I. Kyrie [0:00] II. Gloria [2:06] III. Credo [5:42] (Et incarnatus est [7:17]) IV. Sanctus [11:26] V. Benedictus [13:07] VI. Agnus Dei [15:38] (Dona nobis paces [19:35]) ♪♫♪ LIKE and SUBSCRIBE for more score videos! → ru-vid.com ♪♫♪ ♪♫♪ FOLLOW me on Facebook → fb.me/StePaparozzi ♪♫♪
oh who cannot not love Mozart! those chords... those chromatic passings.... and harmonic spices... so much innocent fun. wie ein Kind... pure, without sin or lust.
@@featherineaugustusaurora3416 Beethoven often wrote very big works. His mass in C major is like 40 minutes long, and his Missa solemnis is even longer. This mass, like many concertos and symphonies of the Classical period, is much shorter than what Beethoven usually wrote, hence why he perceives the mass as very short in the little joke I made
SOLO is related to the vocal part, it's written (in bass as well in the other strings parts) when the chorus tacet and the four solo singer sing. It then specifies TUTTI when it comes back to the full chorus (it happens through all the mass).
@@dpetrov32 It's as Elias also said, and it's not uncommon to see just "tasto" in that case, not just "solo". Then, for what happens at 9:34, for example, it looks like it's not only an indication of solo for the vocal part, but it's also implied a tasto (because there isn't any continuo number). This doesn't apply to following occurences of that "solo" mark.
las obras de Mozart parecen fuerzas de la naturaleza por su perfección estructural y pureza armónico-melódica. El CREDO de esta Misa es la versión mas hermosa que he oido!! Resalta también el BENEDICTUS, que demuestra maestría sobre el stile antico y la polifonía estricta concatenada con las ideas virtuosas y animadas del genio de Salzburgo. Bravo!!