Sound test stage 2 setup 4EE Suzi Quatro female lead 4. 31/7/24 same setup 4 as used 22. Gain Structure: Like a finely tuned orchestra, we balance the input gains across channels. Not too hot (distortion alert!) or too cold (noise city). FOH (Front of House): Our cockpit. We ride the faders, sculpt EQ curves, and chase runaway feedback like audio cowboys. 🤠 Monitor World: Where musicians plead for more “me” in their wedges. We grant wishes, but not too much-lest the stage erupts in sonic chaos. 🎸🔊Sub Snakes: These serpentine cables slither from stage to mixer, carrying signals like musical DNA. Beware the tangled nest! 🐍dB SPL: Decibels-our currency. We measure, massage, and occasionally wrestle them into submission. “Louder!” cries the guitarist. “But not too loud!” whispers the venue manager. 📏 Phase Alignment: Our mystical dance with time. Polarity flips, and alignment delays-ensuring bass and kick drum groove harmoniously. 🕺💫
Room Mode Analysis: We decipher venue acoustics, battling standing waves and resonant peaks. Equalization becomes our wand. 🧙♂️Multicore: The Medusa of cables-many-headed and mysterious. Each XLR channel a lifeline to the stage gods. 🎭DI (Direct Injection): Our bridge to electric instruments. Guitars, basses, keyboards-straight into the mixer, no fuss. 🎹
Phantom Power: Ghostly 48 volts, awakening condenser mics. Handle with care; it bites if provoked. 👻Remember, dear festival-goer, behind the curtain of music magic, we weave cables, tweak knobs, and conjure sonic spells. So next time you sway to your favourite band, know that somewhere in the shadows, a sound engineer nods, adjusts, and whispers, “All is correct.” 🎶✨12
Now, if you’ll excuse me, I have a date with a dB meter and a stubborn snare drum. 🎛️🥁 Anything else you’d like to explore in the symphony of knowledge?
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Take care and stay safe - Tracey
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8 сен 2024
