Missed out on so much goling to Federal Way School District after 22 straight levy failures. I hope Seattle keeps music in mind as it makes their hard decisions about their neighborhood schools and horrible budget shortage.
I wonder how many of the students who take part in this competition know who the likes of Brian Settles, Jonathan Finlayson, Myra Melford, Kris Davis, Tomas Fujiwara, or Craig Taborn are, or have ever listened to anything they have recorded?
These students have dedicated themselves to excellence, and their performances are awe-inspiring. I am blown away by their talent and professionalism. Kudos to their band director for his commitment, too.
Rather than branding the winner of this festival as "The Best High School Jazz Band in the United States," perhaps the label "The Best High School Jazz Band at Playing the Music of Duke Ellington" is more appropriate. I'm still waiting for an "Essentially [Don] Ellis" jazz festival. New and fresh each year. Innovation rather than preservation. In the words of Derek Smalls of Spinal Tap ... "A preserved Moose."
Where can I begin on how Duke has changed my life? I was seventeen years old. Nervous, this was my first date. I sat down at the counter, just biden my time until my date came. And I heard no other song on the radio then golden cress. It was a beautiful moment. Oh, where did it all go wrong? I began to fall in love with jazz music as I fell in love with Melissa, the love of my life. Every day I would practice the trumpet then go to her house. Soon, I got my first gig. All thanks to Duke. It was four years ago. I woke up to find a note. She was gone. I got in my car to go to work, try to keep my mind off things, until I heard golden cress on the radio. I spent too much time playing jazz that Melissa left me. It cuts like a knife but she's out of my life. I learned that love, like jazz, needs expression, but I learned too late. Kids, you did a good job winning this competition, but remember what's really important in your life.
Wowie, what an amazing show. They really played those tunes with energy and soul. Reminds me of some cats I saw back in '79 who were really just swingin and playing the changes. These kids sure are lucky to have such an esteemed band director. If you want to take advice from this old man, I say you need a better bassist. That first one really just wasn't playing the time. I get that fella is a youngster but his playing on Creshendo and Diminuendo was sloppy.
Well there that's just plain rude. I thought all of there playin was right as rain. You should be ashamed of you self partner. All of those cats played nicer than a cold beer after a hard days work. Back when I played the fiddle in Kentucky if we had that kinda no good attitude well I say we'd be kicked outta the band.
@@robertotte2322 Pal, I get how your trying to defend these kids and honestly more power to you. But me, when I think of jazz, this amazing music that was created in our great country, this just doesn't do it for me. Back in '83 I saw this great cat who told me something I'll never forget. He said to me "Mike, swing is not a rhythm, its an addittude.". And when I see this young man playing the double bass on the first and last tune I don't see that addittude. That's all I'm sayin... 🤷♂
@@MikePondelli I reckon that's a mighty sad way of looking at this situation. How could you be such a negative nancy? Give me a break. I thought these kids were swingin just fine. Your just a grump with nothing better to do.
@@robertotte2322 Excuse me, do not speak to me that way. That is not a way to speak to anyone as a matter of fact. So sad that this generation can't have a good honest conversation and needs to use verbal abuse to get their point across. Well, maybe its not the generation but maybe your just stupid. It could be both.
I really love Ramp but why don't they bring in Jon-Erik Kellso to play on something like Black Beauty? Also that freshman from FLA is scary on Trumpet! 🔥
Ava Wherli alto 2, Norah Saladar Tenor 2, Anna Friedl the other Bari and (Caroline Severson Lead Trumpet pep section) for Asphalt. Luc Dionne on Trumpet for miss lucy. Zantranique Jennings Vocals and Joaquin Rodriguez trumpet for st. Louis
*Jazz at Lincoln Center Orchestra (**53:37**)* *Director: Chris Crenshaw* *Solos:* *The Opener (**55:52**)* Tenor Sax: Chris Lewis (56:18) Trombone: Vincent Gardner (56:47) Drums: Obed Calvaire (57:16) Trumpet: Sean Jones (57:22) *Black Beauty (**59:14**)* Trumpet: Kenny Rampton (59:20, 59:55, 1:01:57) Trombone: Vincent Gardner (59:45, 1:00:09) Piano: Dan Nimmer (1:00:34) Bass: Carlos Henriquez (1:00:34) Clarinet: Chris Lewis (1:01:21) *Thruway (**1:03:09**)* Piano: Dan Nimmer (1:03:09) Bari Sax: Paul Nedzela (1:04:28, 1:09:09, 1:10:28) Trumpet: Kenny Rampton (1:05:51) Trombone: Elliot Mason (1:06:31, 1:09:30, 1:10:28) Trumpet: Sean Jones (1:07:11) Tenor Sax: Chris Lewis (1:07:51) Alto Sax: Ted Nash (1:08:48, 1:10:28) *Fallin’ (**1:13:22**) written & directed by Ori Moore (Triangle Youth Jazz Ensemble), Winner of the Dr. J Douglas Composing/Arranging Contest* Tenor Sax: Chris Lewis (1:14:18) Piano: Dan Nimmer (1:14:45) *New Orleans Suite: MVT I - Blues for New Orleans (**1:18:22**)* Organ: Shedrick Mitchell (1:18:22) Alto Sax: Sherman Irby (1:20:55, 1:24:51) Trombone: Jen Krupa (1:22:15) Trumpet: Terrell Stafford (1:23:33)
