We are camera motion control and Phantom 4K slow motion footage specialists for Australian film and television. We offer access to three MRMC Bolt motion control camera robots and tracks, a Phantom 4K VEO slow motion camera, multiple studio spaces and a large array of lens and gripping options.
Sure can - using lidar and motion sensors from an iOS device, the bot can recreate the path recorded. The bots can also be controlled live using the motion of an iOS device. Pretty cool.
The middle shot in the car was done manually, and then the robot top and tailed the spot - once the middle shot was signed off, we knew exactly where the robot needed to connect to the first position of the middle shot, and then for the third portion of the shot we knew exactly where the robot had to start.
when will ASIC take MLC super, ANZ super, ING super to court over multiple super annuation accounts see ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-mgqtzPflWag.html over the last up to 20 years mlc super fund, anz super fund and ing super fund knowingly set up multiple accounts for the same workers individual super accounts either when they worked for the same company, or when they transferred to a different company, without telling that worker,they had that workers tax file number so had no excuse whatsoever for opening a different super account for the same worker. The reasons mlc super, anz super and ing super did so is fraud plain and simple, they pocketed double the super fees, they charged the same worker double life insurance when that worker cannot die twice, they cherry picked which super fund lost the most super annuation gain of the workers multiple accounts to suit the super funds profits not the best gain on those workers supers funds. When is asic going to sue mlc super, anz super, and ing for defrauding workers superannuation by knowingly setting up multiple super accounts in their name without telling the workers Those workers are entitled to repayment of all the double super fees, all the double life insurance fees, all the losses made on the worse super funds cherry picking the funds they were put in, and all the losses they would have not made if all these deducted fees were not made over the decades...ie the compound super gains they have lost.
I got a few questions, why do you bother using a TV as background when you can digitally insert the unreal engine created video in post into the shot? Eliminates pixels being seen by viewer which occur of the display of the tv. And; how do you make the waypoints, do you physically train the robot the move, or is there a trick to train its waypoints?
If you're filming something like a glass the only way to get the right reflections is with a virtual background. On the Bolt the keyframes are made in the Flair software.
Hello @JCD87, apologies for late reply. Pixels on TV only become issue when you focus on the LED / TV plane, otherwise pixels should remain out of focus to avoid aliasing. Always best to shoot against a screen if you can - just like news readers standing in front of screens to present weather / sport etc - remember the days of them standing in front of blue screen? Always looked awful and obvious. Regarding waypoints, yes we program the robot to hit ceratin parts of the move, and becuase it is rendering the output on the screen in realtime, the contents of the screen change accordingly - just the same as when you look out a window - if you move you head when you look out a window, the 'contents' in the window changes - same concept to rendering realtime images on a LED / screen.
This is just beautiful. I was fortunate enough to see the band that helped me thru my struggles live last year and seeing more stuff of what helped make their videos is just awesome
I absolutely love this, your actor looks like is on a virtual world because you have them too close to the green screen and the green screen doesn’t look like it’s evenly lit so put them farther from the green background and add lights to him according to where the light is coming from in your virtual world, that’ll make him look more immersed in the world you created rather than looking like a sticker in it, keep it up, you’ll do great things
There are some workflows, but no step by step instructional as such - are you looking to do a similar thing with yours or someone else's Bolt robot? There is a LIVELINK plugin that Rite Media made publicly available which is a great starting point to take the OSC data streaming from the bolt into Unreal.
@@Pakhira148its South Indian movie featuring Kamal Hasan, Fahad fasil & Vijay sethupathi..there is a sequence in the movie Where they are using this camera 😊 dope shot
This is a great video! Keep them up! I am fascinated by how advanced filming techniques have become. I'm the type of guy who is just as impressed with the cameras and kit you use as much as the final result!
Incredible. An absolute godsend. I’m definitely using motion control cameras as compact and easy to operate as these in my future filmmaking career. These cameras are going to be incredibly useful when filming miniature models, I want to use as little CGI as possible in all my films and TV shows.
@@nishitparikh265 Assuming that the plugin needs to run on the machine that's running Unreal Engine? New to this and trying to get it off the ground. We have a Bolt Jr.
Nice work @robotface. Working with the Bolt allows you flexibility with shot creation and speed of production which is great because every second is important. Pre production with Nick was amazing as the 3D modelling came to life and Laura helping out with the sets. It was really inspiring working with Tom and Andrew who combine a wealth of experience and technical knowledge with great execution, fast production turnaround. We had a bunch of fun on this project working with Robotface and looking forward to the Knext project. 😎🎥🔜
