What Happens in Fear & Hunger 2: Termina - Full Story Analysis 

I had a chance to chat with the developer about Abella and Chaugnar, as the two never really seemed to have a strong connection in the way that the other moonscorched forms do. While he doesn't really come out and explain lore, he suggested that at least partially it's a reflection of how Abella sees herself as sort of an oaf, an "elephant in a porcelain shop" as the saying apparently goes in Finnish. He also said there's more to it than that, and that he may expand Abella's dialog in future updates to help flesh her inner conflicts out.

I find the fact that LeGarde waited centuries to try to ascend to godhood only for someone to get to it first AGAIN absolutely hilarious

>The continent was overrun by darkness and monsters until recently Ragnvaldr really did pull up.

I like to think that L’garde was canonically beaten to death by Ragnavaldr

Creating a character that deals poison damage and can easily topple enemies, but is balanced by having low mobility and potentially dying from lost limbs because they rely on a wheelchair feels incredibly dark, and yet perfectly in character for something out of fear and hunger.

First playthrough: " This is so fucked up on so many levels and it's ball busting hard I don't even know why I put myself through this" Every other playthrough: "What if Marina and Levi kiss in the moonlight"?

Really want a "power of friendship" ending where if you manage to keep all fourteen alive you can confront Perkele ‘14 as 1’

My hc is that Henryk worked at Waffle House and that's why his combat skill is so high

I think it’s interesting that despite seeming like LeGardes prophecy failed, it simply came true in a more roundabout way; rather than him being the figurehead of change, he was the catalyst. The events of the first game would not have occurred without him, thus the God of Fear and Hunger wouldn’t have driven humanity forward, for better or worse. Enki and ragn would never have gone to the Dungeon, and the world would be less enlightened and more monstrous without their experiences in the dungeon. In Termina, the machine god wouldn’t have been built without him, which would serve to push humanity forward again, but once again, without him. He is as a match is to a bonfire; while the bonfire needed the match flame to ignite, the burning blaze is not the same fire, and now the match is irrelevant.

very nice to know the god of fear and hunger is still one of the nicest gods out there by the time its 1942 all things considered; especially since in the first game if your affection is high enough with her, she doesnt actually attack you throughout the final fight and skips the entirety of the first phrase (possibly because she knows you and the kindness you gave to her)

1:59:38 Olivia needs to find her sister. Marcoh can't let her go alone. O'saa wants to find the truth. Abella... has a train to fix.

1:50:25 Can we appreciate for a second that Olivia is climbing up and down multiple ladders with debilitated legs, AND I suppose carrying her wheelchair while she does it? This girl did not skip arm day. She should get WAY more of a melee bonus!

The fact that Domek could've avoided putting his daughter in danger had he elaborated a bit more on his letter. Dark Priests being socially awkward for hundreds of years lol. It now makes sense that the purpose of the letter was for Marina to have no reason to return, now that her mother was dead. He knew she hated him and wouldn't come back to see him, and while he disapproved of her choice, she was still his daughter and while disappointed could see why she wouldn't want to become a dark priest. It's a nice detail seeing how he has to consciously remind himself to call Marina a "him" when talking to others, because internally he had accepted Marina as a girl, even his last words was "stupid girl". Domek felt about Marina the same way she felt about him "I hate them but they're still family". Domeks failure was not taking into account how badly Marina thought of him, and that she would come back just to confront him.

You can definitely tell the developer was a fan of Majora's Mask with this release. The evil moon, the 3 day time limit, the festival being called Termina.

One incredibly important aspect to consider is that in Fear and Hunger, Gro-Goroth's traces can cause the party to go insane by showing them the "true form of humanity", strongly implying that the way humanity looks isn't the way humanity actually is. So, the moonscorching may in fact be Rher burning away the illusion that disguises humanity's true form, bringing that truth to the surface. At least, that's one potential interpretation, since Rher's thing is revealing truths by moonlight.

