Oh, thank you Riana! :) Actually this was done rather swiftly: - 1st Basic exposure, white balance and tint adjustment - 2nd LUT applied and level adjusted (I use Mark Bone’s LUTs) - 3rd Exposure, contrast and color fine tuning acc. histogram - 4th Adding a tiny bit of a s-curve applied et voila! Took just about 1min/shot.. :)
Danke Markus - hast mich inspiriert! ;) And how will this process speed up in the upcoming years with more and more (artificial)intelligence integrated in this vehicles?
Even though new gear is being released faster than we can unpack it, I think the Mini 3 Pro is still a versatile drone and perhaps the most capable for its small price tag! What is your point of view? Are you planning to upgrade anytime soon?
Great drone, I want one! 48MP camera with big sensor is hard to beat. From the videos I see something it's not great at though - I noticed the same defecit comparing my mini 1 with my mavic 2 zoom. The minis seem to struggle a bit with dynamic range, showing good definition of the sky while also not overly dimming what's on the ground. With a larger camera/aperture though, like the mavic 2 zoom, it picks up much more detail in the clouds without under exposing the terrain.
Hey Dillzip! That’s correct - I’ve struggled with it too.. Here’s what I do: - Using gradient filters on the Mini 3 Pro, when the sky is involved in the shot (they darken the upper part of the frame/image). - Taking two (similar)shots from the same scenery. One is exposed for the sky and the second one is more framed and exposed for the darker details on the ground. Afterwards in post, I use these shots for two different angles as a bit of a workaround for the problem you mentioned.
Hey Nenad! Thanks for your comment - great to have you on board at Captain Filmmaking! Our upcoming projects are: LUT’s for Mini3 Pro and Sony Fx30; How to light your studio; DJI RS3 tipps & tricks for 2023 and more. See you, Ferdinand