Zebra 109+ for Sony Raw Photographers

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Choose the most appropriate exposure using Sony's Zebra feature. Photographers shooting in the Raw file format have a little highlight recovery headroom, so the optimum level for being warned of overexposed highlights (that cannot be recovered in Raw editing software) is to create a Custom level with the appropriate settings. In this video tutorial I show the custom settings to use to ensure you never over-expose your highlights.
Mark Galer is a Sony Alpha Ambassador for Australia.
Join Mark Galer on Patreon for the best Alpha Support and Guidance. A single $10 Membership fee includes access to member-only Q&A Forums + Over twenty 1-hour member-only seminars, 'over 15 downloadable' eBooks + cameras settings files (there is no contract or commitment beyond the first month): / markgaler
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Опубликовано:

19 апр 2020

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Комментарии : 226

@AlphaCreativeSkills Год назад

Join me on Patreon for the best Alpha Support and Guidance. A single $10 Membership fee includes access to my 500-page camera-specific eBooks, member-only Q&A Forums + Over twenty 1-hour member-only seminars + cameras settings files & access to the Raw files from the lens and camera reviews (there is no contract or commitment beyond the first month). www.patreon.com/markgaler

@neilcamden1365 2 года назад

Just got an a7iii and have seen a few videos on Zebras. This is the only one that explains how Zebras work with RAW files. Awesome work!

@Eigil_Skovgaard 4 года назад

Absolutely useful. Keep them coming.

@alifonso1981 4 года назад

Great movie, Mr. Galer! I guess I’ve been taking the zebra feature of my cameras for granted.

@Jason_Hermann 4 года назад

Excellent tutorial. I was not using the Zebra feature very often and only for video, but now I have it set-up per your recommendations and look forward to trying it out in the field later... Thank you very much Mark!

@markwildphotography 2 года назад

This is gold and your shots speak for themselves. I’ve been on +100 zebra and will be changing it in the morning 🙌🏼

@hanifmacca 3 года назад

Mark, I tried this after learning from your video and it has exponentially improved my shots already. Thank you so much for this.

@edwinjansen6729 4 года назад

the best explanation for Sony on the web!!! Thank you sir 👍

@sjsphotog 4 года назад

SUPERB info Mark. I sometimes use the Zebra's but not enough. I didnt fully understand the Lower limit 109+ thing until you showed us this. I will have to try it out on my a6500, a6000 and NEX-7. Thanks so so much for all you do.

@juanmanuelb7135 4 года назад

I discovered this feature last week and I thought "this is brilliant and nobody has made a video about it!". Today I found your video. Thanks for explaining it Mark, I really thought this had to be explained and shared.

@johannestan6878 2 года назад

By far this is the best explanation on the Zebra feature - thanks!

@AlphaCreativeSkills Год назад

Glad it was helpful!

@jimbean532 4 года назад

Very useful insights for using Sony camera to its best advantage for exposing for highlights. Thank you 🙏

@youreperfectstudio4789 4 года назад

Great tutorial! For some reason I hadn't thought about setting my zebra to above 100, great idea.

@Craftypics 4 года назад

Neither had I. I've always just had it on 100

@thomasploner9424 4 года назад

Absolutely great! I've been looking for an adequate video about this topic - sometimes I underexposed a bit too much (no big deal, but why not use it all). Thank you!

@1964ilovebears 4 года назад

Thank you very much for this great video, Mark.

@johnchardine1886 4 года назад

Fantastic Mark. Many thanks. Would never have figured this out on my own!

@xenonsens 4 года назад

Excellent information and well done video. Thank you very much!

@stephenwoodburn2970 4 года назад

This was a great tip, Mark. I have been turning my Zebras off because they have been annoying me and I have not been able to figure out how to use them properly. I will definitely try this as I do prefer to expose to the right so as not to introduce a lot of noise in the shadows during post-processing.

@curtisclement 4 года назад

I have been wondering about this setting as I used to use it on my Nikon cameras before I switched to Sony. All your tutorials are well worth it so I joined your club/group for the monthly fee.

