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What is Mixed Voice? (Chest & Head Voice Coordination) 

O'Neil Gerald - Reclaim Your Voice
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Let's talk about the mixed voice! I want to teach you about the coordination between the head voice and the chest voice and what a vocal coach is talking about when they mention the mixed voice. I will also talk a little it on how to sing using the mixed voice. Some free vocal tips from yours truly! Don't forget about my VLOTH series!
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20 окт 2024

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Комментарии : 43   
@GarageStudio7
@GarageStudio7 6 лет назад
*Your videos are so enlightening and innovative; plus incredible editing!* Thanks for giving us this important lesson 🙋👏
@oneilgerald
@oneilgerald 6 лет назад
Why thank you, kindly! 😉
@montrealmitchell6694
@montrealmitchell6694 6 лет назад
What I will say is that everyone does not have a visble break in their voice , some people's ranges are more connected and is what we usually want to aim for.
@oneilgerald
@oneilgerald 6 лет назад
That's absolutely right! But knowing where your natural breaks are is beneficial for planning around the use and building of your voice. But when we intentionally allow the thickness of our chest to continue upward, we will all find a break. It's just a matter of letting those that naturally mix use their voice in that new way. Thank you for your comment!
@SuperBeeMoore
@SuperBeeMoore 6 лет назад
Great explanation! I have been working on extending the range of both chest and head voice.
@neesanlimbu1465
@neesanlimbu1465 4 года назад
Great videos keep on uploading like this❤
@Fillipi10mkd10
@Fillipi10mkd10 6 лет назад
Great explanation and interesting tips! Thanks for that :)). And what about belting technique? I don't know if you already have did a video about that.
@oneilgerald
@oneilgerald 6 лет назад
Belting, eh...lol. I'm limited in my knowledge, but I can try and tell you guys what I know!
@oneilgerald
@oneilgerald 6 лет назад
Belting, eh...lol. I'm limited in my knowledge, but I can try and tell you guys what I know!
@shalomasam4797
@shalomasam4797 6 лет назад
So good O'Neil!! Really happy you're doing these videos!! You have so much knowledge and gifting as well as an incredible ability to teach so keep it up!! :D
@HyadoNagurashy
@HyadoNagurashy 6 лет назад
Awesome, and interesting video as always!! 😁 I know for me, I tend to exercise my head voice first to wake up my mix, then work my way down. I tend to speak in a very chesty voice, so this helps me to lighten up a bit, but still maintain the colors of my voice. A lot of gigs I do, I have to at least sing up to a D5 in mixed voice, and at least a C6 in head voice. So, if I don’t warm up my head voice first, I get some very chest dominant Mid-upper belts (F#4-A4) that I know aren’t entirely healthy (no matter how powerful it may sound lol), and very shrill notes above G5. 😅
@oneilgerald
@oneilgerald 6 лет назад
I have a very similar problem. When I don't warm-up (which is sadly most of the time), especially my head voice, I end up having very chesty belts. My upper belts I haven't quite connected yet, but we'll see what happens as I get better! Thanks for sharing!
@uqonsoul
@uqonsoul 4 года назад
I've dying to study this for so long Then I watched this video again and again, and then I realized my vocal teacher thought me this long time ago, but because we're Indonesia and we don't speak English so we don't have the same...jargon...for mixed voice haha Thanks
@XxQueenChristinaxX
@XxQueenChristinaxX 4 года назад
Wording can be tricky lol.
@ej44026
@ej44026 6 лет назад
It’s only possible to bring up a 100% chest voice so high. The last note physically possible to sing in full chest is about F#4-G#4, even for women. After that you naturally are mixing. Now you do control how heady or chesty the mix is.
@arthurmay2780
@arthurmay2780 6 лет назад
I think I sing a lot in my mixed voice when I have higher songs or female songs to be flexible and colorful and more chest for songs by male artists.
@thefudgestix
@thefudgestix 6 лет назад
I love your explanations.
