Why We Sold Our Yamaha CL5 and QL1 Consoles C15 

I purchased dm3 standard version when you released the video for it last year and love it!

i would say a good idea of sealing used ql's would be a good amount off and before you sell them, ask the other companies you've worked with and made good relations with if they want them. that way its still acceble by rental. id like to make the money for what I paid for but its also good to save some money up for some time (5 years) for if a new board comes out from an old board reaching its lifetime. I've done so many events where the dm3 could've been a great small solution for where were have tight locations. and now the dm7 compact is something Im saving for since the ql5 take two guys to lift with a dog house. the compact is soooo light for one person to lift and get to right to setting up for the show.

Kay has been keeping y’all busy & working not a lot of folks can say that about the companies they work with. Y’all should start appreciating his decisions because obviously it’s working. Most companies under pay their crew & drown in debt because they’re busy acquiring the “best” gear. I can name companies along w/ their crappy rates for days who practice this bs..

Makes sense to me. Doing what's best for business is mandatory! If you have a business, you understand! We don't pay your bills! Do what you gotta do!

Guest 2 COX !!!! haaaaa.. We know the girls love that

Great video!!!! Sad to see the CL's go although I can see its the right decision.. Is a rivage in the pipeline!

Hehehehe when I heard "dumpster fire" I already knew... my home venue is still using one.

Damn third DM3. I'm on a couple waiting list to just get one lol.

k nails it again, can't wat to pick up a CL5 at my local all that glitters pawn shop.

Smart thinking from K imo.

When you can buy gear at dealer cost and not pay interest, then you can turn and burn yo inventory. LS-9's are almost 2 decades old now. Kay complains about everything, except having upgrade fever. Does he not understand that the goal is to create quality content at the expense of running a successful production company.

Do you think K still would've added the HD96's had the DM7 come out first?

I would love a yz 490

Did you already had the chance to try a DM7 or did you order it only based on the online information?

Hey teddy when you coming out with another vid hehe I think I’ve seen all your videos now waiting on some content 🎥 👍🏼👍🏼

New gear is coming🔥

Do you still have the “free” renovated LS9 from season 4?

"Guest 2 COX"

GOD ; I FUCKIN HATE PROFILES. People keep sending them out to festivals and shit and it drives me absolutely insane. They are not reliable anymore. Recently, I was mixing a festival and during soundcheck for the act I was on tour with - The board was slowly dying. I would turn an encoder and it would work, but after that first adjustment it would die. This slowly went throughout the entire console until I had zero encoders left functioning. Every time I would use the mouse I'd have to unplug and replug. By the end of soundcheck all that worked was my faders. I was happy that this performance got rained out because that was going to be a bad night lol.

How do I get to this point where I have an actual company with a big warehouse, employees, etc?.. I have been doing this for about 20-25 years and about 5 years ago I finally started making a living out of this, so I quit my job, but it seems I can’t get to the point where you guys are at, how do I get the contacts and contracts for big events that would push me to the next level ?, right now I am stuck in the middle, I have too much equipment for the events I do, but not enough to do the big events , what Am I missing ? what would you recommend me to do ?…. Thanks