Me quietly watching as all my favourite piano teachers hook onto Yohan Kim one by one...I hope you binge on his whole channel and fall in love and be inspired to break down a couple more hahaha. That kid needs his own separate playlist of breakdowns
@@SeanWilsonPiano I noticed on one of your videos you were messing around with Kanye West Choir 'Nothing too hard for God'. I found a good video for that. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-TIpzObTuWyA.html towards the last half when they are freestyling
Wow I had just watched this video of Yohan Kim playing last week. It’s wasnt hard to replicate his version but it is always an awesome experience watching you break songs down.
Sean!!!!! From 10:10 and onward, I heard sooooo many improvised songs every time you played each chord. I kept pausing and hearing (other) things. Fantastic video!!!!
Sean...much respect bro. Bringing to light musicians like Johan help expand so much. I started doing this years ago as far back as 80s through the nineties. Many of us in the African American culture hadn't quite adapted to it yet in our worship. And nor had various cultures integrated our styles and flavors yet either. Great video's you present.
That had been my mission for the last 15 years. Grew up with classical and straight hymns; , Fell in love w black gospel/urban gospel and began learning in order to implement in my church. Started playing in a small baptist church to get taught more. Need to learn more Afro/Cuban, Salza too! To your point, I'm not the only one implementing these styles. I think as a "Church" we are on our way. Praise God!
For me, this was an intense and rewarding "lecture". I have just two questions. 1. How are the "gospel tritone chords" formed (14:20) Are there "formulas" to use them? 2. What other modes can a keyboardist learn to enhance their gospel piano feel? Thanks again, Sean! You're a blessing!
for 1. I am not personally using formulas to play... the way I do my videos honestly is to play what I feel instead of mapping it out... I add the site notes later, that was the chord that I felt liked playing at that moment 14:40 for 2. Well all of them, I recommend studying all 21.. but that is a much longer discussion
Thx again for another chapter in this beautiful series! At 6:33 Fsharp half diminished over B resolving to Cmaj would be my educated guess. As in: Fsharp Half Dim - B augm - Cmaj (which makes sense).
Do musicians go overboard with the licks? Licks do fill up the space in a song but sometimes play a song simple is very powerful. But I do love hearing fills amd runs here and there. It's the musicians expressions besides how the song is already be played
How are you stretching your left hand so much for those left hand chords @15:12? Is your keyboard more compact or are my hands really that much smaller than yours? I find it very difficult to do on a full sized keyboard like a Fantom G8.
Sr Wilson...good stuff my man. I have 2 suggestions: At 7 mns 31 i think instead of the note C. It is c#. Right hand C#, E, G#, B Left hand B , A. And at 8mns 10s. The first is F# for the transition. The melody is: Bb, B, C, B, A, G. Chord : F#, G, Am, GMaj, Am, G
Connais-tu les 2-5-1 (II - V - I) ? Tu peux deja commencer avec cette progression. Recherche aussi des videos sur RU-vid, je pense que tu trouveras assez de manieres.