@AlphaCreativeSkills 4 года назад

Thanks for the positive feedback and for becoming a Paid member 👍

@tomgerds7140 3 года назад

Thank you for sharing your experience and putting all this work into these videos, they've been very instructive in my work.

@AlphaCreativeSkills 3 года назад

Great to hear!

@docwel1 3 года назад

Great tutorial as usual. Love your videos.

@nickmooreHDR 2 года назад

I've been using your zebra/exposure comp tips to better expose HDR video and I usually get it spot on now. Thanks!

@AlphaCreativeSkills Год назад

Glad to help!

@mdallie01 2 года назад

As with all of your videos, this is so very, very, helpful! Thank you sooooo much!

@wolper2155 4 года назад

Hi Mark. Great Video and great explains. Greetings from Germany.

@user-ev3ex7ey6g 2 года назад

Some great advice, clearly articulated as always Mark, thanks so much!

@AlphaCreativeSkills 2 года назад

My pleasure!

@JasonSputnik 3 года назад

This is gold! Thumb up and subscribed to the channel!

@danbrowning2418 4 года назад

Excellent video. Thank you.

@Voormas73 4 года назад

Thank you very much! Great info on the Zebra feature. Now I get it :-)

@donquique1 3 года назад

This is such a great tutorial.

@ximeno 3 года назад

very good explanation mark thank you

@jadkaram8399 4 года назад

I just got my sony a7iii 2 weeks ago and was struggling with the menu! Specifically with the zebras. Thanks a lot for all the precious info u provide on ur channel!!

@AlphaCreativeSkills 4 года назад

Happy to help!

@keithpinn152 3 года назад

Thanks Mark for this video. It was very helpful in my understanding of my new Sony A7 iii camera. Keep safe....Keith Pinn (Canada)

@digeratadesign 4 года назад

brilliant Mark.

@chasmoonie3403 3 года назад

Thanks Mark, very interesting 👍

@Asif.A 11 месяцев назад

very nicely explained will try to follow it. Great work

@AlphaCreativeSkills 10 месяцев назад

Glad you liked it

@footsy420 4 года назад

sweet, I had mine on 100. I do ski photography and I try to retain snow detail. Another fantastic tutorial. I really appreciate that you don't release a video unless you really have something to say.

@maird1 4 года назад

Yep! How I have been rolling. Works well.

@ErethilClaw 4 года назад

Thanks Mark!

@timelapsebylkunl72 3 года назад

Thanks for great tip.

@eggrystudio7363 Год назад

This is the best tip from you ever.

@AlphaCreativeSkills Год назад

Glad it was helpful!

@PavolKasalaProductions 4 года назад

Thank You!

@smaganas 2 года назад

Amazing video. I'm joining.

@AlphaCreativeSkills 2 года назад

Welcome aboard!

@elena_berlant 2 года назад

Thank you!

@curtisbme 3 года назад

Nice. Never used this feature and was able to go into manual settings for the a6600 and put it at 109+

@AlphaCreativeSkills 3 года назад

Glad I could help!

@robHU8 4 года назад

I often use the Highlight metering mode. It does a very good job of protecting highlights without having to make exposure compensations.

@AlphaCreativeSkills 4 года назад

It tends to be aggressive (underexposed too much) and suited to JPEG shooters. It can also make serious errors if the light source is in the frame. It can be fine-tuned in the menus but this is the subject of another video.

@kumardoctor3583 3 года назад

lovely

@davidromano2421 4 года назад

Thanks, I've been using Zebras like this for years with my A7RII.

@AlphaCreativeSkills 4 года назад

I don’t believe the A7Rll has the lower limit option - this will result in the zebras showing early as it is working with a range.