The fact Logic links the human consciousness and the old gods couldn't manifest in their pure form because humanity couldn't have a unified idea of them is a very telling concept, we are almost certainly getting an absolutely wild part 3 to F&H.

Came back for a rewatch of both analysis videos and the delivery of this part still gets me: "It's a GIGANTIC THREE EYED WOLF with teeth that protrude from its maw, SNARLING and SNAPPING as it approaches! >:C" "It's Moonless! :D"

I watched this while falling asleep, and it gave me the most terrifying, sanity destroying, mind melting fever dreams ever. I woke up covered in sweat and questioning my reality. Take that as a compliment.

Termina is one of the first games I've come across that has a wheelchair user as a playable character. I love how, though Olivia's disability is a part of her struggle, it is not all of it, and she is a flawed, human character. I think in creating such a gritty series that has no chance of being taken up by big-name developers, the creator gave themself the opportunity to include disabled characters, trans characters, without needing to tokenize them or trivialize them in the name of appealing to a wider audience. And because the world is so dark, these traits aren't made into a huge deal; what does any of it matter in the face of such cosmic horrors?

I love how Abella just wants to fix her train and continue, but she is one of only two characters who can save everyone

You’ve a talent for filling in blanks with rich and probable narratives. As if you’re able to put yourself in the shoes of each character despite the number of dots there are to connect. Gifted and passionate. I’ve subbed.

God I just love the idea of a God of Fear and Hunger. It sounds like it'd be so cruel, so awful, but in a weird way it's comforting. In the world of this game it ends up being utterly kind in comparison

I love that Perkele is literally just named after the Finnish word for "evil spirit" that's also used as a swear word 😂

49:35 the fact that you can ask things to the new gods in the 1st game about the 2nd game is so fricking genoius An amazing idea really

I feel like I should mention that Le’Garde’s entire deal is possibly less connected to the Sulfur God and more to Sylvian. The S ending for D’Arce involves bringing her beloved back via a Sylvian ritual. all of the Bremen soldiers and many of the priests seem to be the byproduct of marriages, another Sylvian ritual. The Bunker is guarded by a Sylvian Trooper, explanation should be obvious. Furthermore, Sylvian as the god of love and fertility has previously attempted to have huge masses of people combine together in one unified ecstasy, aka, the goal of Logic, if a bit sweatier. Also while it is certain that the church’s priests aren’t worshipping Alll-Mer, is there any reference that it is specifically the Sulfur god they’ve switched allegiance to? I just assumed it was the fact they were dark priest doing a lot of old god sacrifice in general, rather than the Sulfur God in particular. One thing I find weird is that while we do get a mention of the Sulfur God being a byproduct of Alll-Mer’s ascension, he is also amongst the canonical recognized old gods in universe, as his symbol shows up alongside the other old gods on the clock face (with the noted absence of any ascended symbols). Idk Sulfur is just weird to me; personally I see it as an old sun god that’s an equal and opposite to Rher, kinda like the relationship between Sylvian and Gro-Goroth.

Perfect, two more hours of peak lore content to consume and memorize

I do think the "everybody lives" outcome is the most likely to be canon. Sure, it may the least horror-themed ending from a narrative sense, but the horror in that scenario comes instead from what the player has to put themselves through just to achieve it. Killing all of the contestants and playing along with the battle royale is the easy way out and it only makes sense for Fear and Hunger to shame the player for doing things the easy way any way it can. Plus, having all 14 contestants survive leaves tons of room for callbacks in the inevitable third game, and if there's one thing we know about Happy Paintings, it's that they love making references.

Having worked for chefs through college i can assure you Ive never met a line cook that couldnt handle a knife. The serious ones even kept their own sets with the precision of a surgeon and the speed of a blender. Mix in the constant burns, stamina under extreme heat and stress and numerous other inherent challenges of being a chef and its essentially its own martial art. Melee buff makes perfect sense if you ask me.

