Yes Charles, I would much appreciate a follow-up on the different artists. Shown here where you show case them like this one one on Dong Kingman. Thank you again
Thank you Charles! I"ve been telling people this. Though I've only tinkered with this idea myself I agree with you that this is the way to go and have said so to producers and to one or two fellow artists. Ok now back to your video. Thanks again!!!!!!
I will se the video soon but this is one of the best channels. Your insigths are honest regarding the illustration/art field. Best regards and keep it up!
That video was removed. I will be posting a new AI video soon, so you might want to keep an eye out for it if you want to learn how to work with an AI. Charles Bernard
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I wonder if asking AI how Albert Dorne’s work can be improved? I’m sure it would mention something by how the question is set up, like “how do I improve”. I’m not that impressed as it is very generalized and lacks the much needed visual demonstration rather than “words”, also the response doesn’t seem to understand “style” and it’s not “showing” comparing and contrasting elements. Humans are still superior. Although interesting, we’re not there yet. It’s not engaging either. Human gravitate to connection with other humans, unspoken but nonetheless it’s there. I enjoy your other videos, those are very educational.
I haven't watched the whole video yet, but many of the ai art software can enable you to upload art as a reference and then it spits something out based on your settings. If you change the settings to only modify it a little, it will basically just do minor changes to your art. And then you can have it give you several different outputs. IMO this would be a great way to see how it would "improve" your artwork. Of course you can just completely ignore it, but I see it as something similar to someone doing a drawover on top of your artwork.
One thing I should note is that you are using this as feedback only. Analyze the big picture of what it's changing. Is it alway changing your color palette? Then you need to work on color theory more. Is it updating your composition? Then practice composition more. Is it changing your faces a lot? Then get better at anatomy/portraits, etc., etc.
38 year old Single dad…kinda missing art school but feel like those days are behind me and i discover your channel….So glad! So wonderful to have some direction to remember how to “see” as an artist sees! To seperate the world into shapes!”Thank you!!!! Next time between two buildings look up and imagine the ceiling between the two
Question: wouldn't doing this as broadly as this ensure a tension-less, contrastless palette? Because it kinda does in your example. The entire time I couldn't shake the feeling that the result just wasn't convincing. All colors are grouped so tightly together that it became too... monotonous. Isn't contrast essential for creating dynamics and tension, and for making colors "pop"?
