNovak yeah, but of course before debuting she got less versus the other girls. In their auditions though, Wheein was already the most technically sound. Plus, singing isn't about how many high notes you can hit, but how well you can sing through the notes. Moonbyul's Cleopatra clips are basically squeaks, and surely she can't /sing/ that high. She doesn't have to, however.
Completely sincere, genuine question - how many other female K-pop groups are capable of something like this? I love Mamamoo, and listen to a few other groups, but my knowledge is far from comprehensive. Wendy is a master of her instrument, for example, but... I mean... holy crap.
Honestly I think the answer is nobody. It's not just the excellence of each of them individually but the nine years (2 years as trainees) they've spent honing the way their voices work with each other.
Yeah I feel like there’s a few stand out vocalists from each girl group in the k-industry, but none with the same /group/ vocal power where every single vocalist is at the same level of power + pitch accuracy.
There's no gg right now doing it like Mamamoo. Their vocal game is so strong. Even with their own individual colors their harmonies sounds amazing. Voices sound good together and by themselves, which I think makes them unique. They themselves put so much work into making their music, choreography, and performance. Plus they're so entertaining and funny!
I think (?) aespa is a nice outsider but I'm not a fan of them so I can't give you vids to watch to kind of prove my thought. Just sayin', givin' 'em a chance as an outsider
@@ally8139 YET. Trolls attack EVERY group somehow. Some groups are attacked from literally EVERY angle but turn out to be absolute GEMS that are better than any of the other groups that do not get attacked nearly so much. Aespa are constantly attacked for their 'lack of stage presence' (something that I do not agree with fully; they are always being compared/ contrasted with the big veteran groups, instead of comparing with groups of their same age or experience; that is patently unfair of the goddamned trolls), which is really the ONLY thing that has kept them from being global super-stars this early in their careers. But they are improving constantly, just like any other PROFESSIONAL ENTERTAINMENT group. Give them time. All the trolls should know by now that Aespa is a great group with great members; just shut up, sit back and ENJOY the entertainment while you have it, instead of trying to give the performers anxiety complexes. The entertainment is better if the stars are comfortable and confident. 'A happy worker is a good worker'. How do the trolls not understand that part? You don't see these trolls up on stage themselves because either they have no real promotable abilities that would shine in entertainment (as they seem to fully expect of others) or because they are all made of negativity so nobody wants to be around them at all, nobody can stand them. Nobody would hire them even if they had some shred of talent or skill. Consumers don't want negativity as entertainment, otherwise the stupid 'dark humor' comedians would be bigger. That should be the trolls' first clue but they must be too dumb to get it.
The song has big David Foster vibes to it which is probably where you get the Celine Dion feeling to it. Listen to Fosters tracks on the St Elmo's Fire soundtrack to see almost exactly the same piano phrasing as on WAWN..
I know a lot of fans are sad that moonbyul dont get much lines in this piece of art, but sometimes, you don't need to be sing more to justify your talent. There is a reason why they arrange in this way, everyone is doing their part beautifully, without forcefully. This is the masterpiece of art.
The end where wheein and hwasa harmonized is a wise choice and truly have a deeper meaning. Because they are childhood friends and literally have the same dream to go to Seoul and be an artist
Mamamoo level of artistry is just another level, there so much depth and range in their music. Not just some simple beat put together. It like every mamamoo song tell a story
I would argue that their live are mostly better than the recorded version, not just as good as. Basically they almost hit every note on pitch, but more emotion for live versions.
You’ll both become a puddle of guacamole together if they have a live concert. Lol 😂 honestly idk who wouldn’t, I would cry too. Thank you both for the reaction ❤️
It's actually been really funny/interesting at the same time. Wheein's exclusive contract with RBW is technically over but she's in RBW probably daily to prepare for the concert and other activities xD And she's been doing fansigns offline and online etc. It's really reassuring to see that this won't be the typical 'I'm part of the group but not part of the group' thing that normally happens since there's an actual legal contract until 2023. Looking forward to what Wheein will do for her solo activities in the future and potential music agencies she will join - Antenna, AOMG, H1gher Music, PNation, Abyss ? who knows. But regardless of what happens in the future, Mamamoo's bond is more than a contract.
