Really like the "highlights" format. I wish I did, but I don't often have the time to watch the full podcast every week. Hope you keep this up. Thanks!
I finally latched on to the "cliff notes" versions of the Taxi shows! For the longest time, I'd get maybe 2-3 hours/week at MOST, to devote to music. As informative as the full length shows are, they also have some fluff to them, that makes it difficult for me to sit through 90 minutes in hopes of getting a couple pieces of info that are relevant to my situation. Now with Covid-19, a cloud with a silver lining, as I call it, I've finally been able to catch up on old emails and videos from Taxi that I had to put on the back burner, and discovered these shortened versions of the shows. Brilliant! I'm still a ways off from catching up on everything, but have been able to devote more time to music...Thanks Michael!
Excellent video! He's just being direct and honest about how the people in charge of selecting what music they want for whatever industry they are in actually think and decide what to use. #music
I got 13 forwards of 20 tracks through taxi. I never heard anything from libraries after those forwards. I understand that this is just how it goes sometimes. I like Taxi and sadly I did not renew my membership last year. If nothing else, the briefs and submission process gives you a bench mark of the standards involved and can focus your sync writing skills.
It is not clear for me the site yet. Should i send a proposal and compose exclusively for the projects listed or i just send the music that i already have and hope it matches what someone needs, like in stock music sites? i consider submiting something
can you make a video for those on the other side of the equation (those who are looking for music) as opposed to the songwriter/producer perspective? thanks
Analogies are tricky. The shoe customer wants a clone. Whereas a Taxi client would provide a couple of references and expect you to come back out with an analogy which combined their best bits, if you take my drift.
Our A&R people are required to listen at least as far as the bridge so they've heard all the elements of the song. And they don't HAVE to stop there. They often listen to the entire song.
They generally only reach out to offer a deal, not a "rejection." If they sent emails to everybody whose music didn't get used, they'd be doing that for hours a day and not pitching, which is how they and the musicians make money. So... don't wait to hear back, and keep pitching that same music that was forwarded to them. If somebody else picks it up, the right move is to say to the first company, "Sorry, that one got signed by another company, but if you'd like, I can create more in that style for you. They almost always say yes to that!
Yes, we have actually helped quite a few members become full-time composers. You can ask some of these folks: forums.taxi.com/taxi-success-stories-f7.html Or watch these: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-60BBOqSHYFE.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-N2pVhbxZy7U.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-HvcHSvKyJiI.html
I was thinking becoming a member of Taxi but after watching this video, I decided not to. It sounds like it's extremely competitive and would suck all the fun right out of making music. I mean why would i want to send music in if all these people are doing is listening to 2-3 seconds of a track before trashing it? Sorry, but my music deserves to be treated WAY better than that.
It's not that TAXI listens for a few seconds, it's end users in the industry. In the film/TV world, they're looking for what works in the scene, not the song they think is awesome on a personal level. The greatest song in the world might just not be a good fit for the story line, the mood and emotion they're trying to enhance. In film/TV, the song is rarely the star. It plays a supporting role to the story and the dialog. The record industry is ALL about the song and the artist. Best of luck to you. BTW, our members earning six-figure incomes all still love creating the music they make for TV and film placements.
@@TaxiIndependentAR Thanks for the reply. But how likely is it that a track will actually get forwarded? Isn't there like an insane amount of competition and super tight deadlines when there is an opportunity for submitting? I feel like it would get very frustrating to keep submitting and submitting... And nothing in return. That's just what I have a feeling would happen and I'd lose passion in film music altogether.
@@MusicforFilmandTelevision You're not competing against other submissions. To get forwarded, you just have to be on target and over the quality bar. If you're looking for an easy path to the real industry, I don't think it exists. But TAXI is a REAL path if you do the work. Check out what gets forwarded, here: forums.taxi.com/forwards-f2.html Check out some success stories here: forums.taxi.com/forum7.html Join TAXI's forum (for free) and ask people what they think of us - get the real downlow and make an informed decision. But don't expect instant results because your music is awesome. It's got to be on target, and it's a marathon, not a sprint.
So I am going to need a clean shirt, new shoes, a credit card, a tour bus full of old guitars and a big black jet with a bedroom in it and if you guys can swing it @ #604records I need a $300,000 advance on a one million dollar one album #investment and an opening slot with #Nickleback to pay it all back...
