Weber-Der Freischütz Overture REHEARSAL-Kleiber (1970)(2/3)

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Südfunk-Sinfonieorchester
1970
Carlos Kleiber
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From a video 30 years ago, featuring the rehearsal and concert performances of Weber's Der Freischütz overture and Strauss II's Die Fledermaus overture.
Spoken in German with Italian subtitles, we see a liveliness on par with that in the Strauss.
Enjoy!

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1 дек 2007

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Комментарии : 11

@willrobinson1229 11 лет назад

I love this man. He gets everything out of the orchestra with such imagination, emotion, even literary knowledge, without beating them up, like conductors before him were inclined to do.

@Fritz_Maisenbacher 3 года назад

7:17 Kleiber : " Glauben Sie an Gespenster ? " Zwei oder drei Stimmen aus dem Orchester : "Ja! Ja ...;" Das Beste dass ich aus einer Orchersterprobe gehört habe.

@windstorm1000 13 лет назад

such an intense man! yet kind at the same time! Loves the music and wants the best.

@anonymusum 15 лет назад

the greatest conductor ever!

@Quotenwagnerianer 5 лет назад

That we know of. For all accounts Mahler was widely regarded as the best of his time. But since we lack any recordings or visual documents it's hard to judge.

@TarisioConductor 12 лет назад

at 9:19, has anybody else noticed that the inside violist is playing reversed, with bow in left hand and viola in right? That's the first time I've ever seen any player in a professional orchestra with a reversed setup...

@windstorm1000 13 лет назад

@windstorm1000 You said exactly what I wanted to say! Notice that a few were fighting Kleiber's special vision, but most had the intelligence to know they had a great conductor on the podium pushing them to greatness.

@user-lp9ck4hp7v 3 года назад

この映像を残そうとした人の気持ちがわかります。クライバーは嫌な顔をしたでしょうけど、残っていることが奇跡ですね。

@brianokane3527 Месяц назад

The boss

@Quotenwagnerianer 5 лет назад

Interesting to see how many of the players came in business attire considering this is just a rehearsal and there was no need to dress formal. The clarintist for example didn't.

@steffenmrsk4720 3 года назад

I think it was in the middle of a transition of culture within orchestras that included hiring women and getting rid of the formal dressing for rehearsal.. And conductors giving love to the musicians in stead of bollockings... 🙂