@davidromano2421 4 года назад

@@AlphaCreativeSkills You're technically right, but I still use it very effectively. I set the zebras to 100+, color space to AdobeRGB and with the standard creative style, I find that 1 stop over the point when zebras first appear is when I've got a good ETTR exposure. To build some more safety into that, or fine tune it, increase saturation to +1 on the standard creative style. I confirm the results in RawDigger.

@peakmemetics 3 года назад

I have had my a7r3 set to Neutral -3 -3 -3 to get the histogram display more close to exposure for raw . Sony should make a histogram fir this purpose and have it available as an option in meny. RAW SHOT HIST. Now zebra +109 is a good option to this while that is not there. Thanks Mark

@PierGiorgioZuccaro 4 года назад

Superb

@SatboxHD 4 года назад

superc

@duchu1987 3 года назад

Very useful stuff! Thank you :-)

@AlphaCreativeSkills 3 года назад

You're very welcome!

@ahmetalber452 4 года назад

thanks

@veselinvasilev9362 Год назад

Thanks!

@AlphaCreativeSkills Год назад

No problem!

@justmeemee 2 года назад

thank you for these great videos! +1 to your subscribers :)

@Akreem 4 года назад

Thanks , really helpful video , i usually use filter make it easy for me to shot in bright light , the only problem i have i can't adjust the manual exposure with manual iso . I have Sony a6600 with sigma 16mm.

@dennishardinglandscapephot3540 4 года назад

The sunny F16 rule was originally base on shooting with Kodachrome 64 ASA film @ 60th of a second. That shows how old I am.

@AlphaCreativeSkills 4 года назад

I shot Kodachrome and Tri-X when I started my career.

@86BBUB 4 года назад

I have zebra on/off and zebra sensitivity on my function menu. C1 is 100+ and C2 is 107+ Easy to flip back and forth between the two. I use both as I shoot raw + jpeg and do not process every image. I sometimes feel 107+ "leaves a bit on the table" if you will. I will try 109+.

@MA-bx2ev Год назад

Sony should be proud to have you as their ambassador. Also, the image at 12:36 is just breathtaking.

@AlphaCreativeSkills Год назад

Thanks for your positive feedback :-)

@alpinewonders 4 года назад

Useful video Mark, thank you. As I understand you, you "back off" (presumably a third of a stop) from first seeing the zebras, but what is not clear cut to me is that the zebras are graded in intensity from very bright bands to black bands. Do you back off from the first time a (bright banded) zebra appears? Trying that it seems the picture is too under-exposed to allow much shadow lifting before noise becomes ugly

@stevehageman6785 Год назад

Thanks for the tip, I have used the Zebras since my Sony R1 Camera. But it was unclear to me how these "new" settings actually worked. This is clearly the way we still shooters want to set the Zebras.

@AlphaCreativeSkills Год назад

Happy to help!

@LucaOrlandi 4 года назад

Very well exposed as usual (no pun intended) ; unfortunately A7RII does not have a C1/C2 for zebra settings and max setting in 100+. Annoying that Sony does not deploy the same or equivalent firmware for all the A7* series.

@mohammedfirdozesirkhote7517 Год назад

Great video if you have a short description for video zebra setting for skin tone exposing and highlight using the custom settings that would be great

@AlphaCreativeSkills Год назад

Noted!

@Bringisen 4 года назад

Great video again. I have both A7RIV and A9. A7RIV has slightly better dynamics at low ISO values. Would you still recommend 109+ on the A9 as well?

@AlphaCreativeSkills 4 года назад

109 is the highest setting and is appropriate. The usable advantage of the A7RlV is just how clean the dark shadows are at low ISO. You can raise them three stops in post and they are very usable - this means you can comfortably underexpose to protect the highlights and not worry about bracketing - as seen in the slot canyon image used in the demo.

@TeoKefalopoulos 4 года назад

Hello, very valuable information. My Sony A7Rii only gives me a setting of Zebra Off to 100+. It doesn't give me options for more than 100+ or a Lower Limit setting. I have the latest firmware installed. Is there another setting to look for? thanks

@AlphaCreativeSkills 4 года назад

Unfortunately not - this is a feature that must have appeared with the third generation of A7 cameras.

