Want pro level mixes? Get THIS right! Luca Pretolesi 

And super a super kind dude!

Definitely! I have a list of pugins to go through this year for the channel... but too many sessions getting in the way :P

@@panorama_mastering Haha, that I totally understand!! I'm also glad you both touched on the bad info on the web. It's ruining recording and young minds.

Thank you!

Thank you! Glad you enjoyed!

Our pleasure!

You're welcome

Thanks mate!

Thanks man!

Our pleasure! Glad you enjoyed it!

My plaeasure!

Thanks mate! Glad you enjoyed!

You're welcome!

Thanks m808

Our pleasure! Intention matters :)

Glad you liked it

Thanks for watching, it was a super fun chat!

Sweden. Such an amazing place. Greetings from Florida. 🍊

I don't ! Sorry :(

@panorama_mastering, i think this is a very important question indeed. To add up on @vancewells1020's question, are there tools we can use to verify that a sample is in its best possible phase position in order train our ears to recognise this phenomenon as the end goal? If I have a kick from splice, at times I will try flipping its phase just to see how it fits in the mix with the bass. I am also aware that if I have a base sample and a kick sample and I can see both their waveforms in the timeline of my DAW, I can make sure that both their wave peaks and troughs are in phase. In most cases I'm using a vst for bass and sample for kick so this method cannot be applied unless I freeze and flatten (Ableton) my bass track. My understanding at the moment is that: 1. A sound signal can only be out of phase if it's in relation to another sound signal. 2. If a kick sample is deemed "out of phase" when analysed in isolation, it means that the kick itself contains characteristics of 2 or more signals interacting in a destructive manner which leads to a "hollow", "thinned out", "in a weird box", "weird and contorted stereo field" like effect. This undesirable effect occurs because the kick sample under analysis would have been constructed using multiple other samples whose phase relationship was destructive. What we want is a constructive phase relationship which means the sum of the samples together is not acting in manner that leads to loss in tonal quality and loudness. 3. Multiple sounds playing together will always interact in a destructive and constructive manner, as sound designers and producers, it is our duty to make sure that our source material is coherent when it comes to phase relationships of the source material. It is a core part of professional and industry level production and it is a skill any professional dealing with sound product should always have in mind. Now we just need the right tools for quick and easy analysis. *Edit: Typo

You mix with top down approach 😊

Use a buss. Blend in samples. If you absolutely must treat individual tracks of a live drum kit, then go Linear phase. That said, you have to be careful because linear phase can smear transients. Sometimes that sounds cool yet sometimes it sounds like ass.

Top down; big changes at the full signal and then smaller as you group down; keeps phase closer; Also using parallel channels for creative FX / processing!

@@panorama_mastering ok, thanks. But i dont really understand how it will change my approach. I mean for example on my kick drum inside mic there are 5 plugins (2 eq, comp, saturator, transient designer), how to keep the phase the same before and after these effects? Or how to check if it stays like it was before the plugins?

Avoid high pass filters on individual tracks and use low shelves instead. If you need to high pass do it on a whole drum bus. Other than that you're not going to destroy the phase too much using normal eq and compression/saturation on the individual tracks. So don't be afraid to do anything that needs to be done to make the drums sound good

Calm down brother.

@@panorama_mastering you gotta admit, that's a good one brotha.

Spot on!

That's a gem for real !!!!!

I know! Bad habit of mine! I appreciate the feedback!

hey! you got this! @@panorama_mastering

What would have you hoped to learn from an interaction like this? I'm all ears for some feedback :)

Idk

He just won this year for his work with Skrillex and Fred Again.

Hey Matteo, I'm sorry you feel this way. I think I'm missing something? What you've just said, is literally the message of this video. (Except the whole myth and misinformation part of your comment) Warmly, N.