In this lecture, renowned South African artist William Kentridge, hon. 2013, examines possibilities for learning from the edges. He discusses the porousness of focus and describes the ways in which studio processes can be instructive for looking at universal questions. Kentridge talks specifically about his current project, Notes Towards a Model Opera, which looks at the Cultural Revolution in China and other utopian projects. Followed by a reception. Generously funded by the Andrew Carnduff Ritchie Fund.
12 ноя 2015