@humansrants1694 2 года назад

I was mad when I first used my A7R IV that it could'nt show the level and histogram at the same time but after learning about the zebra I don't need the histogram.

@MikeJones3 2 года назад

Yea that really bothers me the level wont stay with the histogram... Excited to try out the zebra settings. I tried them once before and they were distracting but I had them on level 70....

@DeanVincent1960 Месяц назад

Very helpful and clearly explained. Is there any reason or condition where using the Standard + Range is useful for photography, not video? I have watched several videos that explain the reason for this option as applied to video, for example properly exposing light to dark skin tone values. Thanks!

@AlphaCreativeSkills Месяц назад

Mark offers personal support to his Premium Plus patrons on Patreon.com/markgaler Admin Team for Mark Galer

@MikeT-yy3 2 года назад

Superb video as always. When shooting Raw + Jpeg, is sRGB a better colour space than Adobe RGB when using Zebras at 109+ as used by yourself. Does it really matter for obtaining the best Zebra accuracy?

@AlphaCreativeSkills 2 года назад

sRGB and Adobe RGB are about the gamut (saturation) range and have no bearing on the brightness range.

@sameerparanjpe6390 4 года назад

Thanks Mark for your wonderful tutorials. On this is specific topic, will metering mode set to *highlight help protect highlight ?

@AlphaCreativeSkills 4 года назад

@sameerparanjpe6390 4 года назад

@@AlphaCreativeSkills thankoo master... Your tutorial made my Sony experience very very interesting and satisfying

@vothuong4581 2 года назад

@@AlphaCreativeSkills i

@Itdoesntmakesense2me 4 года назад

Sony God 🙏 🙏 🙏

@sjsphotog 4 года назад

Amen agree 10000%

@user-oc6mr1jr6s Год назад

Thank you Mark. What was the suggestion for video? Also, does it differs based on colour profile?

@AlphaCreativeSkills Год назад

Videographers mostly use Zebras to confirm highlights are at the correct exposure and not overexposed. They will often set Zebras to 70 or 80% …and yes the Picture Profiles can make a difference

@jerseymountainbiker 2 года назад

Great tutorial - what picture style settings do you use as I understand they will affect when the zebras start to show. Thanks

@AlphaCreativeSkills 2 года назад

I use the Standard (ST) creative look

@zaratustra4140 2 года назад

Hi Mark! For some reason when shooting JPEG, if I set the zebras to 108+, although the camera shows completely blown highlights, there's no clipping and full detail when viewing the JPEG on my computer/phone. Why is that? Thank you!

@emperor.augustus 2 месяца назад

Mark, you've taught us to use Aperture priority and ISO Auto Min. SS. In this video you're showing us to use zebra +109. Question, the zebra +109 should be used when using Manual, right?, how exposure compensation would work if using any priority mode otherwise. Am I wrong? Thank you very much for your videos, I've learned a lot. You're my go to guy when it's about Sony cameras.

@AlphaCreativeSkills 2 месяца назад

I use the Zebra 109+ Lower Limit in Aperture Priority mode. It is an ideal companion to gauge how much exposure compensation is required. It is not just for Manual Exposure mode. Check out my Patreon.com/markgaler support channel - I have a huge amount of educational material available to download or watch. And yes, I am perhaps the most knowledgeable person to talk about Alpha cameras - 44 years as a Pro Photographer, 14 years as a senior lecturer in photography at a University and 12 years as a Sony Ambassador.

@emperor.augustus 2 месяца назад

@@AlphaCreativeSkillsI assume that's if you're not using auto ISO, right?. thanks Mark, you're the best.

@AlphaCreativeSkills 2 месяца назад

I am mostly using ISO Auto in conjunction with ISO Auto Minimum Shutter Speed and Exposure Compensation. I offer personal guidance on my Patreon support channel.

