This project is committed to the study of the work of director David Fincher and his collaborators.
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Everything about this scene is fucking terrifying. We see the fire as he walks through the bush, the music hitting us hard, then we see the cult and hear the chanting. The music hits hard again, then we see the fire reach upwards, the main guy looks at the stars, then when he looks back the fire's gone. The complete darkness as the cult shuffle towards the bridge. Then they stop, they see him. They take a step for every one he does. It's chilling and it's horrifically normal. No blood, no monster, no ghost. Just the horror of unknown people.
Thank you! Over the next days, I'll be uploading Fincher's full commercial catalogue with my restorations and more extras. Stay tuned! I really like your channel (full of gems) and I admire your work, by the way.
OMFG Dude! NO DOUBT! Right There I Was EVEN More Choppin at the Bit Like a Crack Addict EXCITED About THIS Flick after Hearing That In My Theater seeing as I'm a 49 year old TRUE "ALIEN" Fan Who LOVES The 1st TWO Flicks seeing as Their Obviously the Peanut Butter & Jelly of a SUPER-GENIUS Level 1st Flick with a very different but seamless Equally as Brilliant Sequal. I saw "ALIEN:3" in the theater back in "1992". It's not as cool as those 1st Two but I DID Like It a Lot. So YES. Hearing That Shit Had Me EXCITED As FUCK For The Rest of 'Romulus'. IT WAS A REALLY COOL MOVIE FOR SURE.
I do. All these versions come from the same old HD transfer done in 2000. For this reconstruction, I used the old dutch Blu-ray that uses the same Fincher supervised color-corrected master done in 2000 as the Special Edition DVD and another old Canadian Blu-ray with the open-matte crop. There's another old Italian Blu-ray that uses the transfer but not color-corrected. The standard Blu-ray uses a masteer with a new color correction (and slightly different crop) done in 2010. The upcoming UHD version uses a fully new transfer and color-corrected master.
@@thefincheranalyst This has nothing to do with the video, but in this video (ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qnj2wucFf5E.htmlsi=TDVDj3L6XiWsDHhX) at minute 1:15, the voice of John Doe's call is David Fincher and not Kevin Spacey, it was probably done to avoid spoilers.
@@Layca1848 You are absolutellty right. I caught that three years ago and I put the audio on this compilation of Fincher cameos: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3TZCOhDwBoQ.html
@@thefincheranalyst I always had a doubt, why there are different transfers of Se7en? for example: Criterion/New Line Transfer (1996), New Line Platinum Edition (2000 Remaster), HD Editions (2009 to present), Se7en Warner Blu-ray (2010)
@@Layca1848 Different times, technological advances in TVs and home video formats, rights ownership changes, Fincher's involvement in new color corrections... -For the Criterion LD and first non-anamorphic New Line DVD, Fincher supervised a transfer from a film print with a special CCE process that gave it a characteristic contrasty and desaturated look. They used a standard resolution (480p) tape. - For the New Line SE DVD, Fincher did an anamorphic transfer from the original negative to HD (1080p) tape and then tried to recreate the CCE look by doing a digital color correction. - When New Line was absorbed by Warner, local publishers (Italy, Netherlands, Canada) that had limited rights about to expire, decided to publish early Blu-rays before Warner released the more official one. They were haphazardly given by Warner or had access to a different version of the transfer: uncorrected, corrected but unmatted, corrected... - Then Warner released their Blu-ray from the already available uncorrected HD tape transfer but with a new digital color correction supervised by Fincher.
I'd say it's just a guy in one of the support groups. But good eye because it's definitely from a scene/shot not in the movie, most probably shot by the production stills photographer.
Omission de traduction (grosse comme une maison 😂). Il dit « ce n’était pas un wind-up toy, mais plutôt un tour de magie »- en mettant l’accent sur l’ABSENCE d’un coté mécanique. Définition: A wind-up toy is an automaton toy powered by a clockwork motor= jouet à remonter/jouet mécanique. Or, la traductrice parle seulement de « tour de magie » 🤦♂️. Déçu.
Just searching the Internet for 15 years. You do it randomly and regularly and you sometimes strike gold like this. There's a lot of stuff there. But a lot of it is very hidden. And unfortunately, a lot more gets erased.
@@thefincheranalyst oh, so it was on youtube or dailymotion at some point? or was there a news outlet that had it available? kinda looks like a vhs rip. i do the same thing too; obsessively searching.
I've never heard anything about it. And I've read and listened to everything about this film. But that would be a very cool idea. Distribute different edits of the film with different chants, to mess up with people's perception of reality.
I was terribly disappointed by this. For David Fincher who directed Gone Girl this is really a loose effort. The problem is that the plot never ties in. There is an idea here. And they stuck with the idea even in a normal way it would still be fine. What was required is more cohesive story and then taking it back. The plot as presented here does not make sense. Its like as Dan Murrel said you made me drive and drive for something special and then you ultimately took me to Chilly's.
22:19 "...this little detail of "google maps" and "amazon" was amazing"...FFS, if this is what excites the world, it might as well end now! PS ) It was a good film, but there was PLENTY more excitable elements than that! I'm surprised he didn't say amazing because McDonald's was in there as well...🙄
A shame you cut out the kind of interesting part. Between the vision and the lining-up 0:55, there is no music, just ambience and chanting, it kinda sounds like they are saying Nyarla(la)thotep.
He is so handsome and cool, I see many people commenting here saying that he should be the next Bond and I totally agree. He would fit the role. Sexy, smart, charming, dangerous eyes and a great body figure. 😍😍😍
Jennifer Saunders on the bucket hat: "Oasis". She's spot on. Liam Gallagher was one of the main references for the style of "The Killer". Costume Designer Cate Adams: "He’s always wearing bucket hats and oversized windbreakers. It’s, like, ‘Are you kidding?’ You can look at him through the decades and he’s aways wearing something similar. I love his look. I mean, he was playing Glastonbury and I don’t even think it was raining but he was wearing this, like, ginormous, oversized windbreaker. And I was, like, ‘What is going on? Aren’t you sweating to death?’ But maybe that’s his schtick, you know. He’s trying to burn calories. He doesn’t give a f**k, right? Isn’t that Liam? That’s The Killer. There’s nothing in there. He doesn’t care. He couldn’t really care less about what anyone thinks of him. He doesn’t really need anyone to survive. It’s just him."
Lets not forget that in Fight Club, Brad Pitt's character Tyler wore yellow gloves while having sex with Marla Singer. There is something about David Fincher and these gloves...
Ha, ha. You got it. "People are perverts". But there's an inversion, here. Those were regular kitchen gloves used for a sexual purpose. The idea of using them came from Brad Pitt. These are gloves for sexual practices adapted for non-sexual purposes. The idea of using them came from Costume Designer Cate Adams. And Fincher just loves working with kinky people.
That lead Black woman was a real Dick for no reason. I can’t understand the pain.. the agony of what was going on back then.. but throughout the season she was high key mad disrespectful and kind of an instigator
@@starsmash7491 That silent moment in the middle is also completely muted. I had to remove a whole chunk of audio, and I edited the video to better conceal it. It was this or not being able to have audio at all.
