... cette œuvre est célèbre pour sa représentation artistique de l’amour et de la passion, et le baiser est l’un des plus beaux et des plus intenses du monde de la danse.... les danseurs nous entraînent dans leurs jeux de séduction, de la timidité à l’attirance, de la résistance à la douceur de l’abandon dans l’envol d’un sublime pas de deux. 💞... la scène devient le plus bel endroit de la terre lors d’un baiser suspendu entre les deux danseurs étoiles ... ⭐💞🌟 ... dans cette scène, les danseurs expriment à travers leur mouvement et leur grâce l’essence même de l’amour romantique. ... c’est un moment où la danse devient plus qu’une série de mouvements, mais une véritable poésie en action, capturant l’émotion pure entre deux âmes ... 💞🌟💞
So I see, good news, she has that extra stage ingredient/personality that goes beyond excellent technique and training. And enjoyable acting skills......the perfect Alice. DA
Poor Sergei Sergeyevich . . . this was to be his way of re-entering Russian/Soviet life, and while the ballet was well-received, it didn't protect him from the brutality of Stalin's dictatorship. How ironic that this great composer and one of the worst dictators of the 20th Century died on the same day. But, as to the ballet: Stunning . . . ab-so-lute-ly stunning! The Danes are fortunate to have such an incredibly talented ballet company! The leads were perfection itself; Ida Praetorius was the young Juliet to a T, looking very youthful, and Andreas Kaas was the quintessential Romeo, equally fresh and young . . . and my new heartthrob! If anyone needs a picture of male beauty, Andreas is my candidate. How fortunate the Danes are to see these fabulous dancers (by which I mean the entire company) on a regular basis. Bravo to them all!
Resolved to watch all three parts of this in succession; nine minutes in and I'm already in love with the production - such attention to detail, including the shabbiness of the friar's robe - a man who takes his vow of poverty to heart.
As the action progresses, I keep seeing vignettes worthy of note - such as starting at about 35:30, when the three young boys appear with their long-necked instruments - guitars? Mandolins? It's a lovely and charming touch - and in closeups, the boys are plucking the strings, though whether they're producing the sound or the orchestra is (the latter, I think), the effect is wonderful. More kudos to the Danes!
This is an absolutely wonderful production! The cast is young (or at least looks young!), the two principals are a dream . . . and Mercutio and Benvolio are wonderful!. The capering about of the three young men starting at about 29:15 is glorious; high spirited, carefree, joyous - they have the world by the tail, and they're an absolute joy to watch! Bravo to them and to the Royal Danish Ballet! How I would love to have been in the theatre that night to witness this magnificent performance! The (multi-national) Danes REALLY know how to dance!
The little guy who shows up at about 9:42 is amazing; he more than holds his own with the adult dancers! He must've been over the moon! Looks - and dances! - like he's headed for a great career! An inspired idea to use him on stage! Bravo!
I know this choreography by heart and have seen it in many versions, but this is by far the most surprising one... I've seen nuances I had never seen before.. Absolutely wonderful..
4:39 2 Act 22. Tanz des Volkes 7:26 8:08 23. romeo und mercutio 12:29 25. tanz mit mandolinen 15:01 26. die amme 16:42 27. die amme uberbringt ~ 17:13 18:30 29. julia bei leurentius 21:57 30. das fest des volkes geht weiter 24:32 32. 26:36 33. 28:09 34. 32:00 35. 34:22 36.
Beautiful pas de deux: Muntagirov is magical here IMHO ! The Baryshnikov-McBride video is the gold standard (for me anyway) and I'm thrilled that Muntagirov particularly is faithful to that version ! **and 02:06, 03:05 - I'm crying with awe for the beautiful line !
Anche attorialita ' commediale e mensurata enfatizzazione in questo balletto che contempla una regia ideativa del coordinamento del collettivo danzante che esprime in toto l'esprit de joie della danza e la sua armonia. Ottimi i passi sulle punte in veloce eundo della ballerina e l'impressione di facilità esecutiva d'acchito sorprendente per tutti gli agenti in proscenio.Ottima e ricercata l'ambientazione. Eccellente la levità fatta tensione motile sorprendente nella ballerina e l'impadronimento dello spazio proscenico balzato del ballerino.Ottimo il senso del continuum dato alla pièce danzante. Superlativi tutti gli agenti in proscenio.Bighin Giulio Renzo 😊😊😊😊😊😊😊😊
La mirabile fibrillazione dei passi sulle punte in veloce eundo della ballerina anche attuati ad incrociamento di difficoltà massima ed eseguiti con una invidiabile non chalance esecutiva d'acchito e il tourbillon vorticoso di giravolte su di un solo appoggio di punta da parte della ballerina rende la performance di assoluta eccellenza.Grande impressione di facilita esecutiva d'acchito e di levità fatta tensione motile sorprendente in questa ballerina che riconduce i passi all'euritmia melodica come se avesse immiato il tema musicale. Superlativa.Bighin Giulio Renzo. 😊😊😊😊😊😊😊😊