I have a feeling that Fear and Hunger is showing an evolution of what horror in relation to the time period they take place in. In the first game being the middle ages many of the enemies you face reflect mythology and superstition, largely focusing on fear via lack of knowledge. The enemies for the second game seem to be reflections of the worst aspects of humanity, which makes sense in a war ravaged industrial world. I'm half hoping that the third game will be a biotech nightmare focusing on either the fear of the growing obsolescence of humanity or the fear of humanity going over a fundamental change as they adapt to Logic, the latter most likely involving conflict between Logic and the Sulfur god as I think they may end up representing different forms of cruelty, Logic via logic and the Sulfur god via malice. Either way I'm definitely looking forward to a Fear and Hunger game taking place in modern times or even the future.

That means in the "good" ending, Olivia is the only one to not escape. That sucks so bad, I wished she could

....Is it weird this has become something like a comfort video for me? I just love the lore of these games and your voice is really soothing, so somehow all this horror is relaxing.

This game artstyle is fenomenal. The author of the game is extremely talented.

I would love to see a "pacifist" route, where the 14 become 1 in the sense that they work together to reach the top and fuck up Perkele, and then proceed to leave town as a unit. Also an August route! The God of Ultraviolence reborn!

As for why Henryk is good at melee combat, it's because he's (very likely) a reference to Sanji from One Piece who fights using exclusively kicks to protect his chef hands.

I love how Ragnvaldurs bloodline is basically this universes equivalent to the Belmonts in Castlevania

"Bloodlines 2 is never coming out" Truly the most terrifying thing fear and hunger has produced are those words :(

Worm Girl I adore this series and your videos for their depth and fusion of lore and game mechanics, but I also love them for lines like “Imagine seeing Bigfoot in Prague.”

Cahara In his ending S is shown to be holding Sabbath. Sabbath is a sword that you can get in the church of alll-mer in the 2nd game. Not saying that they’re the same sword but I thought it was a neat detail

these games sound like an absolute chore to play, but the imagery and narrative on display is so compelling...in short, thank you for creating videos like this one, I can really appreciate the care and craft to showcase what this world has to offer

"Or Marina carving a sigil into Levi's face on their first date" 👌10/10

51:26 in regards to him being a creep, I personally believe its all an act he is putting on; As there is a certain event you can get involving him that has him mellow out a bit, still acting prickly, but far more serious and direct, giving the impression that his crazy creep act is just that, an act. This is supported by his soul having access to the 'bury the trauma' skill, which would indicate his way of acting is just one big way to hide what he is really feeling.

Damn, some really interesting stuff here. The idea that the newest god is, essentially, an eldritch version of the internet/ the computing boom is... kinda fascinating. If Fear and Hunger 3 keeps advancing the timeline, it'd be neat to see what this world looks like in the 60's-70's. Maybe the story could pop over to Vinland to reveal that the only way knock-off America was able to come into existence and overpower whatever spooky scary things used to live in the continent was by doing some twisted rituals, and they're still continuing in some MK-Ultra fashion.

It feels weird that the god of fear and hunger is so remote in Termina. I only dug into these games through lore videos, so I might be missing knowledge here, but from what I've seen the god of fear and hunger presence in Termina is only seen through its influence and the cruel age. It kinda make sense, since she's supposed to be more akin to the old gods. But it still feels weird since she was pretty much the center piece of the first game, and while the game still keeps her name, she looks basically absent from the events of Termina.

I started this video expecting Termina to be love child of Majora's Mask and Berserk and finished it seeing some kind of weird but in a good combination of Majora's Mask, Jojo/Castlevania, Bloodborne and Neon Genesis Evangelion. Super can't wait to see what the future playable characters bring to the table on top of fear and hunger 3

As someone obsessed with fear and hunger but also too chickenshit to play thank you for giving a detailed description of what happens lol

Also on fanart- I want Daan and Levi to travel Europa together and helping each other deal with their problems. COME ON

An ending where a seemingly frailer than most character ascends into godhood after being shown kindness and support eh?

