I know that for a lot this will sound trivial but to be honest it took me some time to think of it: if you have a vst where you cannot save presets, put the vst in an fx group (Ableton, bitwig have those) and save the fx group as a preset. Put the name of the vst in the savename and you’re pretty good to go.
Logic Pro will save the parameters for each plugin inserted into the channel strip, and you can also save your channel strip settings for quick effect chain presets, but I agree with AFS that it sure would be nice for the developer of the plugin to allow for user save presets. I mean, this is low hanging fruit.
Great video. In my experience, with my own free plugins, doing something different is kind of a hard sell. I've only done a couple of emulation type plugins but they initially received far more interest than my attempts at doing something more unusual. Although over time, the weirder, less obvious, and (maybe) less intuitive to use plugins do seem to have become more popular.
Thanks. That’s interesting that your emulation plug ins do better, but I suppose musicians want good emulations first before they buy the weird stuff. I think synth anthology was probably one of the first plugins I bought a long time ago.
I have a few of these, they're quite good. One of the granular packs I think, and a few others. I think you mentioned this but if you're on the email list you can pick them up dead cheap occasionally. I don't watch the channel that said plugins are dead but that's nonsense! Loads of interesting stuff around. Aberrant DSP and Freakshow Industries make some original stuff too.
No but thanks for asking. I spend quite a bit of time recording through a Rode nt1a mic and motu mk5 ultralite. Both have pretty high fidelity. I use a gate to remove reverb to get everything sounding as professional as I can. It’s funny that a lot of people ask me that. Maybe I need to start making things sound less professional so that people don’t think I’m a robot.
@@oobesan I use Reaper with some slight equalization and then the isotope click remover. Sometimes I’ll use the sibilant removal tool also because the Rhode has a bump in the 4-8k range and I probably record better on a mic with more of a flatter response. Trying to decide if I should try a different mic or just live with it.