@marianperez96
@marianperez96 6 лет назад
I need to lighten my mix! I start usually at F#3 and when I hit C4 to A4 My highest ever, I feel is too much chest! How can I make it sound more like Ariana’s tone more light less “tense”.
@mariebellnero585
@mariebellnero585 6 лет назад
I like this
@LeonorPaulo
@LeonorPaulo 6 лет назад
Brilliant 😭
@johnputnam3228
@johnputnam3228 4 года назад
I can mix. I can slide from my chest up to my head w no break w one continuous sound. However. Mixing during a song makes me lose power
@eumelaniniam3781
@eumelaniniam3781 5 лет назад
Can you talk about the Harmonics of the voice (H1-H6).
@Thismeekpotato
@Thismeekpotato 6 лет назад
I take 5 paragraphs to ask one question im sorry bear with me. But ive only learned voice from reading and videos. So the concept of mixing I understand but at the same time ive always found weird. Because I literally think of it as taking half of chest register some of head register and balancing them. But the physicality of that is so weird to think of. Cause your not manually doing it, right? You're sending air to certain placements to hit a certain register. Like im trying to undersrand what physically is happening. I understand the larynx or (adams apply) stays neutral, the throats only purpose is being open to let the air traveling, out. And the purpose of lifting the soft palate is to close off the nasal cavity completely so the air stays in the mouth, travels to the roof of your mouth hitting your soft palate and hard palate. And then engaging the pharynx is what causes the twang and singing into that twang basically is what they mean by into the mask. Is that right? Cause thats only what I notice from my own singing or reading. But I noticed singers ...well first of all rounding out the vowel and making it narrow naturally helps place it forward. But letting the mouth open more I notice on E5, F5, G5 around there the mouth is REEEAALLY open. But its not just carelessly opening really wide its purposeful controlling the air flow.... forward into that vibrating sensation that happens on the hard palate. Like theres a little trench or indentation that forms down the tongue directing the air I noticed. Its open like ....having an egg in your mouth. So my thing is less weight on high mixes, as in well balanced it sounds amaaazing right. Now for me if Im at a Bb4 til like C#5 im good its chill, not scary yet range and Im solid but a song for example that goes from C#5 up to a G#5 its hard for me to make sense of. If im singing in a bright mixy area song I can pull out great G5s that sound healthy and I dont feel strain. But if Im hitting a strong A4 then have to go up to G5 where I have to pull back off the power and lighten it. Its like I can't think that fast. So I have a few question's, from my understanding that "Ney-Ney" exercise that engages the pharynx and gets the sound really in the mask right? Thats what would help? Cause I can hit the notes but if I get really forward and up in the mask thats how to mix 5th octave high notes, (easier) is that right? The key to high mixing is placement basically. Like navigating placement throughout the 5th octave is ...idk like Keke Wyatt or Amber or Sohyang their top notes are phenomenal. What are tips or anything to figure out navigating mix?
@godchaser6608
@godchaser6608 6 лет назад
My range is (G#2-A5-D6-D7). When I go for anything above a D5 I place my mix higher. For example... Everything I sing below a D5 is with a lowered larynx. When I want to go higher I move my larynx a little to where its neutral. When you really think about it that's what a lot of singers do. SoHyang for example does this when she belts anything above a D5. That's why there's a major tonal quality difference to her voice when singing a D5 and a F#5.
@itzdevii
@itzdevii 6 лет назад
Whats the music in the background called?
@PRLPublishing
@PRLPublishing 5 лет назад
Interesting taking the range of high and low in chest head voice....hmmmm
@amyrose9889nenasonic
@amyrose9889nenasonic 6 лет назад
I'd genuinely love to see what you'd think of my mixed voice since I attempted to use it alot in my covers that I make in my channel.. although I'm not really sure if I mix correctly tbh.😥
@kamekame518
@kamekame518 6 лет назад
Is it possible to do high notes With a chest Voice.
@GarageStudio7
@GarageStudio7 6 лет назад
Please I have a question. I have always known that the whistle register is a disconnected register and isn't connected to the modal register (chest voice, head voice etc.) but Brett Manning seems to display otherwise here ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GecPVTYJTOQ.html I'm skeptical though.
