Yamaha THR10 - Philip Sayce vintage pedals demo 

He just did..

The yamahah amps are brilliant though

John Mayer fan more like it, right down to the red Kashmir rug.

@@biggils8894 Sayce has been on the scene way longer than Mayer, He was in Jeff Healey's band back in the early 90s.

Daniel Tonga ! Ja ! His name: Philip Sayce !!!!

@@biggils8894Mayer fan? 🤣🤣 He was playing before Mayer, hahahahaha

+martind56 I met Philip a couple of times after Gigs in 2010 and again in 2012 - he and the band stayed back to meet anyone who wanted to/ sign merch. etc. he remains humble/gracious and both times thanked the audience for turning out.

martind56 Your description of Philip is dead on. I remember becoming friends and he had just added a 59 strat to his collection and brought it out one night. He insisted I played it.. This guy has a big heart, humble and a serious player

Same here , walked in a club near Spadina and Bloor (Toronto) by complete accident in the late 90s, and came out crying... And I am a drummer, not a guitar player ;-)

Runs in the family.... 😃😁

martind56 ! Sí !!!!! La humildad y sencillez de Philip Sayce me deja francamente desconcertado !!! Es un Dios la Guitarra con un hermoso y humilde Corazón !!! ... Peace !!!!!

Love him or hate him, he is among the true masters of the Strat.

when he was two years old to open for Jimi Hendrix.............. lol

Of course it matters, sure guys like him and satriani can sound great using anything but he sounds his best using his full touring rig.

+James Mason Satriani ? Come on man.

+Pete Loomis this guy rips so stop comparing

Christina Aguilera had a grammy in 2000 ... so shut up please !

i get the hendrix style guys are dime a dozen but this guy shreds man..better than most hendrix style players running pentatonic scales all day.. this guy made that guitar scream.. stop comparing music based on popularity please

I use helix native and monitor it with the thr10.

I know this comment comes four years late, but I did the EXACT same thing as you, paused video to check his amp settings, copied them and was blown away with the knowledge that you can have an awesome clean tone even in the lead channel! Now I love this amp even more! I recently purchased a THR30II and was bitterly disappointed by the inferior clean sound of that amp. There's nothing left of that classic THR clean tube tone on the newer version, which is such a shame. :(

@@marrzipan : wow, good to know that the THR30 is a step back.

what was that by the way? slide up then full bend?

tae smellsbad Yep.

Dieter Declercq has

He literally says "WHATTTTT" with the guitar.

YES YES YES YES

Kevin Domínguez Reyna and a footswitch

The newer THR30 has stereo line out I believe

@Doug J. What are using to overdrive the 10C?

It has it's own spring ,echo ,hall,chorus ect reverb built it and you can add different sounds through you computer or Iphone oh yes and it is stereo you can use pedals I use lovepedal E6 eternity overdrive , a Flashback TC Electronic,and to night I am using my new Neunaber Immerse Reverberator Pedal that I received yesterday (Monday)and very happy:-) other pedals Dark matter , A mojomojo I use with Marshall DSL 5C , a Fender Blues Junior, I do love to experiment ,if there is anything else you would like to know just ask and best of Luck with your choice Marshall has just brought out a new amp check out Rob Chapman on RU-vid PS. it takes headphone the THR10C if you are in to metal then you need the THR10X

As I understand it, the 10C is a Fender Deluxe Reverb, a Matchless DC30, A Fender Blues Junior, A Marshall Bluesbreaker, and A Dr Z Mini Z. All "low" gain amps. All great blues amps. But when I want to kick it up a notch I want to hit the front end with some drive. So just wondering what you are using to notch it up. I'm thinking of getting a TS808 Re-Issue. As for the Marshall, are you referring to the new CODE50? I love metal, but for now I'm looking for a silky smooth blues tone. I'll gran a 10X when funds allow.

yes it has all that, I confess I don't use it to it's full potential I would think that a TS808 would work ok but I have not got a TS808 for that bit of extra I use the E6 you can probably download a TS808 straight into the THR10C as well as other amps

Just checked out a few videos. E6 Eternity sounds great with a Matchless. Thanx for the tip.

His influence is extremely heavy and based on Stevie Ray Van.....Southern rock ...etc style in the US,,,,nice playing!

One foot in the grave

+ben galvin this guy can actually sound good with any amp or pedal man!!

+valrios86 too true this guy is a tone monster he most likely could make any amp sound great i would have loved to hear what tones he could have got from this amp.as some one looking at maybe buying one this demo give's me nothing i have heard him play through his pedal board many times before.

Ha, the "ambiance" sounds's like the Grand Canyon. Remarkable, I'm in the market for a practice/modeling amp, I gotta find a demo that's got crappy player, this isn't fair.

hahaha yeah try using those pedals on a Fender mustang I or II and see how muddy your sound ends up being

Not to mention a REAL fucking echo plex...

Lightning RT did you have a 62 strat and a pair of hands with 30 years professional experience with a vintage ts 808 and the amp turned up to 10

Because the sound came not only from his fingers, but also his guitar pedals. It even says so in the title and description :P.

Mine sounded pretty damn good tbh, I have the thrc10. Very nice piece of kit for practice and just so damn convenient

Musicians need to understand this... as a sound engineer... What you hear in the room, is not what's on the record. What you hear on you on-stage monitor, is NOT what the people hear in the room. What you hear through your headphones listening to a YT video, is NOT how it sounds in real life. I mean... you can walk in the biggest studio in the world with the quietest room and it will NOT sounds like the record in the room. I gua-ran-tee this. On the other hand, you can be in a shitty rehearsal room and get a KILLER tone and recording. So what the thing sounds in your kitchen does NOT matter. What matter is, what it's capable of when properly mick'ed and played extremely fucking well - and then mixed and mastered to sound as a best as possible. Seriously : we're tired. You guys learned all the scales, all the chords, all the records, everything. We learned all the technique, the electricity, the physics of sound - but we're just asking one thing... Just ONE thing... Please understand that what you hear is NOT what you get. Not what the audience get. It's not. It's never gonna be. Period. Ever. Even with the best in-ears. The Beatles didn't heard a damn thing their whole touring career but they still rocked. You KNOW if it's good or not based on how you FEEL your performance much more than how you hear your performance. BTW I've been playing some big stages for 15 years even tho my "day job" is technician or sound "engineer" as we like to brag about it. Get some fucking clue. Buying the thing and NOT doing the work? What did you expect? Free talent from God?

(thank you)

Same here...

gmund317 same here