@@ELmayberry May be Wheein will work just music producers without any company, she is known with a lot of them, she can just work with them and release her songs in different genres. I remember once she said she wants just release songs without any promotions, but did this year with her Redd album
@@ELmayberry idk she mentioned in her letter that's she's preparing for a new environment so I think we'll be hearing news about that soon but that's just a guess
Mamamoo is right there with Brown Eyed Girls, for me. 3 of the most powerful vocals with a great rapper just delivering so much passion with every release they have. You can feel their raw emotion pouring, in the most beautiful way, with WAWN just like BEG's most recent "Abandoned" (sooo worthy a reaction for it, as well, plsss. let's go on another emotional ride 😉). Both groups feel like theyre from the same family. same formula for greatness but with their own personal identity and always hitting the right way
mamamoo's charm is so incredible. the fact that these women with wildly different voices and vocal colors came together to form a group with so much chemistry is amazing. all of the members get to shine equally, even moonbyul who just handles the rapping doesn't get overshadowed by the other members. in fact, none of their songs would be complete without her verses. there are no main vocalists because wheein, solar and hwasa are almost equally good at singing and each of their voices are so prominent in their songs. i'm not the biggest fan of ballads but this one brings me to tears everytime i listen to it.
Im still not overcome the truth that Wheein didn’t renew the contract as she’s my bias too. I know the girls will always be friend and MMM will last until 2022 (around that) but this song just keep making me cry. Such a bittersweet song.
Umu started crying I started crying lol It's just that powerful! I've listened to this song so much and it still hit me in the feels! They are such amazing artists and performers! I'm so proud to be a fan of them from day 1
Thanks for pointing out some of the subtle details of the arrangement and how the music and vocals convey the message of the lyrics. As always, the way they sequence and harmonize the members and their choices of vocal techniques, phrasing and dynamics are spectacular. At this point they're so refined and transcendent they seem like elemental forces of nature. It occurred to me that Hwasa, Wheein and Solar start the song as though they're the musical embodiment of Earth, Wind and Fire. This is as good as pop music can be and I'm fairly certain Mamamoo doesn't take their group alchemy for granted. I doubt they'll ever officially disband.
Umu my Mamamoo journey started 2015 with watching your Mamamoo reaction playlist consisting of 80 videos. Since then they've become my favourite group and their music was part of every up and down in my life. Now watching this reaction and realising what impact the four of them have on me makes me tear up. Thank you for that ❤️
@@bahongmarley960 For bg there's Vromance, who's in the same company as Mamamoo. Unfortunately looks like RBW forgot about them after members have to enlist&aren't even trying promote them as much :/ But their vocal game is strong af, I really miss them. Also there's BTOB, who I think r the top active vocal group, plus they're so funny like Mamamoo!
It's here!! 😭Also raffi's point about wheesa's harmonisation at the end is spot on. They did have the same dream being childhood friends. It was beautiful especially where he says something along the line where both of them are bound by same dreams but are also different from each other.
Every Mamamoo comeback hits differently. Side question: did you see them on "Killing voice"? That was amazing. I already watched that video like around fifty times and got all my friends into their voices 😂
Though she doesn't normally go for it, she also has some really good ballad solos, so I find it really sad that RBW didn't give her more lines, especially considering the meaning of the song and album
I am coming back here after crying for this comeback for an entire year. After the news, I remember how crushed I was knowing that there may be an end to Mamamoo. I was bawling for months, heck a year even. But now, I am hopeful for the future that awaits the girls. WAWN really tugged my heart's core so I feel your reaction.
This was the sweetest song when i heard it, but it became suddenly downhill bittersweet when the new of wheein came out, i just cant accept it, those 7 years felt so short, but I’ll still support her of courseee,, she’s such a great musician, I loveee heeeerrrr, I hope a great solo career for all of them
Such a great reaction, I love the different ways you broke down the song. The way Raffi focuses on how the text is communicated through the music is something that I also focus on a lot, so it was really nice to hear him talk about that. I'd love to see you two do videos together more often, you work really well together!