@net200777 4 года назад

I win

@princeharbinger 4 года назад

Great video! Just wish I knew what number to set it for any of the APS-C cameras.

@AlphaCreativeSkills 4 года назад

Set to 127 to be safe and then test. The test is easy - you simply raise the exposure comp until the zebras just start to appear and then try to recover the highlights using just the exposure and whites sliders in post (not the highlights). If you can do this at 109 then use 109.

@vinuisaacj 3 года назад

@@AlphaCreativeSkills I tried to test the setting at 127 on the a6600 and the max I can go is 109 :) I was able to recover the highlights using 109 so I think that should be good. Thank you for such a great tutorial, Mark!

@rsmith02 3 года назад

He meant 107 : )

@vinuisaacj 3 года назад

@@rsmith02 ha okay

@pianoman1973 3 года назад

Hello Mark, Thanks for the great tutorial ! Just to make sure I got this right - the Zebras don't take into account the picture style set , is that correct ( unlike the histograph that is based on the jpeg and is picture style/ profile dependent )? BTW- I had the zebras set to lower limit of 107 in my Sony a7III and still got completely blown highlights in backlit sunset situation ? Seems for the Sony a7III it has to be set a bit lower..

@AlphaCreativeSkills 3 года назад

This zebras setup is for Raw shooters. Picture Profiles should be switched off when shooting Raw as it is intended for movie capture.

@pianoman1973 3 года назад

@@AlphaCreativeSkills Thanks Mark. I shoot raw but have a picture style set on my Sony a7III - that's being mostly used for the video settings as you said and for the jpeg preview for the pictures. I know that you've mentioned that the histogram IS affected by the picture style and was wondering if the zebras are as well , or they are "immune" to it :) It it is , then I'll check out how to easily switch to "standard" picture style when doing stills. I know that it may be a little cumbersome in the a7III since the picture style setting is shared by both the video and stills modes. Thanks !

@darkwishpunkd 7 месяцев назад

Anyone tried these settings with the A7III ? Great vid

@AlphaCreativeSkills 7 месяцев назад

The dynamic range of Sony's full-frame sensors does not vary greatly from model to model, so I would start with 109+ and then fine-tune if required.

2 года назад

Great video - thanks a lot! One question though: isn't it advisable to turn Zebras on as a standard and only turn it off for special occasions? Why would you have turned it off in the first place?

@AlphaCreativeSkills 2 года назад

That is correct

@tomapaunovic 3 года назад

Great video! Which creative style are you using in conjunction with 109+ zebras, and does it even matter? I've also noticed that there is not clear consensus how to get perfect Ettr exposure on Sony cameras, since there is no RAW histogram. How would you compare your method to following methods that I've found online, in order to achieve optimum ETTR 1. Highlight metering + 2EV exposure compensation 2. Standard creative style + zebra 100+. Then apply +2EV after first zebra appears 3. Using HLOG picture profile with 100+ zebras

@AlphaCreativeSkills 3 года назад

I use the workflow I have promoted in this video (109+) and Multi Metering. See my Metering video to know why I choose this method of metering.

@tomapaunovic 3 года назад

I did the experiment with your method, on my A7 III, and looks like it works regardless of creative style applied. Both with neutral (with contrast/saturation -3) and with landscape, I got similar results in a sense that even +0.3 EV above zebra shows visible clipping in Lightroom.

@sagardigitallab 4 года назад

"Lower ISO produce better Color fidelity and good Dynamic range." On the contrary, shooting with 'Log' profiles (the Base ISO being 800, in S-log 2) helps to fatch higher 'Dynamic Range' Please clarify the above contradictory statements.

@AlphaCreativeSkills 4 года назад

Log profiles are for movies as it lowers the contrast of the scene being captured. Highest dynamic range for Raw is with ISO 100

@Alakazam2047 3 года назад

Hello Mark, would you know if the Zebra settings affect my metering mode if it was set to "Highlight"? I feel the Highlight metering mode seems to work for my workflow and I want to also get comfortable using Zebras, but I'm not sure if having both is redundant. Many thanks for your high quality content!

