What if you double boss loop with a collaborator band mate. I see a long time you have been waiting on a bigger stage. Your smart with your material being slower simple people style, seeing recreation is easier that way. And your background in stage lighting is a show itself. But there's one thing happening on bigger stages I see that bring the crowds you need. Its a magicians trick to control the act, being able to separate someone's attention to look away, to figure the trick while the audience attention is somewhere else. Then something happens and they are like what, how did that happen, and we want to see it again. After so many replays figuring that part out, your simple style allows you to easily force feed new material while your act is in motion with the audience. It doesn't matter what the material is because they like you and it makes your act large enough for different choices of songs during touring. That magicians trick needs some kind of backup attention from a band mate or back up dancers that do vocals, just enough to get the audience distracted because your the main vocals and the leader we follow. See my idea is your previous songs never get old, because thats what made Robert Delong, you can play those songs on stage a lifetime and they will never get old. But you need alot more material to collage your stage circuit so it feels full with many sets, to set a larger stage. And after the 2 hour show, you need extra songs so when they go back home people can listen to all your music they missed you didn't play, being a night out to appreciate their icon and form some intimacy winding done at home after a concert night. I look at it like Branson Missouri a show for honey mooners. Your original pieces favored how we got to be here with our lovers for this beautiful night. Its bluesy that way with an appreciation for fellowship. These stages you could fill for a lifetime if you can get enough sets people can see, everyone is attracted visually these days, and you videos are master class but they don't always have to be so detailed that way because its your style the style we love. What I see is a Christian Rock Hall and Ballroom. And its nice, but your expensive appropriated to the industry now and there is larger stages you should try to be setting, because the material is still hot. Selling those tickets making those video stages if you can gain some momentum again financially. There's larger production theater crews that can meet hirer demands from sketches on a piece of paper how you think it should look, that way decor and staging doesn't have to be managed by you, and you can focus on the music part that assembles your dreams how you can see. Its almost like secret service with theatrical crews, I can visually see calls a month out on my schedule in my mind because i started working professionally, this gives a sense of security, reassurance, and enough energy to scribble everything together how I seen it might look, and is a cool 10.minute sketch if it ever gets scrapped. Those stages I dream you to be on have revenues of 5 million dollars per show, operating costs are 4.5 million for your viewers ushering. So take home, is like 500,000 a show split between your mates. How you budget that and share that to keep touring towards a larger audience would hypothetically be up to you. But to get to that stage to keep touring, I believe you got it in you. Just an honorable mention your still great!