It makes me sad that Termina, is probably the ending of the Old World magic forever, so no longer Gro-Goroth, Sylvian, Rher, Funger, New Gods appeareances. Spoileers ahead: Why? August and O'saa both represent the old worlds ideals, ancient knowledge and untammed nature. They pursued Kaiser (Sulphur, Path of the Subconscious) into a fruitless effort, changed nothing if you follow the tendril suffering. And in ending A, we know for sure that their hermetic world dies with them, old traditions and values will be a thing of the past. Fear and Hunger evolves into Logic, (the 1st and 2 second industrial revolution) and Logic will take over as the 3rd and 4rd revolution, no place for pagan magic. Just a crackpot theory but Termina (which sounds like Ending in romance language) represent the true Ending of Fear and Hunger cycle, and all of the Old World influence and even the new gods one (historically religion loses importance after WW2, especially in England, Finland, Norway, Lithuania, Estonia, Latvia and economic structure becomes oriented about future conflicts). I won't be surprised if the new game is about the cold war, extinction of the empires, and progression into the cannibalistic tech world, exploration of Vinland and lack of religion altogether. (Only All-Mer (Conservative), Sulphur (Anarchism), Logic (Progressive) remains as an concept.

I guess that we can all accept that you ascended into the Goddess of lore. Great video i've been waiting for the Termina lore since i watched your F&H lore video.

A bit disappointed we don't see much of the GOD OF ULTRA VIOLENCE, the nightmare of all those lurking in the dark. Thanks for the amazing video, hope you continue making more amazing creation like this!

Just wanted to say that you have a fantastic voice for long-form video like this. It's emotive enough without being distracting, and consistent enough without being monotone. I'd listen to you narrate a tax form and my blood pressure would thank me for it. Awesome job in every respect. Thanks for all the hard work on making this video. :)

Father domek is the kind of guy that makes me actually love the story of fear and hunger termina specifically. He's a fully rounded character with massive flaws that still holds a realistic depiction of a father that may not agree with his daughters decision but goes with what she wants

Ah yes, the feature length timeline analysis has arrived!

It sometimes can be hard to muster the motivation to watch a 2 hour + film, but long and detailed YT video essays are my bread and butter EDIT: Took me a day to finish it, but fantastic work Worm Girl! I wanted to say that I really hope that F&H 3 really expands The Machine God, I *love* the idea of Dream Internet, I am curious on how the world progresses because of it since it seems like a properly good being and its idea actually looks like a better version of real life internet, but I am eager to see how F&H twists Social Media and the Digital Era, and what kind of horrors and game mechanics arise with it. Perhaps instead of taking place on the Modern 21st century, it goes Full Cyberpunk in the future, thinking about it, a Cyberpunk F&H with Dream Internet sounds insane, there is so much you can explore with that and twist the physical, the digital and the soul with it.

As someone who’s become a Funger addict in 2023, your video essays are probably some of my absolute favourite videos on these games by a country mile. You spoil a few things, but there’s so much that’s still out there to discover, and I like the way you structure your content around it very much.

I think whats most disturbing about the oprhanage is the sigil of sylvian and gro-goroth near hugos office.

I picked Daan because he looked like me (except I'm not missing an eye) and he ended up being one of the more interesting characters ability-wise. My first (and longest) love was also murdered and my family has a strange past (although I thankfully didn't lose them to an orgy cult). I think he's still my favorite character despite what he becomes. The only drawback is when I played there were no guides online for Daan yet and the frustrating time system makes it so you'll want one... I spent over a hundred hours and most of it was lost because I can't save all the time like I did in the first.

After watching this masterpiece i think it deserves a second video, lots of themes, character's backstory, interactions, motivations and personalities, world building, theories etc that was left somewhat unexplored

The only video I have seen of Termina was a Short compiling Tanaka's many deaths. Then soon after youtube recomended me this channel. A quite the weird trip but I won't complain. Your essays and decompresion of the story is enthralling! Regardless of what awaits in the future of this channel the ones you have put out have become some of the ones I return often. Thank you for your hard work!