@AlphaCreativeSkills 3 года назад

Highlight metering mode is effective in some situations but can lead to underexposure when specular highlights are present. Multi Metering is generally more reliable and when used with Zebras and exposure compensation it provides the optimum exposures.

@Alakazam2047 3 года назад

@@AlphaCreativeSkills Many thanks, I appreciate your time to answer my question! Cheers!

@officialtiimo 4 года назад

Does this higher zebra level only work at base ISO, since that is the point of maximum dynamic range for the camera? Or if I'm at like ISO 6400 for example will I still retain highlight data up until I see zebras?

@AlphaCreativeSkills 4 года назад

It works at any ISO but if in doubt test before you have to rely on it.

@john23232 4 года назад

Thanks for your input on this interesting topic ! Do you know if the zebra feature is calculated on the integrated jpeg in a raw or on the actual raw data itself. Said differently, on other brands, zebra is not the maximum value that you can set in order to have ETTR. Is setting 109+ and going just above is always going to have something overexposed in the image ? My other question is related to skin tones. Because softwares are not perfect for recovering information from highlights, do you set it to another value sometimes in order to be more precise ? Finally, when you are talking about the bird at the end and the problem of being too much overexposed in the sky. Would using « highlight » metering mode would have been a solution for you ? Some people say that using this mode + 0,7EV is the perfect ETTR, what do you think ? Have a nice day

@MikeT-yy3 4 года назад

I recently took some Raw images which included a White and a Grey card. I set the histogram as far as possible to the right till it just clipped then backed it of a tiny bit. When I processed the images in Adobe Camera Raw I increased the exposure slider till the highlights just clipped, my exposure increase was +0.7EV, interesting.

@john23232 4 года назад

I like your method, I'll try it also :) It was with the "highlight" metering ?

@MikeT-yy3 4 года назад

My RU-vid I used multi metering, the histogram still picks up the White card when you ETTR. You could try the Highlight metering as well. My conclusion was you could increase the histogram clipping point by +0.7EV and the highlight would not be clipped in ACR. Because ACR can successfully recover a certain amount of highlights I tend to ETTR then add +1.0EV via the exposure compensation dial when I consider it appropriate. Let me know what results you get please.

@john23232 4 года назад

@@MikeT-yy3 Did some quick tests right now. I only found that I really don't understand at all if we can trust the Zebra and the Highlight metering mode (or maybe I don't understand this one...). I'll do real tests with FastRawViewer and RawDigger, because they are the only tools that display the real informations regarding the raws files. ACR, Capture One and other tools don't give you the truth (at best, it's an average and not relevant to one of the 3 channels : RGB). I have seen pictures that were clipped in the blue channel (like the sky) and my editor was saying that everything is fine (which was not when I recovered the highlights because I had an ugly teint).

@MikeT-yy3 4 года назад

My RU-vid The sooner we have a true Live Raw histogram in ACR or C1 the better. Probably best if you take a number of different scenes fully ETTR then note the extra exposure you can gain before clipping the highlights of any channel

@ranc53 8 месяцев назад

Hi Mark. I'm confused on the Zebra setting in my A7IV - Do you only set the Lower limit value, or do you also set the Std+Range to the same value or leave it at default? Is the Std+Range used for indicating correct exposure and Lower Limit for clipped highlights? The manual wasn't clear on the difference. "The settings for correct exposure confirmation and overexposure confirmation are registered to [Custom 1]and [Custom 2] respectively in the default settings.". Thanks so much!

@AlphaCreativeSkills 8 месяцев назад

Mark is recommending you set the Custom setting to Lower Limit and NOT use Standard Range to implement the workflow outlined in this free community support video. If you want in-depth personalised guidance to set up your camera using workflows Mark does not recommend, consider joining him on Patreon.com/markgaler as a Premium Plus member. Best Wishes Admin Team for Mark Galer

@_JBP_ 4 года назад

Hi Mark - does 109+ also work with the A7iii? I’ve read, for ETTR, to try a combination of neutral -3 contrast and 107+. Have you tried this? Great videos! Stay safe!

