Personally i believe i am just stagnant. I make music but i always seem to mess it up in the long run. I usually feel like my music is good up until i show someone other than my friends and im usually told to quit by ppl online. It upsets me that i have been in this position for years and i havent found a solution. I CANT MAKE GOOD LYRICS AND I CANT MIX OR MASTER!!!!!!!!!!
I need a video by you for this. Why by you? Because you explain things brilliantly! So, I use the method you describe and I can create a great midi bass track from an audio bass track and drop IK Multimedia's MODO Bass on the midi track and it's great! I go to do exactly the same thing for the guitar track and when I try to add the guitar plugin it wants to create a new AUDIO track instead of allowing it on the instrument track I created for it.. 🤔
I'm glad no one was around to see my jaw on the floor! LOL I came for the midi part in the beginning, but was blown away by the chord features! WOW!!! Thanks for ALL that!!!
Hi, it doesn't have much to do with videos, but with midi yes, I can't solve a problem, I use an akai mpk3mini with artist OS and despite having seen all the videos and tutorials I can't in any way activate midi learn (for assign the Akai knobs) because it doesn't appear at all in the midi screen, could you help me?
@@user-ym7hu5vp3x there currently isn’t yet! BUT I will be running the challenge again soon! Are you on my email list? That’s how you’ll know for sure that you can get a seat!
@@ProducingInTheBox I'm so happy to hear this news! Also, I’d like to ask where I can watch more of your longer videos, especially the process of how you create or remix. I really enjoy seeing how you do it!
@@user-ym7hu5vp3x awesome! I have a course called 10-Day Music Producer that is longer form, less edited lessons! There’s also some live streams on this channel I think you would enjoy too!
People are just not thinking that deeply about this. Rent to own incentivizes the company to make it worth it for a customer to pay for the next year of updates. So in order to get money studio one or bitwig have to provide enough value to make it worth it to the customer. It is a much more honest contract then an outright subscription model that say avid has been using.
-Producing in the Box - Send over a free final mix of that track (make sure it's not clipping and slammed to all holly hell and gone, of course). I'd be happy to offer you a -one-time free mastering sample from our studio... It would be a pleasure for me and, frankly, that excellent MIX to provide it a chance to run it through a full range, fully treated room with PMC MB2s with custom-tailored hybrid discrete IO, Hell - Producing ITB; I provide you a FREE sample print of the final verse/bridge into your final chorus even with the outro and proper fade. Honestly, I'd be happy to share with you how to "perceived Lousness" RIPS and frankly invoke and can provide a master's true sonic purpose, which is to literally "transfer" the emotional intent, impact, and a sense of the true power that music is staving to provide to its listens/audience! Seriously, this is a legitimate offer from me to you from my studio to your "Producing ITB." It would be my pleasure if you messaged me. You have nothing to lose and everything to gain. Have a great day. Feel free to visit our website to learn more about us and our commitment to our client's success with their projects. www.rileysoundlabs.com Thank you for your time.
I truly love Studio One. But multi core is not the best. I have a 16 core 32 threads I9 processor. And how to get it crackling? Route your tracks to one bus. And I use coconut matrix, that means I can have a lot of extra audio channels. Even when I master, I sometimes use pipeline to load a plugin on another track, so I can still have the automation in the same project. Why does this happen? Because instead of using all 32 threads Studio One starts throwing all the workload on one thread. There is a technical limiting reason for this, but I found Ableton much better in using multi core. And again love Studio One, but this should be unnecessary. Can understand technical limitations, but it can be much better. Same goes for big synthesizers, Ableton is better, makes better use of multi core. I would like to point at coconut matrix (for windows users) simple because of routing capabilities and internal of loading...
