Kocsis was brilliant in seeing what was in the score and taking out mannerisms. It's amazing that Kadouche turned out later to be such a thoughtful pianist after seeing all of these affectations that are contrary to the music. He obviously took Kocsis's comments seriously after this lesson and got rid of the unnecessary accents and subito dynamics to cover up fingers that are not even.
Kadouch plays Mozart so harshly, you can tell he cares more about his ego than the music. It's just not very musical, ....props to Kocsis, great comments
I think his balance between the hands is nice, but I am not a fan of how he almost 'pauses' to put down the note. It looks like he his trying to give it a nice sound, but doesn't quite work in the context of the left hand octave passages in the Allegro con Spirito
Плюсы - есть интонаци, нет пустых нот. Это - главное! Минусы - оттяжки, которые претят стилю композитора... Ритмически надо строго, без малейшего даже намёка на вольности.
David Kadouch needs a chill pill. This isn't Mozart! He's imposing and rushing and doesn't want to listen to a great artist bc he think he has chops! You can add your own personality after you understand the music!
The essence of playing Mozart in any work he wrote lays in two aspects: good taste and a reasonable amount of risk. Which are both lacking in this meaningless piano playing by kadouch.
Gulda once remarked rightly that for Mozart the pianist has to live for some months in Vienna in order to enter into the specific niveau in which Mozart has to be interpreted. There is a great difference between technical artistic brilliance and expressing the emotions intended by the composer. And this latter capacity grows with the experience of the pianist. Best example is Andras Schiff. There are of course exceptions as Anastasia Huppmann playing La Cathedrale Engloutie.
Was mich am Studenten Kadouch am meisten stört, ist sein arrogantes Gehabe. Seine Lehrer sollten ihm offen sagen, dass diese dummen übertriebenen Gesten beim Publikum nicht ankommen.
This student is banging the piano way too much. The funny faces he does makes it about impossible to watch. I couldn't continue listening as it is way too harsh for me. He plays Mozart more like Liszt. Love Zoltán Kocsis but I won't be following this pianist. I can't stand him! He great off the "I'm so great" vibe. Everything he does seems to be to feed his over inflated ego. You can smell it!
@@francesco7649 , Like the Maestro Daniel Barenboim said about Kadouche playing Beethoven in his master class. "The problem with having such character and a creative gift is you sometimes feel you can even bend the text/score to benefit the “characterization” There comes a moment when liberty becomes anarchy.” So, there it is.....
We lose in your interpretation, all the subtlety of the harmony and the contrapuntal discourse (vertical and horizontal) of this sonata in favor of a breathtaking virtuosity (useless) which is drowned in a fog of sound and an abuse of pedal. You are so young and gifted, but you will learn. Mozart could not play on the piano-forte, or the harpsichords of his time, as quickly as you do. Make the music breathe, the articulation will gain more. If there were a (utopian) competition between the virtuosity of Mozart and you, you would be the winner.. En français, on pourrait dire que là, nous tombons dans le démesure ! excessive d'une virtuosité inutile ! Comment les auditeurs de Mozart auraient-ils pu suivre votre discours musical . La musique , c'est ENTRE les notes que ça se passe ! Excusez-moi de vous dire tout ça !
Why has no one else complained about the sound quality? When Kocsis speaks, he is so soft compared to the piano. If I turn the volume up on my speakers, then the piano is extremely loud and harsh. All that was needed was a separate microphone closer to Kocsis. What a waste of my time! Bye!