Finished the game today and immediately went to watch this video. Just like the first one, the story in these games is surprisingly deep and thought out. Also, the video was great!

I am constantly torn between wanting to know more about the game through videos because it is grueling and unforgiving to try and experience it all firsthand, and trying to avoid spoilers to experience it all myself because it's just so interesting when I stumble into something cool without knowing it Great video! I really appreciate the first part that explains the setting, kind of makes me know what my character should know at the beginning to an extent.

I love the idea that some characters just use their fist squaring up against Gods and Monsters

Both of the F&H videos you've done are so great at making an understandable narrative out of the many questions left unanswered. I dont typically like unforgiving RPGs like these but the story is so fascinating, I really like how its gained a renaissance over the past year. Good one.

I can't wait for Worm Girl to connect the very integral fishing mechantic in the F&H lore when the new updates come into play. There are so many different things that can happen in this game, literally the *"time traveler: moves a chair"* meme, that it's commendable that any form of canon can be established. It's also sad that this canon here involves Tanaka getting beheaded by needles right off the bat, dude has the most huge and satisfying character development if you manage to keep him alive throughout the game, and all under 3 days.

ever since i saw the first fear and hunger video, my first introduction to both your channel and to the fear and hunger series, ive been waiting for this video on termina to come out for days and my patience has paid off! thank you for showing me this amazing series

the idea of the god of fear of hunger beginning the necessary age of cruelty that forces humanity to save itself instead of relying on gods by creating logic is actually like an amazing idea. the idea of logic seems scary because of the seeming loss of individuality but i see that more as a fear of becoming something greater than anything and i see ending a as an incredibly satisfying and rewarding one that links both games endings amazingly.

this vid is so good. i literally cried at ur retelling of marina's struggles with her father & samarie's unrequited love for her lmao. new fav youtuber

I absolutely adore Daan's character, mostly because he reminds me a ton of my husband (orphaned doctor, blue hair, minus the dead spouse though because I'm definitely still alive lmao) he'll always be my favorite ❤️

A darker thing to note with the Sulfur God that Black Khalav reveals is when All-mer shed his other half, it never states which side went to hell…

Honestly Marina turning out to be trans after being raised as a girl for reasons unrelated to her own sense of self is hilariously lucky.

You have big tour guide energy. Extremely carefree person explaining how millions of people were brutally murdered in the place they’re exhibiting, that kinda energy. Idk how to describe it. You deliver every line the exact same way. Banal and horrifying. A+++

I never played Fear and Hunger but I sat, watched and listened to both of your Fear and Hunger Full story analysis videos and I must say you have a gift at story telling and editing. Keep up the work and I look forward to more videos like this!

You narrate so well, presenting all the different routes and possibilities in such a cohesive and well paced way. Props to you, excelent work.

i love the way you showed this off. youre a very talented narrator presenting this fascinating game!

fantastic video. Miro is a genius at this honestly, as you say all of the characters are such compelling weird little guys, even though you only find out bits of information about them. Marina and Olivia in particular are giving

About the torrmented one being alive, we see one of the new gods in the hall burnt by the floating head, the same god appears perfectly fine in termina. It could be that, like the old gods, death losses all meaning for the new gods. Or perhaps time is what becomes meaningless.

Really like the funny ''love is in the air'' with Levi and Marina. But i'm also curious as to if you are gonna go back to the story of the game every time a new character is added, since the plan is to have most of the 14 as a playable characters (i really want to see more of the insight of August and Samarie).

Can we just take a second to appreciate how much time and energy was put in this video? Hours of gameplay just for us to watch.. it's honestly too kind, you're great to us!

I enjoy listening to a lot of lore videos/essay videos and I have to say that the way you write your script and narrate it made this video really engaging to watch! You really have a gift for storytelling ^^

Please keep making these videos. Fear and hunger lore is barely even present on RU-vid so it’s great seeing you make it happen

I feel there could be a way for Tanaka to live longer despite of all the mishaps you have to avoid. You'd think it's pointless to include him as a piece in the narrative - too many contradictory and specific details all with the same end. But with the way Marcoh and him bond and train together. With the way Marcoh was moonscorched in the apartments and you see Tanaka's resolve bloom, it's the perfect recruitment point. One character who you didn't choose as a party member has to die for another one to be willing. This would convince me he's something more than his various deaths when Orange expands the roster.

