i wish @Neural DSP gave me the henson plugin too :') Such a good plugin and such a good work as ALWAYS by Neural DSP. As a guitarrist that i've tried a couple of plugins, i can say Neural DSP is probably the best at this.
I love showing your Extravaganza audition to people to see their reactions, directly followed by that Bohemian Rhapsody cover, it makes me sweat just watching it, shout out to your lungs.
I don’t think you embarrassed yourself at all. It takes a person with a lot of confidence to try new things and admit when they can’t do something. I respect that! Much love hun!
Dimash is an almost impossible challenge for sure because not only does he have a huge range spanning several octaves, but he also flows from chest voice up to whistle notes seamlessly. Props to you for your attempts!
@@iv3nomousi I didn't say that with the intention of being insulting. I'm sorry if my generalization appeared that way to you. I said that because I genuinely don't know how many octaves Dimash can sing. The man's range literally goes off the piano.
@@VictoriaMunoz-bx9dn - It's ok Victoria I was only messing about. I think he sings a full 6 octaves. He's been known to whistle notes in the 7th and 8th, but they aren't particularly 'ear friendly' notes up there
@@iv3nomousi You are correct. I looked it up; 6 octaves and 8 semi tones. His highest whistle note that I can recall is a D8 which was really cool is how he slides into it from a C8. It's pretty impressive!
I can’t sing in a normal way but I can throat sing really good judging by what everyone who heard me says, for some reason it’s easier for me. But if I try to even sing a normal nirvana song I sound like ass lol
Also happy to see the song "S.O.S. d'un terrien en détresse" here. That's the one sung by Dimash Kudaibergen that we hear at 2:19 , and I know it well because it's composed by a famous Québec artist (I'm from Québec, Canada), and was intentionally written to be extremely difficult to sing because I think it hits 4 octaves. Simply not just anyone can do this.
@@zaido2823 Balavoine is not the composer of this song. I'm talking about Luc Plamondon. However there is a French involvement, which is Michel Berger who co-wrote it (I did not remember that).
A-Ha has so many insanely good songs. For a "one hit wonder"-band, they might have the most impressive catalogue ever. Almost all their releases have multiple songs on the level of their worldwide hit.
Impressive. I’d love to see you attempt the 23 second run up to Bb5 mixed voice from Dimash at the end of sinful passion, but the comments here warn not to suggest that. Of course, he does go up to E6 earlier in the song in flageolet, but that ending… can’t imagine anyone could do it aside from Dimash.
Recently there have been a lot of reactions to Slaughter To Prevail: Demolisher. A lot of different sounds coming from one throat. Can you do them all? Nice to see you do subharmonics/throat singing. And I was going to comment on the Voiceplay bass...but you covered that one already. Nice to see a video like this. Good infotainment.
Man, literally I was trying to sing along in my kitchen at like 1am in my headphones, and forgot about my family sleeping in the next room…and when in the end I was almost getting to these high Fredy’s notes I realised I was so loud and completely outside of the reality! Thanks man, you’re such a talent!
DUDE!!! YOUR VOICE IS SOOOO DAMN AMAZING!!! Your singing voice is so good but your speaking voice is so calm. I've been a subscriber since that impressions video and i can't stop watching your vids.
A-Ha is still a favourite of mine. I grew up on 80s synthwave, and still love it. If you check out the video for "The Sun Always Shines On TV", it picks up right where the video for "Take On Me" ends.
If you only used to know dimash as the singer who can go really high, try songs like Sinful Passion, Your Love (this one is in English), or even Diva Dance+Drunken Concubine
I am impressed once more! The "impossibles" are interesting but I want to see you singing something "possible" and classic like Bocceli's "Con te partiro". And of course I can't wait for the 6th!!! Love you ♥️
The thing about Chester's scream though, is that it goes from aaaaayyy to an oooo and then back up again. It dips in the middle and goes high again and then back into semi clean singing. He was incredible 🖤
Good God, you just laid down one of the most excellent versions of Bohemian Rhapsody I have ever heard. The cool harmonizer was certainly part of the show but you were the Star. No shit, that was some next-level stuff that I think even Freddie would have enjoyed! Thank you sir.
I am so happy I’ve started getting notifications about your posts again. You’ve nailed another video, and I’m beyond excited for the next release. #spotifypresaved
When you first made use of the harmonizer I was thinking, "man if only it worked." Then you made it work later in the video. Sweet plugin, now if only I can sing.
Dimash should be on a top 10 vocalists. Dimash (A1-D8, 6 octaves and 5 semitones). In fact, in 2019, Dimash was showcased on CBS on The World's Best as "the man with the world's widest vocal range".