Umu being emotional at some point is so relatable. This song reminded me of how much Mamamoo is a gift to the music world. I feel like it will take us another long time before we get another one like them.
Moomoos know just how meaningful this song is for the group and the fandom as we know how hard the slow climb, the struggle of Mamamoo not only because they came from a small company but also of their striking difference as compared to other kpop girl group. We know how they hopped almost all university festivals during their first years, how they were discriminated before debut, how they debuted with only a few persons as audience, etc. Finally, Moomoos know how appreciative of their fans Mamamoo is. This is a song not only for the girls, but also for their fans.
umu is me when i first heard where are we now and became the guacamole after listening to the whole album. sure there's a lot of great vocalists out there, i do listen to them as well, but the thing mamamoo does to make it so connected can never be the same from other groups. it's not too much nor does it lack, it's the perfect blend. it doesn't compete with one another but it completes the whole story they make through vocals. i really love how raffi explained the vocal exchange bc i thought i was just reading too much into it. and i hold on unto solar's plan of mamamoo for ten years in which wheein said solar will be 40 by then
Awesome...AWESOME reaction. I've always learned so much from you...the raw emotion and passion. No words...please never stop. We need more of you two in the world..
I must tell you this is like the 10th time watching your reaction. You definitely know the science of music but it is so satisfying to see someone feel the music like I do. It’s unexplainable but, in that moment, I really feel the connection that binds us all as one humanity.
Raffi's words are incredibly accurate at 9 minutes. He seemed to read the entire history of their creative path, describing one sung phrase. I was completely delighted, and looked exactly like Umu at that moment.
The fact they can make music that makes people feel such emotions on honestly a pretty vague topic (not anything obvious like losing a loved one or clear heartbreak or whatever) speaks to the artistry and power of their musicality and talent. help my eyes are fogging up
Really enjoyed to get some comments on the arrangements and details for this song because is so beautiful, but I know many people just don't like ballads so there's not much for them to say (besides the praise on the vocals). Thanks for the reaction. 🖤
My first comeback (or single comeback) of Mamamoo was Paint me and it hooked me in So getting a whole ass ballad mini-album and my kpop heart rejoiced 💕💕
I don't usually watch reaction videos I already watched as second time. But this is an exception. WAWN give me a deep thinking of why I love mamamoo and make me understand of how they survived, how they standing, and how they become mamamoo.
The beauty of having Wheein and Hwa Sa harmonize thise lyrics when we all know they fought for this dream together. Went to school together in a small town/village and went to the big city, Seoul, to make it. There is a rumor that Wheein told HwaSa she wouldn’t continue without her. HwaSa was being criticized for her looks/weight at auditions so this song really was a beautiful story of friendship.
Usually, I skip/skim through reviews after a bit... but both of you were so invested and eloquent- plus the tears of a moo! - in stating your thoughts that I had to listen in (and cry with you 😂).
I've been a fan of mamamoo since before their official debut and I came across dont be happy. Some of the best things about this channel is the genuine passion behind all that you do, as well as the technical knowledge all of you guys have to explain why and how music manages to move us the way it does. This song made me cry buckets too! It's an older song, but I'd love to hear you take on mamamoo's bad bye. Fantastic ballad in my opinion!
Another hit, y'all! Seriously, I felt for you when you talked about it being scary to enter cold with a solo. The horn is probably the scariest instrument on which to come in cold with a solo. I've heard some great players crack a note. And a cold, unaccompanied vocal solo ain't easy either. I just watched a video about Mamamoo laughing and singing in their dressing rooms at live shows, including recordings from the dressing rooms next to theirs. It was hilarious. These ladies never stop singing and having fun. That's probably why they nail both recorded and liver performances.
