Dear Mr. Heywoo We discovered long ago that CAT6 S-UTP with a skew delay of 40ns at 100m will report errors on some aes50 ports But this specification is allowed by TIA, such a large skew delay is to have a better NEXT because CAT6 requirements are higher than CAT5 Later, we use the SFTP structure to reduce the skew delay to 6ns@100m, which can make AES50 work to 130M in the experiment This is my video to share with you at ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-wvdJeEfHxhE.html si=GflSbEW1KpzwHG9z&t=620
I'm trying to setup this with the stage box on the stage for mics and drum mics ect. I don't want to have it mounted in the rack. I have a 100 ft shielded Ethercon cable. Can this be done? I may not have not set the XLR settings correctly. I'm not getting main fader or channel fader but I haveoc inputs. I also want to run aux in for my phone to play music between songs on the board. Everything else I want in the stage box. On stage.
DrewPlanet those are assignable. The mere convenience of having a digital desk. Pretty much any i/o can be configure to whatever type of use you might need it for. Mains/aux/matrix etc...
note for people starting out DO NOT USE ETHERNET CABLES TO CONNECT BOARD TO STAGEBOX/DAISY CHAIN 2..... Use a properly shielded Ethercon cable designed for this purpose. all good and well bench testing at home but if you use normal ethernet patch cables in a live setting, you'll start wondering why you get lots of noise, sync dropouts and worst case, fry your gear
From my understanding, it doesn't matter unless you're running it alongside other cables - namely power cables. I suppose the safer option is to just go shielded but it doesn't matter if you're smart about routing.
@@childishtombino1275 it absolutely does matter. I've seen stageboxes fry from a small number of items on stage. Any EMI or spikes will cause the box and console to lose sync if it's not correctly shielded. There's a reason that these items of equipment are now labelled in big bold letters to use STP only and reiterate in the manual. You can be as smart as you want with routing but that bears nothing on AES cabling
@@drummaguyhixy Fair enough. Looks like real world won against 'google theories'. This is something I'll need to consider when I start moving to digital stageboxes.
@@brainplosionincc5362 I dunno, first thing that comes to mind is have some playback things controled from FOH pluged in to aux ins, maybe some wireless monitoring systems taking their inputs from the aux outs.