@oneilgerald
@oneilgerald 6 лет назад
The whistle register isn't always disconnected. I've heard some classical singers hit Ab6s that were just a well extended part of their head voice. I would say the fact that the whistle is always disconnected is definitely a myth. But it often is and when it is, can be damaging.
@GarageStudio7
@GarageStudio7 6 лет назад
O'Neil Gerald Thank you very much for responding 😊. Please does that mean Brett Manning was using head voice to hit notes in whistle register territory? Please can head voice notes in the sixth octave (Lisa Fischer, Mado Robin) be regarded as whistle notes (Mariah Carey)? I always thought that the disconnected aspect of it is what makes it a "whistle note".
@oneilgerald
@oneilgerald 6 лет назад
+GarageStudio These aren't official answers lol. But first, Brett seems to have gotten a hold on a disconnected register that blends into the top of his head voice (as he explained). The whistle register isn't something I know too much about.
@oneilgerald
@oneilgerald 6 лет назад
+GarageStudio And from my understanding, notes about E6 are genuinely regarded as whistle notes whether they are in head register or disconnected.
@justinmetcalfe9948
@justinmetcalfe9948 6 лет назад
I really want your feedback on my voice as best as you can without actually hearing it. My voice is so strange. I’m an 18 year old male. I like to say I have two different voices. I have my “man voice” and then I have my “soprano voice” my man voice isn’t very wide as far as range goes, the lowest I can go is a D2 and the highest I can go is a B4 (Belt) before I start switching to my soprano voice. In my soprano voice, I can go down to a Eb3 and up to a B5 (Chest dominate mix) but I have almost no falsetto. The weird thing is, I can belt as high as my falsetto goes. I use to be able to do whistle tones at the beginning of puberty but then over time it just faded away and now I can’t even do any high falsetto’s. Why do you think that is? Do you think it’s because my technique sucks and I wrecked that part of my Range by hitting wrongly produced whistle notes?
@oneilgerald
@oneilgerald 6 лет назад
I would really have to hear your voice to understand what you mean. It seems your voice is changing "character" somewhere from the Eb3 to B4. I would ask you, is there some form of a break/transition between those two parts of your voice? I will say that I have heard that a well extended mix often doesn't co-exist with a "disconnected" (often called falsetto) sound. But I don't think your voice is damaged as much as it has adapted to the mixing you're doing. I'm not the greatest technician, but I'd certainly have to hear to truly understand what you mean. Hopefully this helps a bit! All the best on your singing journey!
@justinmetcalfe9948
@justinmetcalfe9948 6 лет назад
O'Neil Gerald there’s a break when I try to go below an Eb3 in my “woman voice” there is a break, but there isn’t one when I switch from my man voice to woman voice while belting. It’s so weird to me and I don’t understand it myself🤦🏻‍♂️
@oneilgerald
@oneilgerald 6 лет назад
I would dare to suggest that you do have a break that you have naturally begun to mask because you're mixing. I'm going to say your "man voice" is your true voice, while your "female voice" is your mix. I would suggest playing around with your chest voice and slowly crawl higher until you hear your voice change in character. Also, find the places where your vowels begin to narrow and you can't use any vowel to hit your notes. That'll help you find where your break would be. :astly, your voice is unique. Everyone when learning to sing on their own adapts various techniques to try and mimic what they've heard. It's what makes you unique! Embrace it and play to your strengths when singing! All the best on your journey!
@Royylll
@Royylll 6 лет назад
Did you go to school to learn all of these things and what school did you go to
@princestory26
@princestory26 6 лет назад
I can never mix to save my life :(
@oneilgerald
@oneilgerald 6 лет назад
Keep getting at it! I'm still working on mine!
@mariebellnero585
@mariebellnero585 6 лет назад
I wont to know if iam singing in mixed voice belt
@mariebellnero585
@mariebellnero585 6 лет назад
I have some songs on youtube
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