Raffi’s deeper analysis into the emotional connection between musicality and literary quality in the song… 🤌🏽 *chef’s kiss Umu’s emotional journey = literally relatable 😂
Definitely one of my favourite reactions!! Thank you for always making great and thoughtful vids! As someone who grew up playing classically, I truly enjoy all yalls insights
As a fan of the musical artist Mamamoo, I'm fed full. But I am left wanting from the production itself? After watching this video I can understand the musical direction they intended for, but they also left moonbyul as an extra which infuriates me. There was so much empty space I feel they could have used for vocal harmonies (bcs moonbyul is effing good at giving "weight" to mamamoo's harmonies) I feel like the more attention yongwheesa got, byul was left that much starker...
How on earth do you listen to the song and then listen to this video and still not realize or understand that there are reasons to all the "empty spaces" in the song, they are there to built up "moments". In this song they built up a "moment" for Solar's high note, "moment" for Moonbyul's rap, "moment" for Hwasa's high note, and a "moment" for Wheesa's harmonization in the end. The only person who can complain about receiving less attention is Wheein, she spent the majority of the time, setting up "moments" for other whilst seldom have one of her own, she does most of the signing and have the most lines but she's usually singing or harmonizing or hitting high notes in the background and she is in this role for 7+ years, dimming her own light to make others shine brighter. I'm saying this when Hwasa is my bias. People really need to stop telling song writers how to write songs, telling them to do this or that in their songs or saying someone should sing more in this part or that part and they should realize that song writing is an art form and songs are an intricately crafted piece of art. It's like saying The Monalisa is a great painting and you understand the concept but Da Vinci should've drawn her some eyebrows, make her eyes blue and her lips red. It's not The Monalisa anymore is it? Let artist do their art as they intended and learn to enjoy them instead of pushing your ideas ahead of what they want to do. Be better.
@@gantz313 I really wasn't going to reply to this but the Mona Lisa comment is making me do this. Just in case you didn't know, Da Vinci DID draw eyebrows on her; time and over-cleaning are the culprits for its erosion. Addressing your main point, I don't think your analogy is accurate? If I didn't like the song, I'm not criticizing the artist who delivered it, but the producer who made it? A better analogy would be eating a meal in the restaurant and saying "this is too bland" and asking for the chef only to find out he's dutifully followed the house recipe? Anyway digressions aside, all I'm reading is you agreeing to the fact that arebedub intentionally prioritized the song over ensuring all members get to show off their strengths? Especially when it's THEIR anniversary song? What use is there in not letting them work with other producers over their house producers if the very ppl who were there with mmm all along don't know how to make a song that let's them play off of each other's strengths? And when I say "empty spaces" I hope you understand I didn't mean the literal breaks in the vocal track but the bg layers. Off the top of my head, refer to EXO's Lights Out after 1:46 to understand what I offered as an ALTERNATIVE not the solution (sigh) Genuinely don't understand moomoos who rush to defend KDH (is he the fifth mmm member?) when he's packaging a song to mmm and moomoos as something for the artist and fans when they gave a finished track (acc to mmm themselves) and not even customising it according to the group's strengths?