After watching hours and hours of content about fear & hunger this is definitely the one that made the most sense and filled the most questions about the story.. Great job

Knew of fear and hungers existence and its reputation but otherwise knew nothing about the games. Never intended to play them, but after watching your analysis videos I am so engrossed in the story and lore of it all, more than I thought I would be. Thank you for this

I've seen so many F&H: Temina "Full Story Analysis" videos, scratching only the top of the game and giving theories about every miniscule little detail they think is important. Only your video so far does a great job of telling a coherent story (Not only in endings, but character motivations and their different routes/reactions) of this massive game! I really hope more people will see it and enjoy it as much as I did Thank you so very much!!!

Thanks again for the hard work you put into these videos. The two hours and a half goes by really quickly and you make the complex stories much easier to digest.

Thank you so much for coverage of this game! It is such a gift for people like me who can't sit through the game itself. Your narration and breakdown are just perfect! To be honest developer of this game is pure genius and so glad that he is getting more attention. The universe, characters, plot, atmosphere are just something absolutely incredible. Yes, it is extremely disturbing, graphic, brutal and over the top (but imo in a good way). And also visual storytelling, it's so great (Sylvian ritual circle in the orphanage still sends chills down my spine).

The conflict between individual and collective ethoses kind of makes me wonder if 3 won’t go for a cold war espionage bent twisted into another survival horror scenario

The explanation of the first fear and hunger game was amazing, but this one is nothing short of mindbogglingly incredible. Given how many branching paths the second game has makes covering the whole story and the multiple facets tough enough, but when you factor in how tough the game is this must have taken forever. I'm definitely watching this several times to soak in all the details!

@2:15:04 One of my favorite things of ending B is the minor implications made by some of those photos we recieve. That's clearly Samire with Marina in her picture, so did the doppelgangers we not meet fully take over their counterparts? If that's the case, is Marcoh's doppelganger with his sister right now and she doesn't even know? Equally if Ending A Olivia is in the Artificial Green but she never kills her doppelganger (who isn't hostile immediately), did she just carry on living Olivia's life? In Samire's case maybe this is better for her to die and someone else take the pain than returning to her old life in the Vatican, although with Marina getting a special interaction with Samire on first day mornings when sleeping in some beds, it's more likely than not she died at her lovers hands only to be replaced, not even mentioning how alarming this must be to post-Prehevil ending B Marina if she did kill Samire and she showed up later in her life😢 You know it's a well-written narrative when a photograph can make you write a thousand words hehe.

I've rewatched both of your F and H videos so many times that I have the OST playing in the back of my mind all day. Love your content, looking forward to more! It is obvious that you have a genuine passion for the genre, and listening to your 16 hour stream I also got to see how you have a wide knowledge base to pull from. Keep up the amazing work!