@AlphaCreativeSkills 4 года назад

It works with most of my Sony cameras but I have not tested it with the A7III. Best thing to do is to test your own camera so you know what is recoverable and what is not - just remember not to use the Highlights slider when determining what is recoverable (just the Exposure and Whites Sliders).

@_JBP_ 4 года назад

@@AlphaCreativeSkills I’ve managed to test this in multiple scenarios today and I can confirm that my A7iii works without issue with 109+ and neutral -2 contrast with uncompressed RAW. I also had an extra stop to play with in post production. What an amazing camera! Plus it is also considered ‘entry level’?! Far from it in my opinion. Cheers

@sjsphotog 4 года назад

@@_JBP_ the a7iii is entry level price for FULL range of features Still the best bang for your buck for full frame.

@fx451Jockey 3 года назад

Hi Mark, I shoot most of my photos in hi speed bursts. I believe that the raw files drop from 14 bit to 12 bit when doing this. Would you still stay at 109+ or perhaps drop to 107+ in this situation, as there may be less room for highlight recovery?

@AlphaCreativeSkills 3 года назад

I stay at 109+

@pierre1509 10 месяцев назад

Thanks a lot. I went here from your book aboute the A6700. Does the 109+ assume that you are in the default ST creative look ? Plus, it would be nice to have the same information for video when shooting SLOG with Flex ISO and 709(800%) displayed. That would be super useful.

@AlphaCreativeSkills 10 месяцев назад

The Creative Look settings have no impact on the dynamic range of Raw files. These are applied only to JPEGs and Movies when not using Picture Profiles. I am not an S-Log user as I prefer to use S-Cinetone. I provide full guidance on shooting Movies via my Patreon support channel and 600-page eBooks: Patreon.com/markgaler

@sciurusmeridionalis 5 месяцев назад

⁠@@AlphaCreativeSkillsI've been experimenting with picture profiles for a while. And I noticed that if you increase the contrast, zebras turn on much earlier. Very confusing as I thought zebras ware an exact representation of raw. Now I'am a little confused. It should probably be left on the default profile picture settings.

@JoelRiveraMD 4 года назад

Mark I didn’t get the part about setting zebras for video. What zebras should I usually pick for video shooting ?? I heard someone said once that around 90 , but I believe you mentioned 70. Not exactly sure what to based myself for setting zebras for video

@AlphaCreativeSkills 4 года назад

It depends what highlights you are monitoring- some use Caucasian skin at 70% while others might choose to monitor the wedding dress at 90%.

@GioFar 4 года назад

Also depends on the profile you use, for instance, the setting for slog2 recommended from Sony are, 32% for the 18% grey card, 42% to 49% for average skin, 59% for the 90% white card, and that at base exposure without pushing, for example, pushing 2 stops, the exposure will shift to 55% grey card, 67-72% average skin, 83% for a white card. These settings were initially tested on a7s, but they still relevant for modern a7 cameras when shooting slog2, the testing and data come from a Sony pro filmmaker.

@JoelRiveraMD 4 года назад

Giovanni Farina thanks!! where can I get that information! ???I need to digest it more possibly reading the entire thing

@GioFar 4 года назад

@@JoelRiveraMD The data are from Alister Chapman here you can find a lot more, and yes there is plenty to digest there for sure www.xdcam-user.com/2014/08/exposing-and-using-slog2-on-the-sony-a7s-part-one-gamma-and-exposure/

@almostgreen9498 4 года назад

Do you bother to reduce exposure to stop a boring overcast sky from blowing out? Thanks

@AlphaCreativeSkills 4 года назад

I always protect the highlights unless it is the light source (the sun) or the reflection of the light source off a shiny surface (specular highlights). Grey skies can be very dramatic when rendered a little darker in post.