@@AnetaAugustine You obviously missed the point with my Monalisa's analogy, maybe I should've said song writing is not like a group project where everybody need to contribute equally instead it is an intricately crafted piece of art and the voices in the group are like different and distinct colors especially for MMM in this song. It's like looking at Van Gogh's Starry night and then complain that he is using too much blue, or not using red or yellow enough. Is this song not one of 3 best MMM song? For me this is second only to My Star and ahead of I Miss You. As for not ensuring all members getting to show off their strength, do you actually listen to the song? Did you actually think Moonbyul is a better vocalist than she is a rapper? Do you think less of her because she is rapping instead of singing? How can you say RBW did not let them play off each other's strength, when this song showcased a lot of MMM's vocal prowess. Why are you so upset that the main rapper didn't get to sing as much as the vocalist? If you want to hear Moonbyul sing more, there are other songs, and she has 2 solo albums. How can you not understand how ridiculous it is to tell a painter (RBW) what and how much colors (MMM's voices) they can use to create their art (song). I genuinely don't understand how some people can be so arrogant and entitled that they feel they know more or can tell a song writer or a producer who wrote hundreds of songs, dozens of which reach number 1 who also wrote a song for BTS, this also applied to the absolute lunatics that complain about G-Idle's Soyeon's song writings. If you are a moomoo, you would've known that MMM has a lot of say in their song, there is literally a video of MMM dividing parts to Destiny part 2 and in a Vlive Moonbyul, thought WAWN was perfect when she first heard it and didn't want to change anything because it might ruin the song. I don't know what you have against KDH, is he not the person who formed MMM when most entertainment company rejected the girls? Did he not kept faith in MMM even when everybody else told him the group would fail because of how the girls look, their concept and their style of music? Is he not one of the reason, the girls are now a legendary GG known for their amazing live vocals and amazing live performances? He gave every MMM members 2 solo albums each plus Solar and Moonbyul had 2 solo concerts each, do you know any entertainment company that did this for their GG? But RBW and KDH is bad because they force Moonbyul to rap, meanwhile RV Yeri who has been training since the 6th grade and has been with the group for 6 years has yet to sing 20 sec by herself in a RV song, YG manager scammed Lisa out of $1 mil and JYP treated Twice like a bunch of performing monkeys.
@@gantz313 You do realize that Moonbyul herself has said (not jokingly) that she sometimes felt left alone because she always has the least part in their title tracks mostly, right? And KDH being a nice CEO (or whatever position he has in RBW) doesn’t just nullify the fact that he is sometimes not a very good producer.
@@CluelessBerk When and where has Moonbyul said this? I hope you are not saying this based on something she said on a reality show 3 years ago about something she felt early in her debut. Moonbyul said she wanted to be a CEO of her own entertainment company, if she was unhappy with RBW or not satisfied with her role in MMM, she would've left along with Wheein, instead she was one of the first two to sign a new contract. I don't know what you expect from KDH but you do know all the medleys and immortal songs performances MMM are known for, that made them into super rookies was arranged by him right. Hwasa is a top female soloist in the 3rd gen with 3 number songs, 2 of them are written by him. How many number one songs has he written for MMM? But he is sometimes not a very good producer because he didn't let the main rapper sing as much as the vocalists in the GG?
They had almost like a mini concert on 6/2 'Studio Moon Night', the radio show host by Moonbyul. I think maybe Umu will enjoy watching it. Moos are always be there with them whatever they do any decisions. : )
UMU PLEASE!!! Make the vocalists react to Killing Voice from Dingo channel, where you hear idols voices better, specially Mamamoo and Ailee. PLEASE IT'S A MUST 💖💖💖
I’m a year late watching this - but I LOVE this musical appreciation for WAWN. This song didn’t get enough when it came out 🙏🏽 thank you for enjoying this song, and giving more musical insight. Love it!!
Have anyone realized the last two lines that harmonizingly sung by HWASA-WHEEIN is actually the true story of their friendship? "The two of us had the same dream are here".. i always end the song with tears, and repeat. TT Imagining how the two grown up ladies were the two teenagers with the same dream of sharing stage together, touring, performing, but life is about choices. Different company doesn't mean it's the end of their stories.. :''')
Wow, YT recommended me the video exactly 1 month later, good work with the algo YT! I always like your reactions, so pure, in-depth, and always keeping it positive. Anyway, sorry to find your video so late, and stay safe & happy. Lets continue supporting Mamamoo. The 7-year journey has been amazing and there will be more to come. Thank you for such a detailed take on the song.
You yanking people ino the fandom is literally me lmfao. Once someone shows a hint that they might maybe probably perhaps be interested in mamamoo, I'm like "oh really??????????" 👁👄👁
Not me crying with Umu.... I hope they do release music together again but they are certainly treating us to a lot of solo content so I'll be satisfied with that
I absolutely love your discussion and breakdown of this song; of all the connections and way to speak through music. I am still unable to listen to this song without crying lol this is a work of art.