Major props to him for managing the techniques to get down and up to those notes, because no common human can do it on the fly, much less in quick succession. That said, parameters are very complicated for top 10 vocalists. While I acknowledge and respect your opinion that he should be one of the top 10 vocalists, I can't help but feel there are standards and qualities he doesn't meet for my top 10 and definitely that of many other different people. A major factor is individuality. He can hit the notes and he can do it all on a technical level with great power, vibrato, stability, and control, but when he's down there or up there, what tonally sets him apart from other singers that could potentially get down there or up there? It's very hard to distinguish him from them, or to not simply hear a deep voice or a piercing operatic run with pleasant vibrato like a bird. When he's in the center, I don't find he sounds very different from a lot of singers within his scene or within his region. When listening to someone like Mike Patton or Elvis Presley or Mariah Carey or Axl Rose or Adam Lambert or Paul McCartney, you can tell within a second that they're not just vocalists with great range or power or control, but also vocalists with a very recognizable voice, and that makes them vocally unique in a completely different way from just having immense vocal prowess. The colour makes a huge difference. Going by standards of technicality, he's definitely up there in terms of several forms of clean singing, but vocalist is a broad term and a lot of vocalists do other vocal styles markedly better with more character. All-around, he'd probably sit far from the top. As a jazz singer, he'd be out of his element. As a metal singer, he'd be out of his element. As a punk singer, he'd be out of his element. A lot of other vocalists can do those genres and do them well, but Dimash could not because it's out of his training and his singing experience. Kyo from Dir En Grey could do them all. I think that would put him over Dimash, even if he doesn't have his full range. Anthony doesn't have their ranges, but he does have a distinctiveness and an ability to tonally redefine himself like few vocalists get so skilled at. There's a lot to think about when making a decision on just 10, and I think Dimash would fit better on some lists than others.
I am a Kazakh and a big music lover from bebop to progressive metal, from classical symphonies to Bruno Mars. Yes he has the best technique, range and etc, but interms of music itself he is yet immature. He didnt write his songs, he ruined The Show Must Go On, he uses his vocal range mostly to shock you and get some reaction - random high notes and etc(exception being "sos d'un terrien en detresse") I would confidently put Johnny Cash above him and yet his technique and range is pretty average. Freddie Mercury despite slighly less technique and range would whoop Dimash's ass. I appreciate that our country has such a talented guy, but I am not blind enough to Fanboy him
@@chrismeadows4216 fair point well made. Top 10's are so subjective. I had the pleasure of hearing Dame Kiri Te Kanawa sing in the early 2000's, and was completely blown away, but she has the limitations you speak of, and is not, imho, top-10. If recognizable voice is important, room needs to be made for Geddy Lee, Chris Cornell, and oh, a whole host of others, lol. Two of my all-time favorite female vocalists are Anne Wilson and Pat Benatar. Top 2 male vocalists are James Hetfield and Johnny Cash (if you haven't heard his cover of NIN's "Hurt", may I recommend it?). I don't think they'd make many peoples' top-100, but there it is. I appreciate you taking the time and effort to explain your position, as I learned something new! Have a great day/night!
@@nurikkulanbaev3628 ok...I'm taking a beating here on Dimash. I was looking at the technical aspect, not the intangible "something" - call it heart, or grit, or an aptitude of great story-telling ability - that can make a less technically correct, smaller ranged vocalist the better one to listen to. You are absolutely correct. The one and only vocalist I fan-girl on is James Hetfield, and I have listened to his voice mature greatly over the last 35 years, so it's an appreciation of the growth in strength, depth, and clarity, as well as the story-telling ability. I appreciate you taking the time and effort to respond in a positive manner and can see your point. Have a wonderful day/night!
Singing a difficult range (either high or low) is very impressive. Singing a difficult style (fast words or extremely distorted raspy vocal lines) is also very impressive. But for myself, the most difficult vocal lines to sing are lyrics that are so heartfelt and meaningful by the vocalist that they move the listener to tears. That, in my opinion, is the most difficult.
Finally Some Ayreon in here !! You need to listen to some of that. The lyrics, the music, the vocals, the EVERYTHING ! Dude, like... Really really good. Everything from Arjen is in my top 1
I'd like to hear your attempt at Amon Amarth's Way Of Vikings. Johann Hegg has an amazing low growl. Or Arch Enemy's You Will Know My Name, just to see what you can do with it.
Yaassssss, just was listening to her. I'm on a cyberpunkish futuristic wailing chorus type of kick and I can't figure out where to find more sort of synthesized operatic choruses like that, vitas, the theme to Deus ex invisible war and somebody lied to us by Sevin