Coming from Pro tools, I love Studio one alot. The workflow is so amazing. Pro tools is great no doubt but damn! One thing i would love in the next update is the ABILITY TO SET A PLUGIN AS "ALWAYS LAST IN THE CHAIN" This is good for e.g, multi-spectrum Analyser to always stay last in the chain no matter what other plugins are added to the track/chain
This is not really that accurate. Drums will still be the loudest thing in the mix even when you're compressing them in this fashion, their transients are extremely loud and they *need* to be louder than the rest of the mix, because they typically don't have a lot of sustain (shells, not cymbals), so they're very loud for a short period of time but then they just disappear. Whereas distorted guitars are not as loud but they're basically one big flat line of sound, they're always present and they take up almost all the frequencies on the spectrum, because of that there's rarely any issue with making them audible. And so the drums simply have to be louder than the guitars, otherwise they won't be audible, at least in this style of music. The drums will typically always be the first thing that will hit your limiter, it's just a question of how much you want to squash them and have the guitars and vocals be upfront, as opposed to further back in the mix. A lot of modern productions have this drum-forward approach (which can honestly sometimes be too much, I don't want cannons firing off in my face while I'm listening to a song, lol), but in the end it's down to the producer's and the artist's preference. But there's really no point in bringing up distorted guitars so much that the compressor reacts to them, unless you're going for a specific effect. They're already compressed to hell and beyond by the distortion alone. It's just a question of where your drums sit in comparison to the rest of the elements, because they're what drive the song's groove and where the punch comes from, you can very easily end up with a very flat and boring sounding mix if the drums aren't popping up enough, but again, you can also go in the opposite direction with the cannon firing thing. I think what CLA is really talking about is that he first sets the mix bus compressor to react to the drums, making them loud enough so they're triggering the compressor/limiter, to a point where he doesn't want to push them further. Then once he does that, he starts bringing up the guitars but not so much that they take away from the punch of the drums, because it's all a question of relative loudness. That way he immediately gets an idea of what the final mix will and should sound like, so he can make the rest of his decisions with that context in mind. I don't have the discipline to work this way tbh, once I start tweaking the drums on individual tracks I will inevitably be changing the loudness of the individual tracks with EQ and compression, so the mixbus will not be reacting in the same way after I'm done. But I guess that's why he's a master of the craft, he can make it work throughout the whole mix and he always keeps it in that pocket, so he always has that end-goal in his mind's eye (ear)
This is your fault because even though you knew you didn't have a long-term processor on Apple, you still made an account in Logic Pro, another scam videos.
@@ladislaufazakas8980 logic and mac is great. I have nothing against either. At the time, my PC outperformed my MacBook. I mentioned that clearly in the video. For me, that’s what worked. It’s not for everyone. It’s why I switched. Not why anyone else should. Everyone else should pick their own daw. I just hope I can help someone like me.
@@ProducingInTheBox Two years as a "bedroom producer". But, been a lover of music for over 50 years 😊🤘 Always wanted my own studio, and since it's now so easy to do, and relatively inexpensive, I decided to just go for it!!. What a bloody fun hobby!! 🤸♂️ (Guess you could call my "music" lo-fi industrial dark techno ambient thrash!! 😁
@@user-fv4it3wj8c that is such a cool genre!! And yes, what a time to be alive! High quality music can be made with relatively affordable gear! It’s still mind blowing to me.
I'm a Cubase Pro 13 user but did buy S1 3 to 5 but and back to Cubase. These days I work a lot in Studio One 6 Artist. Bought it on Black Friday. Like Artist since it is not bloated and does pretty much everything. I do like this new subscription price and that you keep the license after 12 months. This is the best in class for a Daw.
It's a bummer that scrolling through video on your breakdown session is disabled so we can rewind if we miss some plugin settings or want to hear again what you said. Not sure why would you disable it.
@@chrisdover8507 he literally said he has a limiter on his master bus in the video……. Also, I explained it with a compressor FIRST before going into the limiter. So the concept remains the same.
@@ProducingInTheBox Chris’s chain is Red 3 compressor into his pultecs. He uses no limiter especially no brick wall limiter. Chris sometimes refers to compressors as limiters, especially his 1176s