I just finished my first playthrough, an O'saa genocide run. From the moment I recruited Levi, I fully intended to sacrifice him to Gro-Goroth for affinity. Later on I recruited Daan too and ended up sacrificing him instead, under the church. "I'll do Levi next," I kept telling myself. After saving, I used my new necromancy skill to raise a dead soldier. We went to the orphanage to use the Gro-Goroth circle by Hugo's office. I was about to sacrifice Levi, but then though, "He's a lot more useful than a ghoul. I'll just kill the ghoul instead and let Levi get killed on the way to the tower." I was lying to myself. I had managed to kill Tanaka, Abella, Marcoh, Marina, Olivia, Karin, Caligura, Henryk, Samarie, and Daan. I couldn't kill Levi. By this point, it was noon of Day 3. I had cleared the path to the tower, and all I had to do was sleep. Levi hadn't died in the Sergal fight, or any others up to that point. When I woke up he was gone. I looked at the map and saw his blip south of the orphanage. I hadn't realized contestants could moonscorch while in one's party. I tracked him down and found him as the Weeping Scope. I didn't know what felt worse: the fact that I had gained his trust and brought him on this journey with the intention of eventually killing him, or the fact that I'd lost my nerve and couldn't bring myself to kill him before he moonscorched. It was a real easy fight, but I felt like I needed a smoke after I finished it. I felt horrible. One of the going theories about moonscorching is that it reveals a person's true nature. In Levi's case, moonscorching turned his body into a tool for violence. Everything he sees in his moonscorched form is through a scope and down a rifle barrel. Robbed of all dignity, unable to even dress himself and clumsily lugging his heavy head. No longer able to suppress his trauma, as it has overtaken his physical form, he sobs. That's not who Levi is. It's not what he is. It's a manifestation of his fears about himself: that those in power have moulded him into a weapon and that who he is (or was) no longer matters. I know he's a fictional character but I wish I could hug him and tell him that he's so much more than the things he's been forced to do. He's seen and experienced things that a kid should be protected from and I really wish that he'd gone someplace else after leaving the army, but where else would he have gone? In Prehevil he was practically nobody, but even so it was the most familiar place for him. What's also depressing is that, while he hates the orphanage, he also sees it as a place of comfort. Perhaps subconsciously. It makes me angry and sad that such an abusive place is the closest thing Levi has to a home.

Finally! An RPG that treats a wheelchair character like it would work in real life!

I have to say that I did not expect these games to get me like they did. _Fear and Hunger_ always seemed to me like a standard dark fantasy styled game, and even when I got a small taste of the opening, I only ever felt like it was going down a standard path of the bleak and the unknowable consuming all before the inevitable end. Instead, I was met with an almost contrapositive experience. The Gods exist, have a defined role to play in the universe, and act with determined steps, but humanity itself is an undefinable chaos that begins at the opposite side of the spectrum, and can evolve itself to any other point by practically any means. The game has you think that perhaps that Rher is the final foe, and yet it turned out to be nothing more than a half-dead husk, used as a tool by a cult, that sprung from another cult, that sprung from another cult. All of which are working with and against each other to achieve individualized ideas of the answer of how to bring humanity into its next age. Even more so, the game seems to follow a trend of Deific Unity. The old gods exist as an interconnected network of creators, destroyers, and processors, that all exist as part of the natural cycle. The New Gods, however, were merely human, individuals who rose to great power under their own means, for their own means. It was only when they chose to become part of a greater process, that the way to true ascendance was opened to them, as when Nilvan and Le'garde produced an offspring that became a living conduit of all fear and anguish in the world, or here, when Le'Garde manipulated the world in order for Logic to be born, regardless of who drove it. The game inspires a lot of thought and intrigue that I am glad it was willing to allow the player to think on, rather than resorting to a conclusion of such thoughts being pointless where we are headed. All in all, I am very glad I took this journey into the abyss, and I cannot wait to bring others back with me!

This is probably the best story analysis I've ever ever ever heard. So detailed and the pictures work very well with the story and the gameplay with it. I stand in awe at what you've accomplished here.

Love your Funger videos!!! You have a soothing voice that is easy to listen to, and i'd love to watch more essays like these on other franchises! ❤

You have a fantastic voice and cadence for commentary, and a great talent for crafting a well-structured script. I would love to see you explore more games in this way, you've more than earned my subscription

You do some incredible work. I can't even imagine the dedication and sheer effort this video must have taken. Keep doing your thing, your videos have such a unique and engaging quality to them :)

Your write ups of these games are charming. You go Worm Girl!

I want to mention and thank you for having such a soothing voice! I keep coming back to this video for homework and crafting, and I appreciate you for providing it! Your breakdowns are always so good!

Considering the nature of the game this one feels way, way harder than the original to put together in any kind of narrative way, but you did a great job! Immensely enjoyed the project in all its parts.