So clever. I feel that this one is going to be well underrated for a good while. Would love to have two of these, one for each of my Metalloid and Ultra Perc, and see how they can work with two other oscillators at the same time. Dynamic is such an important part of creating feel and groove, sorely missing from a lot of eurorack music, honestly!
Yeah it's such a natural part of doing anything on an instruments that's played physically and absolutely missing from most synths. Some keyboard led velocity respond of course. With modular though velocity can be so creative, routing it to all sorts of things for natural or non-natural results. This nicely takes the necessary patching to do these things and gives you a specific module for it. Like you, I'd like a few to dot around.
@@DivKid Exactly. It's a natural part of learning any physical instrument, yet it seems too often overlooked in the patching world. The modular music I hear that I like tends to be more dynamic (not always - I do also like drones and mechanical sounding tracks too, haha). I love that the more interesting and innovative modules at the moment are ones that offer techniques that would otherwise take a lot to patch up - the flip side of this though is that over time people are less likely to learn these techniques. Interesting to see this kind of evolution at any rate, and the kind of music we'll be hearing in time.
drums and LPGs (I tried using it as the trigger or CV for the SSG, Optomix and Natural Gate and that was really nice) are great with a width and level changing decay envelope.
The Noise Engineering Sinc Bucina accepts dynamic triggers as well! I’m glad SSF tho made a device so I can free up using an offset, attenuator, LFO/ Env and VCA to do dynamic trigs.
for things that don't trigger dynamically I just use the CV input and the ability to then dial in the width of a pulse out or the decay of a short decay envelope / impulse gives the same results. So it should work nicely with anything. Good call on the NE module though, not tried that one.
I wonder if there's a way to cleverly self patch this thing, so you could have the level of the output be controlled by how close together the incoming triggers are. To simulate that "memory" effect some old envelope generators have, where when you give it fast close together triggers it outputs louder envelopes so you get free dynamics just from the spacing of the triggers. Much like how when drummers drum faster they play louder.
From MW: Here is my version, if you like: You need something to build the overall level. Most envelopes or slew limiters will do this part. Set attack to 0(ish) and vary the tail to taste. To get a better memory effect you need to play with the envelope shapes (or just fake it - it is modular after all!). The envelopes need to have some 'unheard energy' at the extents of the tail and by that I mean the tail is still there where most normal AD circuits have already finished decaying out - after normalising them to each have as similar sounding of a decay time as you could. Anyways, if you keep building on top of these decaying 'floors', these very quiet floors do add into something hearable that has quite a bit of dynamic range to it and you will create a nice sounding memory. If you were to build on top of shapes that are more 'stubby', then you will still be hearing a lot of the (open) sound while it is building and it will not build as dynamically. In the memory demonstration video there, you can hear how far the notes are apart and if another comes, it still is slightly brighter. So yea, tail shape! Also make sure you are starting with a filter that isn't anywhere near fully open else the varying heights of your memory control waveform are clipped. It's pretty easy to forget how quiet or soft things should be sometimes, esp. if your ears are a bit fried. I think this is why sometimes memory is very blatant and sometimes it's not at all. On the NG itself, the most memory effect comes when set to the softest material setting. The varying envelope heights have lots of dynamic range over the filter/vca block. In the hard material setting, there is very little memory as the filter is already open all the way when you hit it - no matter how many more times. You have reached a rigid clipping line and thus 'it' applies the sharp hatchet! Good luck!
doing it with slew with a longer rise and fall is a nice way work in the memory effect. You can't self patch the envelope to the level as when you're triggered the envelope you're triggering an internal S/H circuit that samples the level change. There's also none of that overlapping longer envelope or slew to build up a signal over time in this case.
Ho tolto il consenso perché qualche mio nemico tipo il sindaco e i suoi sgherri potrebbero chiedere a qualche amico dottore di scavare nel mio passato sanitario per poi attaccarmi in qualche modo. Non é l' uso dichiarato e "comodo" del fascicolo sanitario a rendermi malfidente ma gli individui in quanto perfidi e capaci di infamie a fare sí che sia preferibile avere quanto piú nebbia di mistero attorno a sé per il quieto vivere.
