Wynton Marsalis: Haydn Cadenza 

You ever listen to Doc or Phil Smith? Wynton s got a great sound here but not the purest ever.

As a Trumpeter myself, Wynton has unmatched tone 🎺👌

Hahaha, the one and only downside of Wynton is his tone. It’s good sure but not amazing. Don’t get me wrong, I still think he’s the best all around trumpet player who’s ever lived, no one can as seamlessly go from jazz to classical and back like he did. He’s just never had a great tone. Someone who’s really underrated but has one of the best tones (particularly on smaller trumpets Eb & piccolo) is Guy Touvron. I literally didn’t know piccolo trumpet could sound so pure.

@@UNTrumpet Think James Morrison can match anything Wynton can do in any genre. Wynton doesn’t have the chops like Morrison. But yeah Wynton is a true technical genius especially in classical. Definitely one of the best to ever live.

@@morpheus3190 I'll be honest, I had no idea Morrison did any classical. The guy is a beast no doubt, especially for being so good on sooo many damn instruments, but Wynton's gotta be the cross genre GOAT. He literally won Grammys in Jazz and Classical in the same year, and did so basically to shut people up about him not being as good at classical.

o cara é um monstro, toca bem tudo a que se propõe

Thank you, I watched this live in 1984 … the whole thing was pure money 😊

Züpeeeeerrrrrrrr❤

Wdym, that it's awesome?

@@adamchromy520 I'm saying the playing is magnificent. But every concerto by Hayden or otherwise at this time period of classical music sounds the same. If I heard one and never found another, yes it would be awesome, but every subsequent concerto makes them less interesting because they sound the same. The players are all obviously amazing, but the music it'self is less than engaging when you here perfect cadence with a trill #22.

The cadenza portions are very similar since they tend to be stretched out dominant chords with runs and arpeggios over top, ending with that classic trill. But I recommend you listen more closely to the rest of the music

@@mahlerbartok that wasn't condescending at all. As a trumpet player, I've listened to a many trumpet concerti.. I will say Neruda for Eb horn is a good one. Arutunian is another stand out!

Keep in mind the Haydn concerto and Hummel were written within ten years of one another and were made to show off the new Eb "keyed trumpet," which had the player explore the entire chromatic range of the horn, something that had never been done before due to the limitations of the trumpet at the time. Not withstanding that this instrument is completely new and no one has written for the Eb keyed trumpet before, the two most popular classical composers for it combining these new chromatics/scale patterns with traditional fanfare-like elements was a great way to show the audience that the trumpet has now reached a point where the sky was the limit for trumpet. No longer was it limited to its overtone series, but completely viable as a solo-voiced instrument in a similar vain to the violin. Trills are generally an exciting moment in music as it's a build up to a cadence/resolution. The excitement comes from everyone knowing it's coming and when it comes it's like a musical "cheer" for joy.

Yep.

Es

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