Happy to read that! Thank you 🙏

😈😈😈

Gracias a ti, por ver y comentar! 🙏🙃

Awesome, thank you Peter! 🙏

I guess you checked the letras translations collections on this channel! ru-vid.com/group/PLvow4JGVC5gitP-WYYipW4CoKH0m7n8HO ru-vid.com/group/PLvow4JGVC5gjo3QH3LEbCci-c9PLT0Ae8

Glad to hear that! 😌🙏

Thanks Peter! I talk about this a lot in many videos I guess (don’t remember them all 😅) Let me know if you have any question about a specific palo!

@@FlamencoMAPS I have another question about melodic lines in Alegrías. Are the melodic lines one compas long? Always? Usually? Sometimes? Thank you

@@FlamencoMAPS I have another question about melodic lines in Alegrías. Are the melodic lines one compas long? Always? Usually? Sometimes? Thank you

For letras, usually yes, always with the flexibility of interpretation! Singers can always stretch, squeeze, or start "a medio compás" (in the middle of a compás), but in general yes! Coletillas lines are shorter and cover half a compás, so you need 2 lines of a coletilla to cover 1 compás (and they start with a pick-up landing on 12). Escobilla melodies cover 2 compases (what we call a "rueda de escobilla").

@@peterrmarvin For letras, usually yes, always with the flexibility of interpretation! Singers can always stretch, squeeze, or start "a medio compás" (in the middle of a compás), but in general yes! Coletillas lines are shorter and cover half a compás, so you need 2 lines of a coletilla to cover 1 compás (and they start with a pick-up landing on 12). Escobilla melodies cover 2 compases (what we call a "rueda de escobilla").

Thanks! Yes, this is a confusing but fascinating aspect of flamenco!

Glad it was helpful! Thanks for all your comments, it helps a lot the channel to grow! 🙏🙃

Yes! This is an exercise I do with my students 🙃

It can be in any key, always with the same structure, going down WS-WS-HS like: Am-G-F-E Dm-C-Bb-A Em-D-C-B Dm-A-G-F# Etc…

Ah! Thank you! 😊

You're so welcome! Thanks for your feedback!

Glad it was helpful!🙃

Yes! Holistic, that’s it! 🙃

Let me know how it goes! Plenty to explore on the channel! 😈😉

Thanks for your comment and for watching! It’s « Estribillo » and not « estrobilla » 😆😆 Yes, coletillas and estribillos are usually sung at the end of a baile or a patá por buleria while the dancer wraps up and exit the stage. And yes, the usual cue for the singer is when the dancer goes to the corner. When this happens, then the singer is usually waiting for the dancer to exit, not the other way around. Once you have given your cue to communicate that you’re leaving, you just leave, quickly or taking your time, it’s up to you. The singer will “provide” cante until you’re gone or you have “rematado”. But careful with the dancer’s bias here 😉 coletillas and estribillos can be danced, but they are primarily cante elements and can exist without the dance. I hope it answers the question!

Hi! Thank you so much for this comment and sharing your process. I’m so happy to know that this message is actually landing somewhere! I wasn’t joking when I said that « this is a game changer ». Please keep me posted about your progress and don’t hesitate to reach out if you have any questions. Abrazo! Guille

Thanks again! 🙏😌

Thanks! Not only in the US, it’s just the way it is usually taught… but things are changing!

Hahaha! Yes it’s something I’m working on, maybe with another title though 😂 thanks!

Thanks a lot for watching and for your feedback! 🙃

Vielen Dank amigo! 🙃🙏I’m so glad it helped!

Glad it was helpful! 🙃

Haha thanks! 🙏🙃 Glad you like them!

Thanks! 🙏 I appreciate the clarification!

Thanks a lot Elena! So nice to hear about you! I hope you are well!

Thank you so much! 🙂

Potentially every palo has a llamada. Are you referring to dance or guitar?

@@FlamencoMAPS no matter playing solo guitar or accompaniment with singer, i want to know that famous part of fandango de huevla that we play as a compas of fandango, is it called yamada? Like yamada on bulerias and tangos?

@@FlamencoMAPS some techers say we don't have yamadas in tientos,alegria,fandangos, is that true? I always care about what spanish says, so your information is so important for me

I’m not sure what you call “llamada” in the other palos, but many times it’s more about the intention that you give (like a clear cut) than what you actually play. The guitar vocabulary evolved a lot and in older toques, a llamada is only compás with a stronger intention. PD: I’m not a Spaniard but French although I lived many years in Spain 😜

So por fandango de Huelva, if you play the usual compás with intention and closing, it will perfectly serve as a llamada. (With “ll” and not “y” by the way) 🙃

Glad it was helpful! Thanks 🙏☺️

Thank you very much! 🙏😁

Mil gracias! 🤩

Glad it was helpful! Thanks 🙏

😅😅😅

Un placer! 🙃

You're very welcome!☺️ 🙃

Un placer! 🤘🙃

Thank you so much for your words! I’m so glad it helped you! 😊🙏🙃

Thanks! Yes this is the same style or variant. Zambra and tangos are very much linked ;-)

Yes it is beautiful! It’s not intrinsically an intro or anything, It’s just a traditional style of tiento ;-) she’s singing the style with the traditional melody usually associated to these traditional lyrics. The only change here is the arrangement (they chose to do it without compás, and they created a more modern guitar and sound effects arrangement) otherwise it’s completely traditional. It’s actually very close to Morente’s version of los tientos de Chacón. I hope it makes sense 😅

That’s so interesting - I think I’ve heard the letra sung por tiento with a different melody, maybe was a different style - and por tangos and I didn’t know this melody. I think I found the Chacon version to study. 😮

I have recently been introduced to Rosalia and listening to her album Los Angeles. I noticed the guitar in her music has a folky sound very loose strings sounds like a 12 string guitar difficult to recognise the compas but she has mesmerising vocals with arabic /eastern influence maybe, no?.learning so much from you Yem. Thankyou

​@@sarrieadin8001 She has a beautiful voice indeed, and has many influences for sure, so has flamenco ;-) The guitar sounds a bit different many times because Refree is not a flamenco guitarist so he gives a different twist and sound to the music, which is interesting!

Wow thanks a lot for the tip! I so glad it helped. Let me know if you have any other questions! 🙏😉😈

Yes absolutely! 🙃 I show this here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3wl6spdpJ70.htmlsi=nIDBmu8lmAdiS7bu

@@FlamencoMAPS I checked it out. Great, thank you!

Glad you liked it! Thank you 🙏😉

It really is! Thanks to you too! 😌

Muchas gracias! ☺️🙏