Just got this to use with my live set up as well as home. Having the cue is amazing. My only gripe is I didn't realize you could only send to 1 effect at a time. Running the fx into the channel and being able to send one effect to the other is great semi work around tho!
To the latter point if it's one effect into the other why not just patch the two FX modules one into the other? If you wanted to vary that over time in the performance you could alter the second effects dry/wet mix level over time.
Definitely enjoying this more relaxed pacing. Much more my speed. I feel like I can follow everything that's happening much more easily instead of having to rewatch a bunch of times to grok the patch examples. (might just be me, but I struggle with that with the usual pacing of your videos). And this thing sounds great! Really nice patch examples!
What a nice module. I’m currently stepping away from my severe dependence on fx. So this isn’t something I’ll consider at this time, but it can really pull some great sounds out.
Tricky as they're different. The Dipole is inherently stereo (though can be dual mono) and has 4 filters (though they're in pairs per side, not totally open 4 separate filters). It doesn't have any of the sequencing and snapshot functions of Etna. It also has drive and a different filter character compared to the clean high headroom nature of Etna. The decision would depend on the situation and the goal.
@@DivKid I thought you might say that Ben. Very different toolsets. Hence I cannot decide and will struggle to drop £800 on two filter modules. Cheers for your review nonetheless
Yeah it's a tough one and honestly I can't answer (not because I won't pick one over the other) without some context. 3 mono filters might go further than two dual parallel filters. You might be able to animate with lots of sequence the Dipole to do Etna's thing easily ... musical style, patch approach, other modules all play a part in deciding something. For you I'd try to distil do you want stereo and a characterful and dual filter peak per side type thing? Or is the snapshots and animation potential going to bring more to your set up?
Why is digital a sad face? It's based on a FV-1 Spin chip that does the DSP if that helps or means anything to what you're wanting to achieve. These aren't FX you can achieve with analogue technology.
HARD SYNC! Great sounding lofi module. I do wish there was another output or two. It'd be nice to be able to play with different delay taps or tape heads. I also wish there were attenuverters on the inputs. I'd trade a bit more HP instead of having to use another module. But still... seems like a lot of fun!
It's often a hard line to cross that one, attenuators/verters for CV inputs at the expense of CV. The in built randomisations in some of the modes help dial in modulation without needing it externally too.
mmm this is definitely a bit of me although I wish the CLK rate knob went MUCH lower, some amazing artefacts await as you approach zero :) Still a very compelling combo of features, great examples mate, thanks. (dropping a hardsync too)
Thank you. I just tried using a negative voltage to offset the clock lower and it's limited to the lowest point on the knob. So it won't get into those much lower, aliasing artefact rich sounds you're wanting. I too like those. I enjoyed the ones I got from it in the video though.
@@DivKid thanks for checking! Yeah it's not a dealbreaker as there is still plenty that's clever and appealing in the module, just a nice to have. My job means my brain naturally generates feature requests ;) Cheers!
So much protentional samper gold in this video. Was for a moment in another room, and the combination of music and talk became a start on a track, or somewhere in the middle more probable
Last time I looked they still have them in stock. I have an older silver panel one and it's awsome. Also check out the pedal version of Dradd, Etterslep. It has even more options.
ah thank you, appreciate it. Presuming you mean the pianos one, that's a few layers of electro mechanical stuff (Rhodes, Wurli) and a piano. Different octaves, voicings, humanisations to offset and vary each one of time. All done with samples in the DAW quickly to use give an interesting sound to work with.
I didn’t realize pladask needed promotion since their modules sell out so quickly. If they’re ramping production, I’d love to see dradd come back in white.
Ok, good to know. Any way that can tie into the oscillator function? Plaits follows on Braids nicely in terms of weaving hair, weaving sound type thought processes.
Great stuff. As it happens I've just built the Tesseract Modular Selam which is a little larger but has 6 LFO/Envelopes with attenuverters and some mixed outputs. I'm not sure if it gets as fast as QUART but a verry easy kit as you only have to do LEDs, pots and sockets. Your video will give me a few ideas of things to do. Cheers!
Good stuff, I haven't tried that one but I definitely intend every video to be a set of ideas for the functions and applied with anything. Glad to hear that's the case here.