@@josepagan5721 right - it‘s his biggest victory! :)

Thanks for the feedback 👍

@@thegreatdanton9203 thanks for watching!

@@toninoaldajani hi, yes in 60fps the quality is still very good - only in 120fps you see a drop in quality, because then the image isn’t downsampled anymore, but a 1:1 readout in 4k.

@@captainfilmmaking thank you for your replying, you shooting in 60 4 k ? Its enough for slow motion ? What you think is the best for real state and resturant ?

@toninoaldajani 4k60fps (or 50fps, if you’re shooting in Pal) is perfectly fine for real estate. For a Restaurant you may include b-roll shoots from the food or cooking. Here you may included super-slowmo shots

@@iliasdenysenko Vielen Dank Ilias, nein - ich fotografiere relativ wenig. Die FX30 ist für meine Zwecke ok, aber natürlich nicht vergleichbar mit einer wirklich Foto- oder Hybrid Kamera. Die A7IV wäre ein guter Kompromiss, wenn du sie auch für Videozwecke als B-Cam zu deiner FX30 verwenden möchtest.

Great to have you on board! 👍

Grüße zurück! :)

Hi, yes - shots where taken with dynamic stabilisation. In addition to that a bit of post stabilisation in some shots.

@@sufij hi, I try to shoot quite closed - maybe around f8 or so. That helps to have a wider depth of field. Then I set the focus to a distance which fits the room I’m filming - maybe 3-5m ahead. And so you should be good to go.

Awesome, thank you!

@@sufij You're welcome - if other questions pop up, feel free to ask.

Hey ShaddyBaker, the cut is done with Fcp and there I use certain plugins from motion VFX. Which one of them catched your eye?

@@captainfilmmaking All the effects were dope so it's had to choose my favorite. Quality work!

Especially the glow effect on the text at minute 2:19..is that motionvfx too?

@@ShaddyBaker thanks!

@@ShaddyBaker They text used in the video are mostly from the motionVFX plugin called mReview

It was a great performance from both of you!

Yes, it’s a tiny powerhouse! :) Thanks for watching - Liebe Grüße zurück

Hi, 1. Mostly I use fixed WB settings. I evaluate the lighting color inside and how it mixes with the daylight from the outside and fine tune it, so it looks the way I want on my monitor with the LUT applied. The rest can be fixed in post. 2. I usually overexpose most of the time. By that you'll shift some of the dynamic range to the shadows - which I want, when I film interior. And the FX30 is rather noise at 2500 ISO. With skin tones I use a false color Lut, or Zebras. For other cases I rather have my lut displayed on the external monitor and my eye already knows how it should look like. 3. A general answer is difficult. As mentioned above - get as bright as possible, it's easier to bring the lights down in post than the other way round. Maybe don't make so much movement between the rooms/changed lighting, and rather shoot smaller bits where the light is consistent and then change the settings for the next part. 4. It depends. I think up to 6400 it can be usable, depending on the situation, but you'll need noise reduction in post anyway. It that case you could also go down to f2.8, which in a small room isn't that big of a deal. 5. fcp. Yes, I use neat video for noise reduction on a regular basis - especially in indoor shots.

hi, the video is 2:1 ratio, where’s the teaser is 16:9. As there’re not always the same shots, with the same framing used, I guess it’s just a visual illusion. You loose a bit of information with the 2:1 at the top and bottom, but I use this also for reframing.

@@captainfilmmaking the shot where they kiss looks wider I can literally see a whole tree on the left vs the teaser not so much

@festivisionstudios8789 Ah, ok - I think in the teaser I cropped in a bit to frame the shot in a different way.

Oh thanks for the compliment! :) I’ll let her know.. 😉 Actually I think she did participate in an Austrian telent show some years ago.

It was great doing the shoot and working with you! :)

Thanks for your feedback Franklin!

here it is: amzn.to/3Kns0tZ

there's now a pro version too with some minor improvements over the standard version.

@@captainfilmmaking and the holder for the lenses ?

You mean the belt lens-holder, which you can see very briefly at 4:49min? That’s a Friidesign Tri Lens: www.friidesigns.com/trilens/

@@captainfilmmaking thanks

hi Donovan, sorry to hear. According to my info you'll need to activate the gimbal via the DJI Ronin app on your smartphone so you can use it. After the 5 times of (free) usage, it will need to be activated. You can create your DJI account also on a computer and then login via your smartphone afterwards. If your DJI Ronin app has some problems, may try another phone or install the app again. Create your account first and try to get the login work on your computer or smartphone via the DJI Ronin app before you try to activate the gimbal. If the login works on your smartphone, then you can try to activate your gimbal. If that doesn't work, try to contact DJI support for more backup. Best regards, and good luck.

You’re welcome 👍

Sure - we had other photographers with us during the shoot, and did a bit of BTS ourselves. There are more videos about to come from this weekend in the Alps, and we're planning a brief "how to shoot a music video"-tutorial down the road. So stay tuned! 👍

Vielen Dank fürs Ansehen :)

Their ring grip with the remotes works very well 👌

Hallo Herr Schmolinsky, die Kameraplatten der RS-Serie haben auf der Unterseite einen Cold-Shoe Mount. Für diesen gibt es von Smallrig einen V-Mount Adapter (siehe Amazon Link: amzn.to/3VfYIUk) um auch eine V-Mount Batterie auf der Unterseite montieren zu können. Beim RS3 hat man im Vergleich zum RS3 Pro etwas weniger Platz und daher habe ich mich für die im Video gezeigte "do it yourself"-Lösung mit dem kleinen Akku-Pack und dem Smallrig Power Bank Holder entschieden. Liebe Grüße, Captain Filmmaking

Yes, it's shines because it's so light and small, yet very wide. So for an APS-C, like the FX30 it's a perfect match. And even on the full frame ZV-E1 I use it, when doing handheld stuff in dynamic active stabilisation mode. Alternatively I use my Sony 12-24mm f4 full frame lens on the ZV-E1 too. It's even wider, has autofocus and is more versatile in some scenarios.

Hi Melvin, I think they are both solid options. The Nisi 9mm is very similar to the LAOWA 9mm (maybe a touch better in some areas), but the sigma with it's zoom range and autofocus is very versatile too, but a bit pricy. As an alternative you could look for the Sony 10-20mm - for real estate I hardly ever shoot below f4 - or the Sony 11mm f1.8. Either way, you can't go wrong, it's more a question of price and your primary use case.

Thanks for watching Jake! :)

welcome on board Davies! 👍

Thx! :) Yes, it offers a great value..

Hey, and thx! :) Yes, it’s a great camera. Most of the shots in the teaser were shot handheld - the dynamic active stabilisation works quite nicely if you know it’s limitations. During the weekend we had a two camera setup and used gimbals too, depending on the situation. Have you some experience with dynamic active and handheld?

Haha.. oh man, I’m so stupid.. 🙈

@@captainfilmmaking if you knew how many times I've done this haha

that’s what you end up with, when you upload your video at 3am in the morning.. At least I haven’t wrote “welding” :)

Habt sehr gut performed Bibi! 👍