@Anna-gv7vo 2 года назад

Thank you for your vídeo! One question if I may.. If we use the Zebras, what is the advantage to have the histogram on the screen too? To show us if the photo is underexposed? Thank you so much!

@AlphaCreativeSkills 2 года назад

The histogram relates to JPEGs or the embedded JPEG preview in the Raw file (not the Raw file itself), so if you are a Raw shooter you can just use the Zebra Display to guide your exposure.

@Anna-gv7vo 2 года назад

@@AlphaCreativeSkills Thank you so much for your help! I am a Raw shooter and it is great that I don't need the Histogram and like that I can use the Level on screen!!!

@arete_ Год назад

Following your guide here, I sometimes get just a tiny bit of zebra stripes in some particular areas of a picture. For example taking a photo of a pen with a white cap, only the very top of the cap gets zebra stipes. So my question is, should I lower the shutter speed and overall darken the image, or accept the zebra stripes? (I am shooting RAW)

@AlphaCreativeSkills Год назад

Ignore specular highlights - the reflection of the light source off a shiny surface

@andreas7278 2 года назад

Do you still adopt the same 109 value for the new cameras which came out meanwhile (talking specifically about the A7S iii and A1 here). It feels to me that there is some additional headroom there to dial back highlights in post production (if you use lossless compressed raw). Regarding ETTR: Is the benefit substantial enough on modern fullframe Sony cameras? In theory you can achieve additional shadow detail because you are not clipping highlights and can just back down in post processing (assuming that you are already using iso 100, otherwise camera iso would be raised which pretty much equivalant to raising shadow exposure in post, they act pretty much iso invariant). It feels like the newer generations of Sony fullframe sensors handle that so well that this is useful other than for slow landscape shooting.

@AlphaCreativeSkills 2 года назад

There may be more headroom but Lower limit 109+ is the highest you can set Zebras.

@redsaxi 2 года назад

Hello Mark, How about the Zebra setting for A7C? Thank you!

@AlphaCreativeSkills 2 года назад

Same 109+ Lower Limit

@koningslakkie2498 2 года назад

Hey Mark, excellent video! Do you know by any chance whether the 109 still applies to the A7 IV?

@AlphaCreativeSkills 2 года назад

Yes it still applies

@saml.2075 Год назад

to understand it right: the LOWER Limit should be set to 109 and the STD+RANGE should stay default 70? or both to 109? Thanks

@AlphaCreativeSkills Год назад

You can only have the Zebras set for one set of values. 109+ and Lower Limit are my choices when shooting Raw files.

@piltnik 2 года назад

What is best zebra lower limit value for Sony A1? Also 109+ ?

@AlphaCreativeSkills 2 года назад

109+ If I had the option for 110+ I might use that instead but 109+ will have to do.

@paddyd7642 3 года назад

Hi Mark is it possible to have both level and histogram in the EVF? Difficulty in doing that brought me to zebra

@AlphaCreativeSkills 3 года назад

Unfortunately not :-(

@AR-vf7vg 7 месяцев назад

What are "Standard +Range" and "+-(in ex.)5" intended for ? (As oposed /or in addition to "Lower limit") I guess it is just another way to situate oneself in the density range, and to be forgotten once we adhere to the "anticlipping" approach. Right?

@AlphaCreativeSkills 7 месяцев назад

Restricting zebras down to a 10% brightness range may mean that Zebras don't show when you want them to warn you of overexposure. This is why I have recommended lower limit.

@AR-vf7vg 7 месяцев назад

@@AlphaCreativeSkills I understand the (goal) principle totally (I use it since 2 years, but had it on 105+, made it instinctively, (always RAW only). Now falling onto your this tutorial I actally do want to upper it (to 108). However I'm suddnly confused if I missed something when I see I see the option "Std..Range". I can ignore that, right ?

@AlphaCreativeSkills 7 месяцев назад

I offer personal support, above and beyond my RU-vid videos, on my Patreon.com/markgaler support channel.@@AR-vf7vg