Welcome to my RU-vid Channel. My name is Jonathan Palfrey, I am a filmmaker from the UK.
On this channel I'm going to be uploading the alternative reviews, tips and tutorials of camera gear, filmmaking and tech from what you see from other camera tech RU-vidrs.
For all business inquiries please email jonathanpalfrey@filmmakeragency.com
Aren't people shooting on the FX3 using an external monitor? That screen is tiny. I think this opens up the possibility for us Blackmagic owners to think about getting an FX3 for low-light scenarios and having an easier time matching footage.
Honestly it's kind of a dream come true I hope it comes to more cameras as others have said in the comments FX30 because I'm broke. Panasonic has been tempting because of open gate external braw and internal ProRes. It definitely keeps me happy that I've spent the majority of my money investing in Sony. Hopefully I'll be able to use it one day.
Hi Jonathan, what do you mean by scratch audio on one channel and time code on the other. Is it meant only for B-Roll and you record the audio with another device?
all you Sony people - salute to Panasonic...as Sony had no choice :) ...or BM ......as BM video assist stop sellin well after s5iix :)... i still love my bm video assist 12g as is king
Only thing that is Good in Black Magic cameras is BRAW , I am Glad its coming to sony , can't wait to switch from black magic , a terrible camera i ever bought , gets corrosion after an year , no autofocus , terrible battery , Not portable , and terrible service
I don't need BRAW for 99% of my projects. What I would really like to see, and what Sony should have fixed 3 years ago, is simply having XAVC HS in 25fps. It's already there in 24fps so the fact they haven't fixed this is an insult to everyone in the PAL region.
I am not in GAS, I will keep my Sony FX9 and FX3 for long time to come, It is surely amazing we still get updates like this! Even tho I do not have the big back for RAW over SDI thing. I am happy with the codex and options already but for some this may just be huge awesome thing!
it is inexcusable to still not have an internal raw capability from SONY. It is equally unacceptable for Davinci to not process RAW formats other than B raw.... where's my pitchfork.
My main question is will it change the way we expose footage on our Sony cameras? I’m just getting used to using cine EI and I’m so used to always over exposing slog 3, would we still need to keep an eye on this after all the sensor and noise floor will still be the same whether we are shooting slog or braw
It's technically all software then. So why aren't there companies trying to R&D this stuff for the non cinema line? Cause that's right, most people refuse to understand the camera hardware capabilities.
I wonder if this RED RAW Patent is going to expire. With the updates of the C80 and C400, Sony will soon be forced to offer a RAW internal format for their next-generation cinema cameras.
feels like a7s line is ending now. even if a7s4 comes out now, we will just go for fx series since they are obviously not going to prioritise the a7s series.
